Carlos Motta, Artist



Carlos Motta’s (b. 1978, Colombia) multi-disciplinary art practice documents the social conditions and political struggles of sexual, gender, and ethnic minority communities in order to challenge normative discourses through acts of self-representation. As a historian of untold narratives, Motta is committed to in-depth research on the struggles of post-colonial subjects and societies. His work manifests in a variety of mediums including video, installation, sculpture, drawing, web-based projects, performance, and symposia.

Motta’s work was the subject of the survey exhibitions Carlos Motta: Your Monsters, Our Idols at the Wexner Center for the Arts, Columbus, OH, USA; Carlos Motta: Formas de libertad at the Museo de Arte Moderno de Medellín (MAMM), Colombia (2017) that traveled to Matucana 100, Santiago, Chile (2018); and Carlos Motta: For Democracy There Must Be Love, Röda Sten Konsthall, Gothenburg, Sweden (2015). 

In 2023, Motta will have solo exhibitions at the Museo de Arte Moderno de Bogotá (MAMBO) and P.P.O.W Gallery, New York; and will participate in the  major exhibition Signals: How Video Transformed the World at The Museum of Modern Art (MoMA), New York.

Other solo exhibitions at international museums include, We Got Each Other’s Back, Portland Institute for Contemporary Art (PICA) (2020); Corpo Fechado, Galeria Avenida da Índia (EGEAC), Lisbon (2018); The Crossing, Stedelijk Museum, Amsterdam (2017); Histories for the Future, Pérez Art Museum (PAMM), Miami (2016); Réquiem, Museo de Arte Latinoamericano the Buenos Aires (MALBA) (2016); Patriots, Citizens, Lovers, PinchukArtCentre, Kiev (2015); Gender Talents, Tate Modern, London (2013); La forma de la libertad, Sala de Arte Público Siqueiros, Mexico (2013); We Who Feel Differently, New Museum, New York (2012); Brief History, MoMA/PS1, New York (2009); and The Good Life, Institute of Contemporary Art (ICA), Philadelphia (2008); among others.

Motta participated in Is it morning for you yet?, 58th Carnegie International (2022); The Crack Begins Within, 11th Berlin Biennale for Contemporary Art (2020); Incerteza Viva: 32nd Bienal de São Paulo (2016); A Story Within A Story: Göteborg International Biennial of Contemporary Art (2015); Burning Down the House: X Gwangju Biennale (2014); and Le spectacle du quotidian: X Lyon Biennale (2010). His films have been screened at the Rotterdam Film Festival (2016, 2010); Toronto International Film Festival (2013); and Internationale Kurzfilmtage Winterthur (2016); Film at Lincoln Center (2021); Anthology Film Archives (2022); among many others.

Other recent group exhibitions include Haus der Kulturen der Welt, Berlin (2022); Kunsthalle Wien, Vienna (2021); The Metropolitan Museum of Art, New York (2020); The Institute of Contemporary Art (ICA), Boston (2019); San Francisco Museum of Modern Art (SFMoMA) (2019); and Migros Museum, Zürich (2019).

Carlos Motta’s first 20-year career monograph Carlos Motta: History’s Backrooms was published by SKIRA in June 2020.

Motta won the Vilcek Foundation’s Prize for Creative Promise (2017); the PinchukArtCentre’s Future Generation Art Prize (2014); and a Guggenheim Fellowship (2008). Motta has received grants from Penn Mellon Just Futures Initiative (2022), The Rockefeller Brothers Fund (2019), Art Matters (2008), NYSCA (2010), Creative Capital Foundation (2012), and the Kindle Project (2012).

He has recently delivered talks and presentations at Carnegie Mellon University, Pittsburgh; Amant Foundation, New York; Guggenheim Museum; Museu de Arte de São Paulo (MASP); Berlin Biennial; The Center for Cultural Studies, UCSC; Summit X Sessions, Creative Time; MIT List Center; MoMA; Artists Space; New Museum; Frieze New York; and Museo Jumex. Motta guest edited the e-flux journal April 2013 issue, “(im)practical (im)possibilities” on contemporary queer art and culture.

Carlos Motta’s work is in the permanent collection of The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; Guggenheim Museum, New York; San Francisco Museum of Modern Art; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museo de Arte Contemporaneo de Barcelona; Museu Fundaçao Serralves, Porto; and Museo de Arte de Banco de la República, Bogotá; among many other institutional, corporate and private collections around the world.

Motta is tenure-track Associate Professor of Interdisciplinary Practice at Pratt Institute’s Fine Arts Department.

Download CV here


[show] Education

Whitney Museum Independent Study Program, New York, USA, 2006

Master of Fine Arts, 2003
Milton Avery Graduate School of the Arts at Bard College, New York, USA

Bachelor of Fine Arts, Photography, 2001
The School of Visual Arts, New York, USA

[show] Grants, Residencies & Awards

Premio Santa Lucía a mejor corto experimental, competencia nacional, 2022
(Best experimental short film, national competition)
20 Bogoshorts, Bogotá, Colombia

Fellowship, 2022
Obra Viva: Artistic Creation Laboratory

Banco de la República, Centro Cultural Leticia, Colombia

EFA Studio Program 2022, New York

Project Grant, 2022
“Dispossessions in the Americas”
Penn Mellon Just Futures Initiative Grant (with MAMBO, Bogota)

Visual Arts Residency,
The Wexner Center for the Arts, Columbus

Project Grant, 2019
Rockefeller Brothers Fund, New York

PS122 Project Studio Program, 2019-2022, New York

Visiting Scholar
, 2018
Department of Performance Studies, New York University (NYU), New York

The Vilcek Foundation Prize for Creative Promise, 2017

Finalist— Discovery Award, 2015
LOOP, Barcelona, Spain

Main Prize— Future Generation Art Prize 2014
PinchukArtCentre, Kiev, Ukraine

Hoteles Catalonia Award, 2013
In recognition to the best work selected by the LOOP 2013 jury, Barcelona, Spain

Beca de circulación nacional e internacional para artistas y agentes de las artes visuales
Ministerio de Cultura, Colombia

Artist Residency, 2013
The Institute for Art, Religion and Social Justice—Union Theological Seminary, New York, USA

Makers Muse Award, 2012
Kindle Project, Santa Fé, New Mexico, USA

Visual Arts Grant, 2012
Creative Capital, New York, USA

Individual Artist Grant, 2010
New York State Council on the Arts (NYSCA), New York,USA

Jury Prize, 2010
Map Digital Space, Finger Lakes Environmental Film Festival (FLEFF),   Ithaca, NY

Artist Residency, 2009
Flaggfabrikken, Bergen, Norway

Guggenheim Fellowship, 2008
John Simon Guggenheim Memorial Foundation, New York,USA

New Commission, 2008
Art in General, New York,USA

Studio Residency, 2008
Smack Mellon, New York,USA

Special Editions Residency, 2008
Lower East Side Printshop, New York,USA

Finishing Funds, 2008
Experimental Television Center, New York,USA

Art Matters Grant, 2007
Art Matters Foundation, New York,USA

Artist Residency, 2007
International Artists Studio Program in Sweden (IASPIS), Stockholm, Sweden

Swing Space Program, 2007
Lower Manhattan Cultural Council, New York,USA

DaNY Arts Grant (with HOMEWORK), 2007
Danish Arts Council, Aarhus, Denmark

Subvention Grant, 2006
Cisneros Fontanals Foundation (cifo), Miami, FL, USA

Next Exhibition Award, 2006
Real Art Ways, Hartford, CT, USA

Fellowship, 2005/06
Whitney Museum Independent Study Program, New York, USA, 2005/06

Workspace Grant for Emerging Artists, 2005
Center for Book Arts, New York

Workspace Program Residency, 2004
Lower Manhattan Cultural Council, New York, USA

Fellowship, 2001/02/03
Milton Avery Graduate School of the Arts at Bard College, New York, USA

Rhodes Family Award for Exceptional Achievement in Photography, 2001
The School of Visual Arts, New York

[show] Solo Exhibitions/Projects

Carlos Motta
Museu d’Art Contemporani de Barcelona (MACBA)
Curated by Agustín Pérez-Rubio

Carlos Motta
Museo de Arte Moderno de Bogotá (MAMBO)
Curated by Eugenio Viola

Carlos Motta
P.P.O.W Gallery, New York

Carlos Motta: Your Monsters, Our Idols
Wexner Center for the Arts, Columbus
Curated by Lucy Zimmerman

Cuerpos en gravedad: Daniel Correa Mejía y Carlos Motta 
Mor Charpentier, Bogotá

When I Leave This World
Carlos Motta and Tiamat Legion Medusa

OCD Chinatown, New York
Curated by Liūtauras Pšibilskis

Carlos Motta and Jaanus Samma: Otherness, Desire, The Vernacular (Two-person show)
Temnikova & Kasela, Tallinn, Estonia.
Curated by Denis Maksimov

Carlos Motta: We The Enemy
Mary Porter Sesnon Gallery, University of California Santa Cruz
Curated by Rachel Nelson

Carlos Motta: We Got Each Other’s Back
Portland Institute of Contemporary Art (PICA)
Curated by Roya Amirsoleymani and Kristan Kennedy

Carlos Motta: Billboard from “50 State Initiative”
Judd Foundation, New York, in collaboration with For Freedoms

Dialogues: David Wojnarowicz and Carlos Motta
P.P.O.W Gallery at ARCO, Madrid

Carlos Motta: Conatus
P.P.O.W Gallery, New York

Carlos Motta
Galeria Vermelho, São Paulo

Carlos Motta: Deseos 
Galeria Vermelho, São Paulo

Carlos Motta: The Psalms
Discoveries, Art Basel Hong Kong with Mor Charpentier Galerie, Paris

Carlos Motta: Petrificado
CDAN— Centro de Arte y Naturaleza, Fundación Beulas, Huesca
Curated by Juan Guardiola

Carlos Motta. Formas de libertad
Centro Cultural Matucana 100, Santiago de Chile
Curated by Emiliano Valdés

Carlos Motta: L’oeuvre du Diable
Mor Charpentier Galerie, Paris

Carlos Motta: Corpo Fechado
Galeria Avenida da Índia (EGEAC), Lisbon
Curated by Pedro Faro and Sara Matos

Carlos Motta. Formas de libertad
Museo de Arte Moderno de Medellín (MAMM)
Curated by Emiliano Valdés

Carlos Motta: Lágrimas
Museo de Arte de la Universidad Nacional at the Claustro de San Agustín, Bogotá
Curated by María Belén Sáez de Ibarra

The SPIT! Manifesto (with SPIT! (Carlos Motta, John Arthur Peetz and Carlos Maria Romero))
Frieze Projects, London
Curated by Raphael Gygax

Carlos Motta: The Crossing
Stedelijk Museum, Amsterdam
Curated by Martijn Van Nieuwenhuyzen

Carlos Motta: Desviaciones
Centro Cultural Gabriel García Márquez / Colombian Embassy in Spain, Madrid
in collaboration with Mor Charpentier Galerie, Paris

Beloved Martina...
Mercer Union, Toronto
Curated by Georgina Jackson

P.P.O.W Gallery, New York

Mondo Invertito (Performance)
Tenuta dello Scompiglio, Vorno
Part of the performance festival “Sui generis”
Curated by Angel Moya and Eugenio Viola

Histories for the Future
Pérez Art Museum (PAMM), Miami
Curated by María Elena Ortíz

Hordaland Kunssenter, Bergen

MALBA—Museo de Arte Latinoamericano de Buenos Aires
Curated by Agustín Pérez Rubio

For Democracy There Must Be Love
Röda Sten Konsthall, Gothenburg
Curated by Aukje Lepoutre Ravn

Mor.Charpentier Galerie, Paris

Patriots, Citizens, Lovers…
PinchukArtCentre, Kiev
Curated by Bjorn Geldhof

Nefandus Trilogy
Galeria Filomena Soares at Solo Projects ARCO, Madrid

El Túnel Arte Alternativo, Cuenca, Ecuador
Curated by Anamaría Garzón Mantilla

Gender Talents (in the context of Charming for the Revolution: A Congress for Gender Talents and Wildness)
The Tanks, Tate Modern, London (co-presented with Electra)

The Movers (with Matthias Sperling)
The Tanks, Tate Modern, London

Godfull: Shape Shifting God as Queer— A Performative Symposium
The Institute for Art, Religion and Social Justice, Union Theological Seminary, New York (with Jared Gilbert)

La forma de la libertad
Sala de Arte Público Siqueiros (Proyecto fachada), Mexico City
Curated by María Elena Ortíz

Galeria Filomena Soares, Lisbon

La visión de los vencidos
Galeria La Central, Bogotá

ritual of queer rituals (with AA Bronson)
Witte de With, Rotterdam

La visión de los vencidos
PINTA VIDEO, Curated by Octavio Zaya
Y Gallery at PINTA NY, New York

Museum as Hub: Carlos Motta: We Who Feel Differently
New Museum, New York
Curated by Eungie Joo

Carlos Motta
Y-Gallery at PINTA, New York

Deus Pobre: Modern Sermons of Communal Lament

Y Gallery, New York

The Future Lasts Forever (with Runo Lagomarsino)
Gävle Konstcentrum, Gävle, Sweden

Broken English (with Julieta Aranda)
Performa 11 Project, New York

A New Discovery: Queer Immigration in Perspective (with Queerocracy)
Risk + Reward Series, Museum of Art and Design, New York

Petite Mort: Recollections of a Queer Public (with Joshua Lubin-Levy)
Forever & Today, New York

Normativo (Two-person show with LTTR)
Espacio de Arte Contemporaneo, Museo de La Tertulia, Cali. Curated by Veronica Wiman

We Who Feel Differently
Visningsrommet USF, Bergen, Norway

The Good Life and Six Acts: An Experiment in Narrative Justice
Wiener FestWochen, Vienna

Six Acts: An Experiment in Narrative Justice
Museo de Arte del Banco de la República, El Parqueadero, Bogotá

The Good Life and Six Acts: An Experiment in Narrative Justice
Hebbel am Ufer (HAU), Berlin, Germany

We Who Feel Differently
Other Gallery, Shanghai, China

Brief History
MoMA/PS1, Long Island City, Queens, NY

La Buena Vida/The Good Life
Fundación Alzate Avendaño, Bogotá, Colombia
Smack Mellon, New York, USA
Festival Fabbrica Europa, Firenze, Italia

The Immigrant Files: Democracy Is Not Dead, It Just Smells Funny
Konsthall C, Stockholm, Sweden
Baltic Art Center (BAC), Visby, Sweden

La Buena Vida/The Good Life
ICA: Institute of Contemporary Art, Philadelphia, USA
Art in General, New York, USA

The People…
Johannesburg Art Gallery, South Africa
KZNSA Gallery, Durban, Kwazulu Natal, South Africa

Leningrad Trilogy
Winkleman Gallery, New York, USA

The Good Life (Installation Sketch # 3) and Other Works in Progress
Lower Manhattan Cultural Council, New York, USA

The Good Life (Installation Sketch # 1)
rum46, Aarhus, Denmark

SOA: Black & White Tales
Kevin Bruk Gallery at bâleLatina, Basel, Switzerland
Kevin Bruk Gallery, Miami, Fl, USA
Real Art Ways, Hartford, CT

Bury Them And Keep Quiet
Alliance Française, Bogotá, Colombia (Catalog)(2004)

Ese Algo que Somos
Alonso Garcés Galería, Bogotá, Colombia (2004)

The Missing Series
Kevin Bruk Gallery, Miami, Fl, USA (2004)

Pesca Milagrosa
La Corte Arte Contemporanea, Florence, Italy (2002)

[show] Group Exhibitions

Signals: How Video Transformed the World
The Museum of Modern Art (MoMA), New York. Curated by Stuart Comer and Michelle Kuo

Is it morning for you yet? 58th Carnegie International
Carnegie Museum of Art, Pittsburgh. Curated by Sohrab Mohebbi

This Is Not a Burial, It’s a Resurrection (Performance with  Simon(e) Jaikiriuma Paetau)
Haus der Kulturen der Welt, Berlin. Curated by Xiang Zairong, Anselm Franke, Elisa Giuliano, Dee Westwood, and Claire Tancons

Disobedience Archive (Ders Bitti), curated by Marco Scotini and Can Altay
17th Istanbul Biennial, Turkey

The Cinema of Gender Transgression: Trans Film Series: Exuberance as Process
Anthology Film Archives, New York. Curated by Joey Carducci and Angelo Madsen Minax

Letters from Overseas; Zooming into De Molina’s Collection
Coral Gables Museum, Miami. Curated by Yuni Villalonga

Macho: Representing Masculinity
Another Space, New York. Curated by Estrellita Brodsky

National Competition of Experimental Shorts
Bogoshorts, Bogotá, Colombia

Nada fluye como el río
Asociación del Teatro Caracol, Vigo, Spain. Curated by Victor Ramírez Tur.

Fine Arts Faculty/Staff Exhibition Series
The Rubelle and Norman Schafler Gallery, Pratt Institute, Brooklyn. Curated by Kyle Staver

Apuntes maricas 
Oficina de Investigaciones Patafisicas, Mexico City. Curated by Reynel Ortíz

The Oceans and the Interpreters
Hong-Gah Museum, Taipei, Taiwan. Curated by Nobuo Takamori

Together – Interact, Interplay, Interfere
Kunst Meran Merano Arte, Merano, Italy. Curated by Judith Waldmann

Trailblazers Park
Fire Island Pines. Curated by TM Davy

Y de pronto no había más orilla
Il Posto, Santiago, Chile. Curated by Gala Berger and Miguel A. López

Eros Rising
Institute for Studies on Latin American Art (ISLAA), New York.
Curated by Mariano López Seoane and Bernardo Mosqueira

Skin in the Game
400 N. Peoria Ave., Chicago. Curated by Zoe Lukov

Art for the Future: Artists Call and Central American Solidarities
Tufts University Art Galleries, Boston; University of New Mexico Art Museum, Albuquerque; DePaul Art Museum and Chicago Cultural Center, Chicago.
Curated by Abigail Satinsky and Erina Duganne

Historic Sight
Gallery Closed, Pittsburgh, curated by Phillip Andrew Lewis and Lenka Clayton

Skin in the Game
1620 Washington Avenue, Miami. Curated by Zoe Lukov

Intervenciones contemporáneas
Museo de Arte de Lima (MALI), Peru

Counter Encounters
Art of the Real, Film at Lincoln Center, New York. Curated by Laura Huertas Millán and Rachel Rakes

Terra Nostra
Mor Charpentier, Bogotá

Incandescences: Regarding the Passage of Electrical Energy Through Solid Bodies
ArteBA, Buenos Aires. Curated by Julieta Tarraubella

Transfronteras y temporalidades amazónicas
Centro Cultural de España, La Paz. Curated by Juan Fabbri

Kindred Solidarities: Queer Communities and Chosen Families
The 8th Floor/ The Shelley & Donald Rubin Foundation, New York. Curated by Sara Reisman and Anjuli Nanda Diamond

P.P.O.W Gallery, New York. Curated by Eden Deering

Psychopathia Sexualis
Overgaden, Copenhagen. Curated by Mathias Kryger

American Boy
Mor Charpentier, Online Viewing Room, Paris.

Wandamba yalungka…/Winds Change Direction…
Radical Broadcast, Performa, New York. Curated by Maura Riley

And If I Devoted My Life To One of Its Feathers?
Kunsthalle Wien, Vienna. Curated by Miguel López

Un deseo tan fluído como el Mar
Museo Marítimo de Barcelona. Curated by Dr. Victor Ramírez

Das dritte Geschlecht
A.K.T, Pforzheim, Germany. Curated by Janusz Czech

Skopje Pride Weekend, Macedonia. Curated by Slavco Dimitrov

Off the Record
Guggenheim Museum, New York. Curated by Ashley James

STOA169: The Artist Column Hall in Polling, Polling, Germany.

Ires y venires: Diálogos en torno a la colección de Arte del Banco de la República
Casa Republicana de la Biblioteca Luis Ángel Arango, Bogotá. Curated by Estrella de Diego, Sigrid Castañeda y Julien Petit

Pantalla abierta. Obras de la colección MACBA
Museu d’Art Contemporani de Barcelona (MACBA). Curated by Anna Garcia Munàrriz

Shoreline Movements
Taipei Fine Arts Museum, Taipei Biennial, Curated by Erika Balsom and Grégory Castéra (Council)

Museum of Contemporary Art Skopje, Macedonia. Curated by Jovanka Popova

The Crack Begins Within: 11th Berlin Biennale for Contemporary Art
Curated by María Berrios, Renata Cervetto, Lisette Legnado, and Agustín Pérez Rubio

The Time Complex: Yerevan Biennial 2021. Curated by Lorenzo Fusi

Viaje hacia la luz
Aninat Galería, Santiago, Chile. Curated by Thiago Verardi

De Voz a Voz
Museo de Arte Moderno de Bogotá (MAMBO). Curated by Eugenio Viola

In Plain Sight
National Intervention on July 4th throughout the U.S. Organized by Cassils and Rafa Esparza

Visual AIDS, New York (Online during Covid-19)

Art at a Time Like This (Online during Covid-19). Curated by Barbara Pollack and Anne Verhallen

Hell is a Place on Earth, Heaven is a Place in Your Head
P.P.O.W Gallery, New York (Online during Covid-19)

As Soon As If It Was Not
LOOP—Barcelona (Online during Covid-19). Curated by Pedro Torres

Never Spoken Again: Rogue Stories of Science and Collections
Eli and Edythe Broad Art Museum at Michigan State University
East Lansing, MI, USA; The College of Wooster Art Museum
Wooster, OH, USA; Telfair Museums, Jepson Center
Savannah, GA, USA. Curated by David Ayala-Alfonso for ICI

sex workers’ pop-up, New York City. Curated by Alexis Heller

When Home Won’t Let You Stay: Migration through Contemporary Art
Minneapolis Institute of Arts, Minneapolis;  Iris and Gerald B. Cantor Center for the Visual Arts at Stanford University. Curated by Ruth Erickson and Eva Respini with Ellen Tani

Radical Hope
Mor Charpentier, Paris

We We First Arrived…
The Corner at Whitman-Walker, Washington D.C. Curated by Mary Ellen Carroll and Lucas Michael

Still I Rise: Feminisms, Gender, and Resistance
Arnolfini, London. Curated by Amy Budd, Albert Potrony, and D-M Withers

Tan pronto como si no fuera: selección de videos de Loop Barcelona
Centro Nacional de Arte Contemporaneo, Cerrillos, Chile. Curated by Pedro Torres

Contempo, Paris, France. Curated by Mehdi Dakhli

Una presentación sobre la insuficiencia de las imágenes
La Cueva, Mexico City. Curated by Jared Quinto and Gonzalo Reyes Rodriguez

Soft Power
San Francisco Museum of Modern Art (SF MoMA), San Francisco. Curated by Eungie Joo

From the Margins
Gallery 102, Corcoran School of the Arts and Design, Washington D.C.

2nd Anren Biennale: A Confrontation of Ideals. Curated by Hé Guiyan and Siebe Tettero

6 Festival de Cine Radical, Cinemateca Boliviana, La Paz.

United by AIDS—An Exhibition about Loss, Remembrance, Activism and Art in Response to HIV/AIDS
Migros Museum, Zürich. Curated by Raphael Gygax

When Home Won’t Let You Stay: Migration through Contemporary Art
The Institute of Contemporary Art, Boston. Curated by Ruth Erickson and Eva Respini with Ellen Tani

RIOT—Antwerp Queer Arts Festival (with SPIT!)

BOFFO Fire Island Performance Festival (with SPIT!)

The Present Is Not Enough
Hebel am Ufer (HAU), Berlin. Curated by Ricardo Carmona

IN-VISIBLE REALNESS: In Berlin 50 Jahre nach Stonewall
PS120, Berlin. Curated by Ben Livne Weitzman und Justin Polera

as it rises into the air: listening in practice
Goethe-Institut / Max Mueller Bhavan Mumbai, India, Curated by Juana Awad and Zeenat Nagree

Home is a Foreign Place. Recent Acquisitions in Context
Metropolitan Museum of Art, New York. Curated by Brinda Kumar

About Face: Stonewall, Revolt and the New Queer
Wrightwood 659, Chicago. Curated by Jonathan Katz

Under Construction. Relatos desde Latinoamérica en la Colección CIFO
Fundación Fugaz, Lima

La naturaleza de las cosas: Humboldt, idas y venidas
Museo de Arte de la Universidad Nacional, Bogotá. Curated by Halim Badawi

Rivers Flow Out of My Eyes
tagenboschvanvreden, Amsterdam. Curated by Madelon van Schie

Pasado tiempo futuro: Arte en Colombia en el siglo XXI
Museo de Arte Moderno de Medellín (MAMM), Medellín

Transamerica/n: Gender, Identity, Appearance Today
McNay Art Museum, San Antonio, TX. Curated by Jackie Edwards,  Bianca Alvarez and René Paul Barilleaux

Entrecruce Latinoamericano— Travestismo cultural
Galeria Isabel Aninat, Santiago

De-colombianity Now! Videocañonazos del Post-conflicto. Vol 3. Colombian videoart on Post-Conflict & Utopia
Panorama Colombia, the Colombian Film Festival of Berlin. Curated by Julián Santana

Matadero, Madrid. Curated by Grenda Landolt and Sharon Lerner

Portadores de Sentido–Arte contemporáneo en la Colección Patricia Phelps de Cisneros
Museo Amparo, Puebla. Curated by Sofía Hernández Chong Cuy

A Decolonial Atlas: Strategies in Contemporary Art of the Americas
Mandeville Gallery at Union College, Schenectady, New York. Curated by Pilar Tomkins Rivas

50 States, 50 Billboards
FOR FREEDOMS. Curated by Eric Gottesman and Hank Willis Thomas

Mark for Redaction
Flux Factory, New York. Envisioned by Razan Al-Salah and curated by Hilal Khalil

Territorios que importan. Género, arte y ecología
Centro de Arte y Naturaleza, Fundación Beulas, Huesca. Curated by Juan Guardiola and Patricia Mayayo Bobst

Debes seguir. No puedo seguir. Seguiré.* (With SPIT!)
Espacio Odeón, Bogotá. Curated by Alejandra Sarria

Estados migratorios
Centro Cultural de España en Lima. Curated by Manuel Segade

7 Festival de Cine La Orquídia, Cuenca.

Habitación compartida
Museo de Arte Miguel Urrutia (MAMU), Bogotá. Curated by Sigrid Castañeda, Julien Petit, and Luis Fernando Ramírez

Dialogues in Time: Charting Genealogies and Intersections of Gender
Referentes: ArtBO, Bogotá. Curated by Pilar Tomkins Rivas

4 Contemporary artists from Colombia an iniciative by Thibault Poutrel.
Curated by Catherine Petitgas. Claustro de San Agustín, Museo de Arte de la Universidad Nacional de Colombia, Bogotá.

A group exhibition with work by Dora García, Sharon Hayes, Mahmoud Khaled, Emily Jacir, Carlos Motta, Wu Tsang, and Akram Zaatari, as well as a letter by Quinn Latimer. Witte de With Center for Contemporary Art, Rotterdam. Curated by Sofía Hernández Chong Cuy and Samuel Saelemakers

Tradiciones subvertidas: hacia una etnografía queer, La Casa Encendida, Madrid. Curated by Quiela Nuc

Savannah College of Art and Design. Curated by Storm Janse van Rensburg

UTOPIAS, Centro de Arte Contemporáneo de Quito, Ecuador. Curated by Eduardo Carrera

Verbo 2018, 14a mostra de performance arte, São Paulo

Cast of Characters: An Immersive Installation by Liz Collins Featuring Portraits by 100 LGBTQ Artists
Bureau of General Services— Queer Division, New York

Enchanted Bodies / Fetish for Freedom
Galleria d’Arte Moderna e Contemporanea di Bergamo (GAMeC). Curated by Bernardo Mosqueira

Landscapes After Ruskin:Redefining the Sublime
Grey Art Gallery NYU, New York. Curated by Joel Sternfeld

In the Name Of…
LATINX LGBTQ FESTIVAL, Fuerza Fest New York, Julia de Burgos Cultural Center. Curated by Richard Morales

Part of the Continuum, Sion-St. Peter’s Church, New York

Video “cañonazos” of post-conflict. Colombian video art on Utopia & Post-conflict. Vol 2., The Colombian Film Festival in Berlin – PANORAMA COLOMBIA, Berlin

Germen, Ediciones Popolet, Galeria Jaqueline Martins, São Paulo

Queer Tropics, Transformer, Washington D.C.

Ensaios do Outro Mundo –  Acervo Histórico Videobrasil, OLHO Video Festival. Curated by Alessandra Bergamaschi
Cineteatro São Luiz, Fortaleza; and Cinemateca, Museu de Arte Moderna do Rio de Janeiro

Campo a través. Arte colombiano en la colección del Banco de la República, Sala Alcalá 31, Madrid

The Words We Won’t Say, works from the collection of Thibault Poutrel, Residencia de la Embajada de Colombia, Madrid

Unfinished Portrait, Mor Charpentier Galerie, Paris

Liberté, Égalité, Fraternité, Weekends, Paris. Curated by Rasmus Myrup (with SPIT!)

Section 28 Tribute Night – 30 years on, Queer Tours of London8 (with SPIT!)

Beyond The Binary, Lomography, London (with SPIT!)

Queer Cafe at Lush – Summit, London (with SPIT!)

Talking HIV Stigma during Stick It To Stigma, Canvas Cafe, London, 2018 (with SPIT!)

Names Printed in Black, LACE, Los Angeles. Curated by Emily Butts

A Decolonial Atlas: Strategies in Contemporary Art of the Americas
Tufts University Art Gallery, Medford, MA. Curated by Pilar Tomkins Rivas

Exquisite Corpse: Moving Image in Latin American and Asian ArtMana Wyndham, Miami. Organized by Asia Society Museum, Mana Contemporary, and Smack Mellon.

The Words We Won’t Say, Four Contemporary Artists from Colombia: An Initiative of Thibault Poutrel, Mana Wynwood, Miami. Curated by Catherine Petitgas

Queer Tropics, Pelican Bomb Gallery X, New Orleans

Working for the Future Past, Seoul Museum of Art Seosomun Building. Curated by Jin Kwon

Council presents The Against Nature Journal
Contour Biennale 8, Mechelen

Festival Internacional de Cine de Morelia, Mexico

Sex, Lies and Videotapes, POMADA 7 Queer Festival, Warsaw, Poland

Histórias da sexualidade
Museu de Arte de São Paulo Assis Chateaubriand (MASP). Curated by Camila Bechelany, Pablo León de la Barra, Lilia Moritz Schwarcz and Adriano Pedrosa. 

Tracing Trajectories: Selections from the Hoggard/Wagner Collection
Trestle Projects, Brooklyn. Curated by Jesse Bandler Firestone

Pacific Standard Time: LA/LA: Video Art in Latin America 
LAXART, Los Angeles. Curated by Glenn Phillips and Elena Shtromberg

Pacific Standard Time: LA/LA: Guatemala from 33,000 km: Contemporary Art from 1960 – Present
Museum of Contemporary Art Santa Barbara. Curated by Miki Garcia and Emiliano Valdes

Selections from the 32nd Bienal de São Paulo: Incerteza Viva
Curated by Jochen Volz with Gabi Ngcobo, Júlia Rebouças, Lars Bang Larsen and Sofía Olascoaga
Museo de Arte Moderno, Bogotá

Over the Rainbow
Praz-Delavallade, Los Angeles

Visual Notes for an Upside-Down World
P.P.O.W Gallery, New York. Curated by Jack McGrath

Os corpos são as obras
Despina, Rio de Janeiro. Curated by Guilherme Altmayer and Pablo Leon de la Barra

Fragile State
PinchukArtCentre, Kiev. Curated by Bjorn Geldhof

After the Fact. Propaganda 2001-2017
Lenbachhaus, Munich. Curated by Stephanie Weber

Dixit: rro
ArteBA, Buenos Aires. Curated by Sarah Demeuse and Javier Villa

89 Noches. Descolonizando la sexualidad y la oscuridad
Museo de Antioquia, Medellín. Curated by Stephanie Noach y Carolina Chacón

2 Chiangjiang International Biennale of Photography and Video Art. Curated by Bisi Silva and Wang Qingsong

We’re Happy Here in the Happy House
Proyecto Amil, Lima. Curated by Joel Yoss

Hangar, Lisbon. Curated by Julia Morandeira

Universo holograma
Museo La Tertulia, Cali. Curated by Lina López and François Bucher

A Decolonial Atlas: Strategies in Contemporary Art of the Americas
Vincent Price Art Museum, Monterey Park, California. Curated by Pilar Tomkins Rivas

Revisiones: Obras contemporáneas en la colección del MALI
Museo de Arte de Lima

International Competition, 20 Internationale Kurzfilmtage Winterthur, Belo Horizonte, Brazil

Invideo 2016, Milan

Luststreifen Queer Film Festival Basel

20th Anniversary Show, Smack Mellon, Brooklyn. Curated by Charlotta Kotik

Lo que se ve no se pregunta
Centro Cultural de España en México, México City. Curated by Susana Vargas

Dissent: What They Fear is the Light
LACE, Los Angeles. Curated by Shoghig Halajian and Thomas Lawson

Time-Based Art Festival (TBA) :16
Portland Institute of Contemporary Art

32nd Bienal de São Paulo: Incerteza Viva
Curated by Jochen Volz with Gabi Ngcobo, Júlia Rebouças, Lars Bang Larsen and Sofía Olascoaga

The Morality Reflex
Contemporary Art Centre (CAC), Vilnius. Curated by Heidi Ballet

The Revolution Will Not Be Grey 
Aspen Art Museum, Aspen. Curated by Courtenay Finn

INVIDEO—26 Mostra Internazionale di video e cinema oltre, Milano

FUSO 2016, Anual de Vídeo Arte Internacional de Lisboa

O que vem com a aurora 
Galeria Casa Triângulo, São Paulo. Curated by Bernardo Mosqueira

Muestra de Cine Queer Colombiano: Experiencias Cinematográficas Sexodisidentes
Fundación Cineteca Pública, Centro Cultura del Oriente, Bogotá

Labor Relations
Wrocław Contemporary Museum. Curated by Sylwia Serafinowicz

Dissonance (Screening)
Harold Williams Auditorium, J. Paul Getty Museum, Los Angeles
Curated by Glenn Phillips and Elena Shtromberg

Landscapes After Ruskin:Redefining the Sublime 
Hall Art Foundation, Reading, VT. Curated by Joel Sternfeld

The 11th Xposed International Queer Film Festival, Berlin

‘O GAFA FA’ASIPA (Queer Genealogies)
Gertrude Contemporary, Emerging Curators’ Program, Next Wave Festival, Melbourne
Curated by Léuli Eshraghi

Monash University Museum of Art (MUMA), Melbourne. Curated by Francis E. Parker

ConTexto: Palabra, escritura y narración en el arte contemporáneo
Museo Universidad de Antioquia (MUUA), Medellín. Curated by Francine Birbragher and Oscar Roldán

Lembre-se de lembrar
Carbono Galeria, São Paulo. Curated by Alexia Tala

Smack Mellon, Brooklyn, New York. Curated by Alexis Heller

Do Ask, Do Tell: Male Homoerotic Art from Latin America (1970s-2016)
Henrique Faria Fine Arts, New York. Curated by Juan Ledezma

The Anthropophagic Banquet (Screening)
Instituto das Artes, University of Rio de Janeiro. Curated by Rosana Sancin

<Barthes, mon amour> (
La ONG, Buenos Aires

As Long As It Takes: Short
45th International Film Festival Rotterdam

Under the Same Sun: Art from Latin America Today
Museo Jumex, Mexico
South London Gallery, London. Curated Pablo León de la Barra

Resistance Performed
Migros Museum für Gegenwartskunst, Zürich

They Will Remember Us in the Future
Academy Gallery, NAA, Sofia. Curated by Vladiya Mihailova

A Decolonial Atlas: Videos from the Americas 2010-2015
Something Else – Off Cairo Biennale
Oficina de Proyectos Culturales, Puerto Vallarta (2016)
Curated by Pilar Tompkins Rivas

A Strangely Glorious Opportunity. Curated by Panos Fourtoulakis
Fringe! Queer Film & Arts Fest, London

23 Festival Mix Brasil de Cultura da Diversidade, Sao Paolo

Encuentro Internacional de Arte de Medellín, MDE15

Molodist, 45th Kiev International Film Festival

Lee mis labios. Curated by Miguel López
TEOR/éTica, San José, Costa Rica

Then & Now: Ten Years of Residencies at The Center for Book Arts. Curated by Alex Campos
The College of New Rochelle Castle Gallery, New Rochelle, New York

Queer Lisboa 19. Festival Internacional de Queer Cinema, Lisbon

A Story Within A Story
Göteborg International Biennial of Contemporary Art. Curated by Elvira Dyangani Ose

Memorias imborrables. Curated by Agustín Pérez-Rubio
MALBA, Buenos Aires
MARCO – Museo de Arte Contemporánea de Vigo
Museum Angewandte Kunst, B3 Biennal of the Moving Image, Frankfurt
Laboratorio de Arte Alameda, Mexico City (2016)

Les Rencontres Internationales, Berlin 2015
Haus der Kulturen der Welt, Berlin

Japanese Nightingale Doesn’t Sing At Night
XYZ collective, Tokyo. Curated by American Boyfriend

Acting on Dreams: The state of immigrant rights, conditions, and advocacy in the U.S.
Franklin Street Works, Stamford, CT. Curated by Yaelle Amir

Discovery Award Exhibition
LOOP Barcelona 2015, Antigua Fábica, Estrella Damm

Orde Baru OK. Video – Indonesia Media Arts Festival, Galeri Nasional Indonesia, Jakarta. Curated by Mahardika Yudha

DIXIT: El mundo tal como es y el mundo como podría ser
ArteBA, Buenos Aires. Curated by Julieta González

Cannibale, ou le Musée Anthropophage
Le Musée de la Chase et de la Nature, Paris. Programmed by Laura Huertas Millán

12th Queer City Cinema International Film Festival, Regina, Canada

Frente à Euforia
Oficina Cultural Oswald de Andrade, São Paulo. Curated by Mariana Lorenzi, Isabelle Rjeille and Fabio Zuker.

5th Thessaloniki Biennale of Contemporary Art, State Museum of Contemporary Art

Wild Noise: Artwork from The Bronx Museum of the Arts and El Museo Nacional de Bellas Artes, Habana, Cuba

The 10th Xposed International Queer Film Festival, Berlin

The Manufacturing of Rights
Ashkal Alwan, Beirut. Curated by Council— Grégory Casterá and Sandra Terdjman

Then & Now: Ten Years of Residencies at The Center For Book Arts, New York

Natural Beginners, Nuvolari, Paris

Ejercicios de traslado: colecciones 9915, Centro de Arte Alcobendas, Madrid

6 Proyecciones, Casa América, Madrid

Encrucijadas//Encruzilhadas: Corpos, Corpus, Corpses, Dialogues for Latin American Cinemas
Michelson Theater, NYU Department of Cinema Studies, New York

NUMUteca: libre, Nuevo Museo de Arte Contemporaneo de Guatemala

Ornament (Two-person show with Amy Siegel), Simon Preston Gallery, New York

Wave & Particle, Ronald Feldman Fine Arts, New York

FOKUS 2015 Video Art Festival, Nikolaj Kunsthal, Copenhagen

Rip It!, Theater Freiburg & Museum für Neue Kunst, Freiburg

Canibalia, Kadist Art Foundation, Paris. Curated by Julia Morandeira

Tiger Awards Competition for Short Films
International Film Festival Rotterdam

#1: Cartagena
The First International Biennial of Contemporary Art of Cartagena de Indias. Curated by Berta Sichel with Bisi Silva, Barbara Krulik and Paul Willemsen.

QP5- El cuerpo queer, la construcción de la memoria (Zanele Muholi and Carlos Motta)
ARTE ACTUAL – FLACSO, Quito. Curated by Anamaría Garzón Mantilla

Espai d’art contemporani de Castelló, Spain. Curated by Arlandis Marroquí

Micro-acciones de emergencia # 3
ADN Platform, Barcelona. Curated Inés Jover and Claudia Segura

I see in the Sea Nothing Except the Sea. I don’t See a Dove. I don’t See a Shore
The Camera Club of New York. Curated Heather M. O’Brien

La noche del apagón
Museu d’Art Contemporani de Barcelona. Curated Isaias Griñolo y Beatriz Preciado

Under the Same Sun: Art from Latin America Today
Guggenheim Museum, New York. Curated Pablo León de la Barra

Festival de Cine Ciclo Rosa, Cinemateca Distrital, Bogotá; Centro ColomboAmericano, Medellín.

IBAFF-Festival Internacional de Cine de Murcia

Festival Internacional de Cine Asterisco, Buenos Aires

Transvisible, 19 Bienal de Arte Paiz, Guatemala. Curated by Cecilia Fajardo-Hill with Anabella Acevedo, Rosina Cazali and Pablo Ramírez.

Colonia apócrifa
Museo de Arte Contemporáneo de Castilla y León (MUSAC), León, Spain. Curated by Juan Guardiola

Bellos Jueves
Museo Nacional de Bellas Artes, Buenos Aires, Argentina. Curated by Santiago Villanueva

European Short Films Competition, New Horizons International Film Festival, Wroclaw, Poland

Sinopale 5—International Sinnop Biennale, Turkey.
Curated by  T. Melih Görgün, Dimitrina Sevova, Emre Zeytinoğlu, Aslı Çetinkaya, Işın Önol and Elke Falat

Realidades en Conflicto
Espacio Artnexus, Estudios Las Nieves, Bogotá, Colombia. Curated by  Francine Birbragher and Oscar Roldán Alzate.

PORT. Galerij Verbeeck Van Dyck. Antwerp Queer Arts Festival
Curated by  Thomas Grødal

Instant HERLEV Institute, Copenhagen. Curated by Lucia Sanromán

5 Years, 6 Works, 7 Artists, LOOP Awards 2010-2014

Fuso: Anual de Video Arte Internacional de Lisboa. Programmed by Conrado Uribe

Después de lo anterior
Galería Santa Fe, Bogotá. Curated by Carolina Ponce de León

memórias inapagaveis
Sesc Pompeia—VIDEOBRASIL, Sao Paolo. Curated by Agustín Pérez-Rubio

The Unwritten
Marres House for Contemporary Culture, Maastricht, The Netherlands. Curated by Valentijn Byvanck

Burning Down the House — 10th Gwangju Biennale
Curated by Jessica Morgan with Fatos Ustek and Emiliano Valdes

EVAKUIEREN (with Camilo Godoy)
Mousonturm, Frankfurt. Curated by Akira Takayama

Inventer le possible. Vidéothèque éphémère 2
Jeu de Paume, Paris. Curated by Marta Ponsa and Hilde Van Gelder

16 Muestra Internacional Documental de Bogotá, Colombia

Salón de Belleza in Utopian Pulse — Flares in the Darkroom
Secession, Vienna. Curated by Miguel A. López

Evidencias de los hechos — Adquisiciones recientes
Museo de Arte del Banco de la República, Bogotá.

Future Generation Art Prize
PinchukArtCentre, Kiev

Migraciones: Género, economía, poscolonialismo
Galería de Arte del Palacio Municipal, Puebla, Mexico. Curated by Michael López Murillo

Rencontres Internationales a Paris, Gaîté Lyrique, Paris

global aCtIVISm
ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe. Curated by Peter Weibel and Andreas Beitin

The Temptation of AA Bronson
Witte de With, Rotterdam. Curated by AA Bronson

Erinnerungsfelder/ Campos de memoria
Galerie Ratskeller, Berlin. Curated by Oscar Ardila

Carlos Motta – Zachary Drucker – Sopheak Sao
Where Dreams Cross at Cinemaqueer International Film Festival, Stockholm. Programmed by Åsa Segerstedt Falewicz

Wavelenghts Program
Toronto International Film Festival. Programmed by Andréa Picard

Disobedience Archive
Castello di Rivoli, Turin. Curated by Marco Scotini

Fractured Spaces
Flaherty NYC Film Festival, New York. Programmed by Jerónimo Rodriguez

Ideas y Presupuestos
jugada a 3 bandas, Galeria Liebre, Madrid. Curated by Marti Manen

Museum of Latin American Art (Molaa), Long Beach. Curated by Idurre Alonso

Without Reality There is No Utopia
Yerba Buena Center for the Arts, San Francisco

Battleground States
Utah Museum of Contemporary Art, Salt Lake City. Curated by Aaron Moulton

From Below, As A Neighbor
Drugo More, Rijeka, Croatia. Curated by Fatima Hellberg

Ciclo rosa 2012, Cinemateca Distrital y Galería Santa Fé, Bogotá 

Required Reading: Printed Material As Agent of Intervention
Center for Book Arts, New York. Curated by Yaelle Amir (Brochure)

Contested Territories
Dorsky Gallery—Curatorial Programs, Long Island City, Queens. Curated by Miguel Amado (Brochure)

Traneudstillingen Exhibition Space, Hellerup, Denmark

Latin America: Between Identity and Mask 
Art Stays International Festival of Contemporary Art, Ptuj, Sovenia. Curated by Antonio Arévalo

III Trienal Poligráfica de San Juan, San Juan, Puerto Rico. Curated by Deborah Cullen, Sergio Bessa, Ursula Dávila and Rebeca Noriega.

Ñew York: Latin American and Spanish Artists in New York
Art Museum of the Americas, Washington D.C. Curated by Paco Cano, Eva Mendoza and Jodie Dinapoli.

Found in Translation
Guggenheim Museum, New York. Curated by Nat Trotman

The Air We Breathe
San Francisco Museum of Modern Art. Curated by Apsara di Quinzio (Book)

The Walls That Divide US
apexart, New York. Curated by Miguel Amado (Brochure)

Modo de empleo 3: Desobedecer a toda costa, video y manifestaciones
Museo Carrillo Gil, Mexico City. Curated by Miguel López (Brochure)

The Unseen Eye: Photographs from the W.M. Hunt Collection
George Eastman House International Museum of Photography and Film, Rocherster, New York. (Book)

Sin realidad no hay utopía
Centro Andaluz de Arte Contemporáneo, Sevilla, Spain
Curated by Alicia Murría, Mariano Navarro and Juan Antonio Álvarez. (Catalogue)

InSite: Art + Commemoration
Lower Manhattan Cultural Council (Online), New York

Patria o Libertad!
Cobra Museum, Amstelveen, The Netherlands
Museum of Contemporary Canadian Art, Toronto, Canada. Curated by Paco Barragán

Multiple, Limited, Unique
Center for Book Arts, New York— Traveling from until 2013 to Savannah College of Arts and Design; Minnesota Center for Book Arts; Museum of Printing History, Houston, TX; Lafayette College, Easton, PA; The Book Club of California, San Francisco.

Drawn to Disaster
Institute of Contemporary Art at Maine College of Art, Portland, Maine

Motion of a Nation
VM21 Arte Contemporanea, Rome, Italy. Curated by Antonio Arévalo

Aesthetic Justice
The Lambent Foundation, New York. Curated by Niels van Tomme. (Catalogue)

Boundaries: Selections from the Molaa Permanent Collection
Molaa, Long Beach, CA.

Stuttgart Filmwinter, Stuttgart, Germany (Catalogue)

To the Arts Citizens!
Museu Serralves, Porto, Portugal. Curated by Oscar Faria and João Fernandes (Book)

Notes on Memories
IG Bildende kunst, Vienna, Austria. Curated by Sophie Goltz

Miami Dade College at The Freedom Tower. Curated by Sonia Becce. (Catalogue)

Second World Congress of Free Artists
Aarhus Kunstbygning. Organized by CAMEL

Monitoring Exhibition
27th Kassel Documentary Film and Video Festival, Kassel, Germany. (Catalogue)

How To Do Things With Words
Parsons School of Design, New York. Curated by Melanie Crean

The Politics of Art
National Museum of Contemporary Art, Greece, Athens. (Book)

The Creative Act
Henie Onstad Kunstsenter, Oslo, Norway. Curated by Tone Hansen (Catalogue)

Art Today Association – Center for Contemporary Art, Plovdiv, Bulgaria. Curated by Katia Anguelova and Andrea Wiarda

Kabul, Jenin, Tehran…
MIT List Visual Arts Center, Cambridge. Curated by João Ribas

2nd “Qui Vive?” Moscow International Biennale for Young Art
Moskow Museum of Modern Art, Moskow, Russia. Curated by Martin Schibli. (Catalogue)

The Mobile Archive
Stacion-Center for Contemporary Art Prishtina, Kosova

The Art of War
CEPA Gallery, Buffalo, NY, USA (Catalogue)

Avenue of the Americas
LMCC Lent Space, New York. Curated by Adam Kleinman. (Brochure)

39th International Film Festival Rotterdam (IFFR), The Netherlands (Catalogue)

Geography of Trans-territories
Walter and McBean Galleries, San Francisco Art Institute, San Francisco. Curated by Hou Hanru. (Brochure)

Biennale Cuvee 10
OK Center for Contemporary Art, Linz. (Catalogue)

Le spectacle du quotidien
X Biennale de Lyon, Lyon, France. Curated by Hou Hanru. (Catalogue)

Matrix: The Unstable Reality
28 Biennial of Graphic Arts, Ljubijana, Slovenia. (Catalogue)

Conversation Pieces
CEPA Gallery, Buffalo, NY, USA. Curated by Sean Donaher and Mariam Ghani. (Catalogue)

Espai d’art contemporani de Castelló (EACC), Castellón, Spain. (Catalogue)

Turn on, Tune in, Drop out
Beijing 798 Biennale 2009, China. Curated by nicoykatiushka

Feedforward- The Angel of History
LABoral Art Center, Gijón, Spain. Curated by Christiane Paul and Steve Dietz. (Catalogue)

The 21st Century, The Feminine Century, and the Century of Diversity and Hope
International Incheon  Women Artists’ Biennale, Incheon, Korea. (Catalogue)

NO SOUL FOR SALE – A Festival of Independents (with Miguel Amado + Filipa Oliveira and with Migrating Forms)
X Initiative, New York

Special Editions
Lower East Side Printshop, New York.

Turn On
Slag Gallery, New York

Biennale Democrazia, Torino, Italy

Hungarian Cultural Institute, New York. Curated by Aniko Erdosi

Things Fall Apart
Winkleman Gallery, New York. Curated by Joy Garnett

Soft Manipulation, or Who is Afraid of The New Now?
Casino Luxembourg, Luxembourg
Stiftelsen 314, Bergen, Norway. Curated by Zoran Eric, Maria Lind and Enrico Lunghi. (Catalogue)

The Prisoner’s Dilemma
Cisneros Fontanals Art Foundation, Miami, USA. Curated by Leanne Mella. (Catalogue)

Archivo Sur
Futura, Prague, Czech Republic. Curated by Antonio Arévalo

Alternating Beats
RISD Art Museum, Providence, RI, USA. Curated by Zeljka Himbele

European Social Forum (ESF) Screening Program, Mälmo, Sweden. Programed by Michele Masucci and Jesper Nordahl

Ours: Democracy in the Age of Branding
Sheila C. Johnson Design Center at Parsons, New York, NY. Curated by Carin Kuonic and Marisa Olson for The Vera List Center

The Greenroom: Reconsidering the Documentary and Contemporary Art
CCS Bard Hessel Museum of Art, Annandale-on-Hudson, NY, USA. Curated by Maria Lind. (Catalogue)

Wild Horses
Art Space Diffusion138, University of Grenoble, France. Curated by Nicolas Audureau

The Long Distance Runner
Den Frie Udstillingsbygning, Copenhagen. Organized by Production Unit

Auto Memorized
Centrum for fotografi, Stockholm, Sweden

Festival International d’Art Video de Casablanca, Casablanca, Morocco

Magazzini del Salle- Punta della Dogana, Venice, Italy. Curated by Marco Baravalle

Night School
New Museum, New York, NY. A project by Anton Vidokle

In The Private Eye
ISE Foundation, New York, NY. Curated by Yaelle Amir

IASPIS, Stockholm, Sweden. Filtered by Cecilia Widenheim and Marti Manen. (Brochure)

Smack Mellon Gallery, Brooklyn, NY. Curated by Denise Carvalho

Timeline: Human Speed and Technology Speed
Korea Cultural Service China, Hong Kong, Curated by Jeeyun Kim.(Brochure)

Rotunda Gallery, Brooklyn, NY, USA. Curated by Patrick Grenier. (Brochure)

Y- Gallery, Queens, NY. Curated by Larry Litt and Cecilia Jurado

e-flux projects, New York, NY, USA

Atlante Latinoamericano
Centro de las Artes Conarte. En el Marco de el Forum Internacional de las Culturas, Monterrey, Mexico. Curated by Antonio Arevalo

Tollé…Toleránce (Screening)
Images Citoyennes, Festival International de la Vidéo, Liege, Belgium

Unmarked Categories (with HOMEWORK)
K2,Yzmir-Istanbul, Turkey. Organized by Elmas Deniz (Publication)

Quote Unquote
Nurture Art, Brooklyn, NY, USA. Curated by Yaelle Amir (Brochure)

CHALLENGERS!: art-e-conomy Selected Video Screening
Laboratorio Occupato Morion, Venice, Italy. Curated by Marko Stamenkovic

Symbiotic/Synergy: Selections from The Center for Book Arts Community
Columbia College Center for Book and Paper Arts, Chicago, IL, USA. Curated by Alex Campos

Carte Blanche á Heure Exquise! (Screening)
International Short Film Festival Oberhausen, Oberhausen, Germany

in someone else’s skin
CCS Bard Hessel Museum of Art, Annandale-on-Hudson, NY, USA. Curated by Rebeca Noriega-Costas (Brochure)

The Karma of War (Screening)
Wang Center- Stony Brook University, Stony Brook, NY, USA. Curated by Carla Machiavello

Foam_Fotografiemuseum, Amsterdam, The Netherlands

Recorridos y Video Proyecciones Durante ARCO
ArtBus, Madrid, Spain. Curated by Antonio Arevalo

System Error: War Is a Force That Gives Us Meaning
Palazzo delle Papesse, Siena, Italy. Curated by Lorenzo Fusi and Naeem Mohaiemen (Catalogue)

Estrecho Dudoso
TEOR/éTica, San José, Costa Rica. Curated by Virginia Pérez-Ratton and Tamara Díaz Bringas (Catalog)

Musée de ElyséeLausanne, Switzerland
Art in General at Deutsche Bank, New York, NY, USA. Curated by Sofia Hernandez Chong Cuy

Festival des Cinémas Différents de Paris (Screening)
Centre Culturel La Clef, Paris, France

Estudio Abierto
Palacio de Correos, Buenos Aires, Argentina. Organized by Gobierno de La Ciudad de Buenos Aires (Catalogue)

10 Defining Experiments: cifo 2006 Grant Program Recipients
Cisneros Fontanals Art Foundation (cifo), Miami, Florida, USA (Catalogue)

Manifesta 6 School (Cancelled)
Manifesta 6, Nicosia, Cyprus. Curated by Mai Abu El Dehab, Anton Vidokle and Florian Waldvogel

Prevailing Climate (Screening)
Sara Meltzer Gallery, New York. Curated by Rachel Gugelberger and Jeffrey Walkowiak

3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy. Curated by Antonio Arévalo (Catalogue)

Whitney Museum of American Art Independent Study Program Exhibition  
Chelsea Museum, New York

El Museo’s 4th Bienal: The (S) Files
Museo de Arte de Puerto Rico, San Juan, Puerto Rico. Curated by Deborah Cullen and Miki Garcia with Marysol Nieves (Catalogue)

4ème Festival International du Cinéma Iranien en Exil (Screening)
Art en Exil, Paris, France

When Artists Say We
Artists Space, New York. Organized by Andrea Geyer and Christian Rattemeyer

Fundación C4rto Nivel Arte Contemporaneo, Bogotá, Colombia. Curated by Jaime Cerón. (Catalogue)

Russia: Significant Other
ICA at the Anna Akhmatova Museum, St Petersburg, Russia. Curated by Olga Kopenkina (Brochure)

Jersey City Museum, Jersey City, NJ. Curated by Rocio Aranda Alvarado (Brochure)

Moving Time
Gallery Korea, Korean Cultural Service, New York, USA, Curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon (Brochure)

Featured Artist Projects
The Center for Book Arts, New York

El Salón de la Justicia
Galería Santa Fé, Bogotá, Colombia

Co-dependent (with Julieta Aranda)
College of Arts and Letters, Florida Atlantic University, Miami, Fl, USA. Curated by Omar Lopez-Chahoud

New Vectors, Southern Panorama
15th International Electronic Art Festival Videobrasil, Sesc Pompeia, Sao Paulo, Brazil (Catalog)

Prodajna galerija “Beograd”, Belgrad, Serbia. Curated by Marko Stamenkovic

El Museo’s 4th Bienal: The (S) Files
El Museo, New York, USA. Curated by Deborah Cullen and Miki Garcia with Marysol Nieves (Catalog)

Enemy Image
Momenta Art, Brooklyn, NY, USA. Curated by Elena Sorokina

Se acabó el rollo? La fotografia en Colombia de 1950 a 2000
Museo Nacional, Bogotá, Colombia. Curated by Eduardo Serrano (Publication)

Selections from ‘Dancing Bear’ the Collection of W.M. Hunt
Arles: Les Rencontres Internationales de la Photo 2005, Arles, France

The Generals (with Julieta Aranda, K8 Hardy and Gareth James)
Art in General, New York, USA. Invited by Sofia Hernández (Publication)

Digital Cotton
Savannah Gallery at the Savannah College of Art, Savannah, GA, USA. Curated by Matthew Mascotte

The Book as Object and Performance
Gigantic ArtSpace, New York, USA. Curated by Sara Reisman (Catalogue)

LMCC’s Workspace 120 Broadway Open Studios
Lower Manhattan Cultural Council, New York, USA

The Freedom Salon
Deitch Projects, New York, USA. Curated by Christina Kukielski and Apsara Di Quinzio

2 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy. Curated by Antonio Arévalo (Catalog)

Free Roaming: Video Madness (Screening)
El Museo, New York, USA. Curated by Euridice Arratia

Produciendo Realidad
Associazione Culturale Prometeo di Lucca, Lucca, Italy. Curated by Marco Scotini (Catalog)

Urbes Interiores
Biblioteca Luis Angel Arango, Bogotá, Colombia. Curated by José Roca (Catalog)

Outdoor Intervention
PS122 Gallery, New York, USA

Establishing Shot
Artists Space, New York, USA. Curated by Christian Rattemeyer (Catalog)

Salón Regional de Artistas de Bogotá
Museum of Modern Art, Bogotá, Colombia (Catalogue)

XII Art Biennial of Cerveira
Forum Cultural, Cerveira, Portugal (Catalog)

Visiones, Fotología Photography Festival
Universidad de Salamanca, Bogotá, Colombia. Curated by Clemencia Poveda (Brochure)

Berliner Kunstproject, Berlin, Germany. Curated by David Adamo and Gordana Benzanov

Agitate: Negotiating the Photographic Process
SF Camerawork, San Francisco, CA, USA. Curated by Dore Bowen and Chuck Mobley (Publication)

No Money No Honey
Area (Contenitore d’Arte Contemporanea), Palermo,Italy. Curated by Antonio Arévalo

 [B L A N K]: In Pursuit of An American History
Staller Center for the Arts, Stony Brook University, Stony Brook, NY. Curated by Stephanie Dinkins and Keith Miller

Mundos Creados: Constructed Photography from the Wider Caribbean
Noorderlicht Photofestival, Fries Museum, Groningen, The Netherlands. Curated by Wim Melis (Catalog) (2002)

Fresh: New Photography
Peter Hay Halpert Fine Art, New York, USA (2002)

Latin-American Photography from New York to Santiago de Chile
Fotografia, Primo Festival Internazionale di Roma, IILA, Rome, Italy. Curated by Antonio Arévalo (Catalog)(2001)

Tecnica Mista
La Corte Arte Contemporanea, Florence, Italy. Curated by Patrizia Landi (Brochure)(2000)

[show] Monographic Publications & Books

Carlos Motta: History’s Backrooms (Monograph, 300p. Edition of 2000)
Published by SKIRA, Italy (2020)

The Future Lasts Forever (with Runo Lagomarsino) (Book, 224p. Edition of 500)
Published by Gävle Konstcentrum and Iaspis, Sweden, 2011

BROKEN ENGLISH (Tabloid, 48 pages, co-edited with Julieta Aranda)
Published by Performa 11, New York, USA, 2011

Petite Mort: Recollections of a Queer Public (with Josh Lubin-Levy) (Book, 160p. Edition of 500)
Published by Forever & Today, Inc., 2011

We Who Feel Differently (Book, 96p., Edition of 500)
Published by Ctrl+Z Publishing, Norway, 2011

A Timeline of Queer Immigration (with Camilo Godoy) (Newsprint poster, edition of 1000)
Published by the Museum of Art and Design, New York, October 2011
Second edition published by New Museum, New York, May 2011
Third edition published by CICLO ROSA, Bogotá, September 2011

We Who Feel Differently (Catalog, Edition of 500)
Published by The Other Gallery, Shanghai, China, 2010

La Buena Vida/The Good Life (Book, 136p., Edition of 500)
Published by Fundación Alzate Avendaño, Bogotá, Colombia, 2009

Brief History of Leftist Guerrillas in Latin America (Newsprint poster, edition of 1000).
Originally published for exhibition at MoMA/PS1, New York in 2009

La Buena Vida/The Good Life (Catalog, 85p., On demand)
Published by Art in General, New York,USA, 2008

The Immigrant Files: Democracy is Not Dead; It Just Smells Funny (Book, 185p., Edition of 500)
Published by Konsthall C, Stockholm, Sweden, 2009

What is Democracy To You? (Poster, Edition of 2000)
Originally published for exhibition at ICA, Philadelphia, 2008

Brief History of U.S. Interventions in Latin America Since 1946 (Poster, 4 editions of 2000 up to date).
Originally published for exhibition at Jersey City Museum, NJ, US, 2005

Arts & LEISURE (Tabloid, 28 pages, co-edited with The Generals)
Published by Art in General and e-flux, New York, USA, 2005

Close (Book, 76 pages, Edition of 700)
Published in 2000 by Deskubre, Rome, Italy, 2000

[show] Bibliography

Adell, Anna
Carlos Motta, Mirillas desde las que espiar lo contado
Le Bastart, January 2019

Anderson, Samuel
Carlos Motta Kindles Wojnarowicz’s Rage
V-Man, February 26, 2019

Berardini, Andrew
Madrid Roundup
Art Agenda, April 2, 2019

Betancourt, Manuel
Carlos Motta: on Excavating a Queer Historical Past and Imagining its Future
Extra Extra, March 2019

Bishop, Nancy
Stonewall Exhibit at Wrightwood 659 Celebrates Queer Art And “Trans-ness”: We Are Many Things At Once
Third Coast Review, May 31, 2o19

Can Yerebacan, Osman
A Pain That I’m Used To: When The Art World Embraced S&M
Elephant, June, 11, 2019

Can Yerebacan, Osman
Carlos Motta: Conatus
Brooklyn Rail, June 2019

Ferreira da Silva, Denise
Corpus Infinitum
Catalogue for the exhibition Carlos Motta: Corpo Fechado, Galeria Avenida da India, Lisbon, Portugal
EGEAC, Lisbon

Jaeger, William
Exhibit at Union College examines issues of power, U.S. hegemony
Times Union, January 30, 2019

Johnson, Steve
Queer art celebration honors Stonewall anniversary by looking beyond the binary
Chicago Tribune, May 30, 2019

Kotlarczyk, Abbra
Queer uses of colour: A tinted hermeneutics
Artlink, March 1, 2019

Leeb, Susanne and Stakemeier, Kerstin
Denise Ferreira da Silva Interviewed
Texte Zür Kunst, April 12, 2019

McGrath, Jack
Carlos Motta: Conatus
Brochure of the Exhibition: Carlos Motta: Conatus
P.P.O.W Gallery, NewYork

Motta, Carlos
in Confessions on the Dance Floor: Reveries From The Gay Bar
Art Forum, June 2019

Motta, Carlos
in What is Photography?
B&H Photo, August 2019

Small, Zachary
Queer Artists in Their Own Words: Carlos Motta Wants an Iced Almond Latte
Hyperallergic, June 6, 2019

Sulic, Susana
Carlos Motta
Artnexus 111, January 2019

Synec, Manuela
Corpo Fechado de Carlos Motta — uma revisitaçao da narrativa histórica
Umbigo, January 30, 2019

Vale de Almeida, Miguel
Way Back in History and Deep in the Jungle
Catalogue for the exhibition Carlos Motta: Corpo Fechado, Galeria Avenida da India, Lisbon, Portugal
EGEAC, Lisbon

Wright, Eric
Fifty Years After Stonewall, how do we commemorate its radical history?
Xtra, June 6, 2010

America Economía
Carlos Motta y la elección de Iván Duque
August 31, 2018

Carlos Motta: Formas de libertad, January 11, 2018

Backman, Marjorie
Updating Ruskin’s Sublime Landscape in the Age of the Anthropocene
Hyperallergic, July 2, 2018

Carrera, Edu
Deseos: Una película de Carlos Motta
Recodo, September 2018

Castillo, Rodrigo
Artista colombiano repasa sus grandes hits en Matucana
Las Ultimas Noticias, July 4, 2018

Devun, Leah and Tortorici, Zeb
Interview with Maya Mikdashi and Carlos Motta
Transgender Studies Quarterly, Volume 5, Number 4, Nov. 2018

Gabler, César
Formas de Libertad
La Penera, Junio 2018

Formas de Libertad
Más Deco, June 23, 2018

Gavilán, Jimmy
Artista desempolva la historia homosexual latinoamericana
La Segunda, July 19, 2018

Le Bastart
The Territory and its Layers: Gender, Nature, Body
November 6, 2018

Leal Soto, Vanessa
Imágenes de una contranarrativa: Carlos Motta en Matucana 100
El Mercurio, July 23, 2018

Moreno Moya, Nadia
Formas de libertad: Carlos Motta at MAMM, Medellín
Terremoto, January 25, 2018

Motta, Carlos
TOP 10
Artforum, January 2018

Pasqualotto, Silvia
In The Crossing: l’arte di Carlos Motta che racconta i rifugiati LGBTQI
Alley Oop, January 12, 2018

Ramírez, Diego Ignacio
Carlos Motta en Chile, el nuevo latino LGBTQAI, August 2, 2018

Ratia, Alejandro
Historia, laberintos y ocultaciones
ArteContexto, September 3, 2018

Rivieccio, Genna
Carlos Motta’s The Crossing Gives a Voice to Queer Refugees
The Pride: The Los Angeles LGBT Newspaper, January 15, 2018

Selvin, Claire
‘Curating Involves a Practice Against Forgetting’: Hans Ulrich Obrist Waxes Poetic at the Armory Show
Artnews, March 13, 2018

Small, Zachary
Best of 2018: Our Top 20 Exhibitions Around the World
16. Carlos Motta: The Crossing at the Stedelijk Museum (Amsterdam, Netherlands)
Hyperallergic, July 2, 2018

Small, Zachary
This Video Exhibit Offers Stark, Intimate Portraits of Queer Refugees
them., January 3, 2018

Umoly, Yesomi
Recordando la 32 Bienal de San Pablo: Vivir esta en el instante
C& America Latina, July 30, 2018

El MAMM acoge la primera retrospective de Carlos Motta en Colombia
December 13, 2017

Colucci, Emily
I Could Live With You in Another World: Entering the Upside Down World at PPOW Gallery 
filthy dreams, August 1, 2017

El Colombiano
El mundo es bello porque es diverso
November 29, 2017

El Tiempo
‘Lágrimas’, un testimonio de los estigmas y las diferencias
October 27, 2017

Frieze Magazine: Critic’s Guide Amsterdam
Carlos Motta, ‘The Crossing’, Stedelijk Museum
November 24, 2017

Folkerts, Hendrik
The Living Monument
Mousse Magazine, Fall 2018

Guzmán, Laura
La Bienal de Sao Paulo llega al Museo de Arte Moderno de Bogotá
El Tiempo, July 31, 2017

Heiserman, Katie
Visual Notes on an Upside-Down World at P.P.O.W

Carlos Motta: The Crossing, Fall 2017

Love, Heather
Histories Back Rooms: Carlos Motta Interviewed by Heather Love
Public Culture, Volume 29, Number 1, January 2017

Meijer, Laurens
Een minderheid in een minderheid, December 23, 2017

Netherlands—Financial Times
Niet gay genoeg bevonden
November 11, 2017

Pechaman, Alexandra
Diary: Flora and Fauna, October 25, 2017

Pedro, Leila
Topsy-Turvy Art for a World Turned on Its Head
Hyperallergic, July 21, 2017

Con el talento no es suficiente: hay que estudiar
Periódico Arteria, July 30, 2017

‘Lágrimas’: una instalación que retrata el sufrimiento
Revista Arcadia, October 28, 2017

Carlos Motta: Registros de la diferencia
Revista Caras, November 2017

Carlos Motta: Mucho más que “Desviaciones”
Semana, February 18, 2017

Salazar Ruíz, María Camila
‘Formas de libertad’, una muestra sobre la reinvindicación lgbti
El Tiempo, November 28, 2017

Sheets, Hillary
Gender-Fluid Artists Come Out of the Grey Zone
New York Times, September 15, 2017

Stromberg, Matt
Artists Decolonize the History of the Americas at the Vincent Prize Art Museum
Hyperallergic, April 19, 2017

Wall Street International
Carlos Motta
November 25, 2017

Alpert, Avi
Carlos Motta: Histories for the Future
Miami Rail, December 2016

Colucci, Emily
X-Ray of Civilization: Beyond Biopolitics in Carlos Motta’s “Deviations”
filthy dreams, May 8, 2016

Cotter, Holland
Carlos Motta, ‘Deviations’
New York Times, May 12, 2016

Dama, Francesco
An Anthology of Queer Art Theory Puts Artists First
Hyperallergic, May 26, 2016

Doucet, Emily
Carlos Motta: Beloved Martina
C Magazine, Issue 121, Autumn 2016

Dunham, Noah
Unpacking “Otherness” in Carlos Motta’s Deseos
The Portland Mercury, September 15, 2016

La indecencia y el arte de Carlos Motta
El Espectacular–Revista Digital de Tea Arte, Diciembre 21, 2016

Gigena, Daniel
Carlos Motta el el Malba: videos elegíacos para una teología de la diferencia
La Nación, December 1, 2016

Gaia, Giovanni
Performance e provocazione. Alla Tenuta dello Scompiglio
Artribune, June 13, 2016

Getsy, David
QUEER— Documents of Contemporary Art
Whitechapel Gallery and MIT Press, 2016

Getsy, David J.
Histories for the Future:Visionary Identification in the Work of Carlos Motta
Brochure, PPOW Gallery, New York

Gómez-Egaña, Pedro
Ten Questions: Carlos Motta
Kunstkritikk, August 25, 2016

Kleinman, Adam
Carlos Motta
Artforum, Summer 2016

Kogler, Stefanie
The art Practice of Carlos Motta and the archive as a tool for re-enactment and communication
World Art, March 2016

Kosciuczuk, Krzysztof
The Morality Reflex, October 29, 2016

Laia, Joâo
Live Uncertainty: 32nd Bienal de Sâo Paulo
Mousse Magazine, Fall 2016

Luna, Claire
Carlos Motta
Arte al Dia, January 2016

Martí, Silas
Carlos Motta rêve iconografia católica em chave sadomasoquista na Bienal
Folha de S. Paulo, November 12, 2016

Masushio, Taro
Critics’ Picks: Carlos Motta
Artforum, May 6, 2016

Motta, Carlos
Activism, Visuality, and the Needs of Queer Youth
Journal for Visual Culture, April 2016

Motta, Carlos
We Are Orlando
Bomb  Magazine, June 15, 2016

Motta, Carlos
A Personal Latin America
Frieze, August 2016

Norman, Lee Ann
Live Uncertainty: Impressions from Sao Paulo Biennial

Ortíz, María Elena
Histories for the Future (Essay for exhibition brochure)
Pérez Art Museum, Miami, 2016

Peláez, Carmen
All Eyes Are On These Latin American Artists
NBC News, December 2, 2016

Pérez-Rubio, Agustín
Muerte eterna (Essay for exhibition brochure)
MALBA, Buenos Aires, 2016

Revilla, Ana
Carlos Motta. Project Gallery. Historias para el futuro
ARTECONTEXTO, Octubre 24, 2016

Silver, Erin
Brochure, Mercer Union, Toronto

Carlos Motta: Las conversaciones en torno a la sexualidad y el género se han vuelto hegemónicas
October 12, 2016

Torchia, Franco
Parte de tu religión
Página 12, SOY, October 14, 2016

Yerebakan, Osman Can
Carlos Motta: Deviations at PPOW Gallery
ARTE FUSE, May 13, 2016

Small, Zachary
Art that Slows Down How We Assess Gender
Hyperallergic, April 4, 2016

Tyc, Cat
Carlos Motta
Bomb  Magazine, May 6, 2016

Uszerowicz, Monica
Carlos Motta: Histories for the Future, Pérez Art Museum, Miami
Best of 2016: Out Top 15 Exhibitions Across the United States
Hyperallergic, December 29, 2016

Vazquez, Neil
Artist Carlos Motta Revives Latin America’s Queer Culture With “Histories for the Future” at PAMM
Miami New Times, July 12, 2016

VICE Magazine
Ten Queer Reimaginings of New York’s ‘Gay Liberation Monument’
December 23, 2016

Berardini, Andrew
Carlos Motta, Suppression and Pre-Columbian Blowjobs
Art Review, January 2015

Janeksela, Jacklyn
Gender Talents is Making You Rethink Everything You Thought You Knew About Gender, March 26, 2015

Obregón, Catalina
El arte pecador de Carlos Motta
Revista Diners, February 2015

Olsson, Nils
En mångfald av röster
Kunstkritikk, February 6, 2015

Piñero, Alvaro
‘gender talents’ es la prueba de que el género está sobrevalorado
i-D, March 25, 2015

Rana, Matthew
Carlos Motta, Röda Sten Konsthall
Frieze Magazine, April 2015

Schoiswohl, Maria
Insider New York: Carlos Motta
Insiderei. com, March 19, 2015

Sutton, Benjamin
In An Artist’s Video Project, Getting to Know Trans and Intersex Activists
Hyperallergic, March 24, 2015

Svensk, Fredrik
Sex i kolonin
Aftonbladet, February 23, 2015

Teplitzky, Alex
Performing Gender
The Lab, Creative Capital Blog, March 11, 2015

Zaya, Octavio
Carlos Motta: Letter to My Father
Memórias Inapagáives, Associacâo Cultural Videobrasil

ARCO’14: El crítico como galerista
ABC Cultural, February 19, 2014

Barbancho, Juan-Ramón
El cuerpo queer, la construcción de la memoria, Marzo 2014

Cotter, Holland
Under the Same Sun, Art From Latin America, at Guggenheim
New York Times, June 12, 2014

Hontoria, Javier
Nuevos escenarios en los Solo Projects
El Cultural (Spain) — Especial ARCO, February 21, 2014

Kovalyova, Ekaterina
арлос Мотта: «Сексуальная идентичность — это ахиллесова пята нашего мира», April 9, 2014

Las diversidades sociales y sexuales aún son incómodas
HOY (Ecuador), February 23, 2014

León de la Barra, Pablo
Dispatch: Mexico, February 26, 2014

León de la Barra, Pablo
Dispatch: Colombia, April 2, 2014

López Jijón, Ana María
“El cuerpo es un espacio de resistencia donde la identidad se ejerce como performance”

Mejía, Joseph and Garrido, Rafael
Carlos Motta: Hacia una historiografía homoerótica
ICONOS- Flacso, Ecuador

Millán de Benavides, Carmen
Sus monstruos son nuestros ídolos: A propósito de la Trilogía Nefanda de Carlos Motta
Instituto Caro y Cuervo, Ciclo Rosa Audiovisual 2014

Molina, Oscar
Lo queer en sí es colonial
HOY (Ecuador), February 19, 2014

Moscoso, Manuela
Entrevista con Carlos Motta
Catalogue for “7.000.000”, Espai d’art contemporani de Castelló, 2014

Ortíz, Diego
Retratos de aquellas otras historias
El Comercio (Ecuador), February 20, 2014

Ostrander, Tobias
My Highlights from ARCOmadrid
ART SY,  February 26, 2014

Rodríguez Dalvard, Dominique
Bienal Internacional de Arte de Cartagena (BIACI)
Revista Diners, Marzo 11, 2014

Vera, Cristhian
Teoría queer y memoria
GATOPARDO Número 22 (Ecuador), 2014

Young, Peter
The Artists Subverting the Gender Binary
Dazed, November 20, 2014

Bettencourt, Sandra
A Arte Nefanda de Carlos Motta
Janela Urbana, August 8, 2013

Carbone, Christopher
We Created This: The Value of Mentorship for Queer Artists In the Age of Assimilation
Master of Arts Thesis, Columbia University Graduate School of Journalism, 2013  

Cotroneo, Rocco
Dalla politica Usa ai trans riprendo la mia Colombia
Corriere Della Sera, January 25, 2013

D’Arcy, David
What The Experimental Films at TIFF Tell Us About the Future of Film
Indiewire, September 16, 2013

Feiss, Ellen
Gender Talents: A Special Address

Frieze Blog, March 4, 2013

Feiss, Ellen
Absolute Democracy

Frieze Magazine, Winter 2012-2013

Kogler, Stephanie
Democracy Cycle— An Interview with Carlos Motta

Arara: Art and Architecture of the Americas, Issue 11, 2013

Marucci, Luciano 
L’Arte dei Paesi Emergenti

Juliet # 163, 2013

Mayer, Mariano
Arte al Dia, February, 2013

Motta, Carlos
AA Bronson: On the Ineffable Quality of His Life and Work
EXTRA EXTRA, April Issue # 2

Motta, Carlos, Guest Editor
(im)practical (im)possibilities
e-flux journal # 44, April Issue

Motta, Carlos
Deviations to Love
ATLANTICA, Journal of Art and Thought # 53

Motta, Carlos
Dios es pobre in The Second World Congress of Free Artists
Ed. Camel Collective. Aarhus Kunsthal, 2012

Nash, Mark
Das Dokumnentarische im Zeitalter der Asthetik — Documentary in the Age of Aesthetics 
Kultur Kreis, 2013

Ostrowska, Ania
Gender Charmers

the f word, Contemporary UK  Feminism, February 24, 2013

Sicinski, Michael
NEFANDUS in TIFF 2013. Wavelenghts Experimental Films—The Shorts and the Mediums, September 2013

Sierra, Sonia
Frontera y libertad, temas en los muros de la SAPS
El Universal, April 9, 2013 (Mexico)

Weil, Harry J.
Somewhere There is History: A Conversation with Carlos Motta
Afterimage Vol. 41, No. 2, 2013

Konsten att flytta ett berg
Aftonbladet, January 16, 2012

Amir, Yaelle
Required Reading (Catalogue)
Center for Book Arts

Berrío, Juana
On Queering Dominant Discourses: An Interview with Carlos Motta
Six Degrees, New Museum’s Blog, September 7, 2012

Bogre, Michelle
Activism: Practice and Process in Photography as Activism: Images for Social Change
Focal Press, 2012

Cruz, Araceli
Carlos Motta, On “We Who Feel Differently” and Obama’s Gay Marriage Stance
Village Voice, June 5, 2012

Clements, Alexis
Can We Queer the (Art) World, and Why Should We?
Hyperallergic, May 9, 2012

Diaz, Silvina
Sentir de una manera diferente…
Pie Derecho, May 2012

Durant, Marc Alice
Carlos Motta
Saint Lucy, September 2012

Erikson, Alex
Centering the Fringe
Next Magazine, April 27, 2012 

Finkelstein, Avram
We Who Feel Differently, May 10, 2012

Forero, Parra; Michael, Andrés
Carlos Motta: entre el arte y el museo
Premio Nacional de Crítica y Ensayo (Corto): Arte Contemporáneo en Colombia, 2012

Kartofel, Graciela
Carlos Motta at Y Gallery
Artnexus No. 84, Volume 11, 2012

Kogler, Stefanie
Mediation and the Role of Archives in Contemporary Art from Latin America
University of Essex, School of Philosophy and Art History, MA Curating Latin American Art, September 2012

Loek, Heida
Come! To Man’s Country: Counterpublic Space, Sexuality and Identity of the Gay Clone in New York City
American Studies, MA Dissertation, University of Groningen, 2012

López Sorzano, Liliana
Interrogando la diferencia
El Espectador, Mayo 20, 2012

Nakano, Sarah
Queer Eyes on “We Who Feel Differently” Exhibit, May 23, 2012

Petersson, Frans Josef 
Konsten att flytta ett berg
Aftonbladet, January 16, 2012 

Roca José and Suárez, Silvia
Transpolítico — Arte en Colombia 1992-2012
Lunwerg, Grupo Editorial Planeta, Colombia

3ra Trienal Poli/gráfica de San Juan: El Panal/The Hive (Catalogue)
Instituto de Cultura Puertorriqueña, 2012

Zaya, Octavio
We Who Feel Differently, The New Museum, New York
Arte al Dia, September 2012

Arevalo, Antonio
No se está trabajando con banderas sino con poéticas de lo personal
ArtiShock, June 2011

Ardila, Oscar
Zeit- Genössische Kunst im Öffentlichen Raum in Kolumbien
Kunststadt Stadtkunst, April 2011, Number 58

Without Reality There is No Utopia, June 6, 2011

Biesenbach, Klaus
Monopol Magazine, Janurary 2011

Bosco Díaz-Urmeneta, Juan
Descripción de la mentira
El Paí, Junio 20, 2011

burrough, xtine (Ed.)
NetWORKS: Case Studies in Web Art and Design
Routldege, 2011

Bourland, Ian
Critics’ Picks, Found in Translation, March 2011

Conrad, Ryan
Thinking Differently: Carlos Motta on public sex, collective memory, and queer activism
2Bmag online, October 18, 2011

de ll a 21: Sobre la constitución política del presente. Déficit (vs excedente)
De 11 a 21, March-June 2011, Number 1, Centro Andaluz de Arte Contemporáneo

Danbolt, Matthias
We Who Feel Differently, May 31, 2011

de la Vega Hurtado, Margarita
Cineastas Colombianos en los Estados Unidos
December 2011

di Quinzio, Apsara (Ed.)
The Air We Breathe
San Francisco Museum of Modern Art, 2011

La Tertulia Trangrede
El País. 8 de Agosto, 2011

Âs Artes, Ciudadãos!
Museu de Arte Contempoânea de Serralves, 2011

Fisher, Cora
Found in Translation
The Brooklyn Rail, March 2011

Gelder, Van Hilde
Aesthetic Justice
Le Magazine Jeu de Paume. 30 Mai, 2011

Gluzman, Yelena & Yankelevich, Matvei
Emergency Index—2011 Documenting Performance Annually
Ugly Duckling Press, 2011

Grate, Rachel
We Who Feel Differently: Artist Carlos Motta proposes a change in perspective
The Student Life, Published by Pomona College, September 2011

Hou, Hanru with Johnson, Mary Ellyn
Paradigm Shifts
San Francisco Art Institute, 2011

Haraldseth, Geir
Ten questions: Carlos Motta
Kunstikritikk Nordic Edition,, May 18, 2011

Hebert, Niels
Bananskal och drink pa golvet
Arbetarbladet, November 19, 2011

Kindstrand, Gunilla
Osäker framtid
Gefle Dagblad, November 19, 2011 

Public Sex in New York City
OUT TRAVELER, October 20, 2011

Rangel, Gabriela (Ed.)
arteBA: Bicentenarios después de la invención
arteBA Fundación, 2011

Symons, Stéphane
Aesthetic Justice

The Unseen Eye: Photographs from the Unconscious
Thames & Hudson and Aperture, 2011

Ullebø, Kjetil
Med kunstnerblikk pa skeive Norge
Fredag, Kultur & Folk, May 20, 2011

Zeithammer, Sabina
Carlos Motta, Wiener Festwochen, June 9, 2011

Amdam, Peter

Arkivets spøkelser
Kunstkritikk, September 9, 2010

Cahill, Zachary
The Creative Act, December 20, 2010

Días de Auditorio
ADN Cultura, June 26, 2010

Donovan, Thom
Melanie Crean: How To Do Things With Words
BomBlog, November 30, 2010

Exhibition Brochure: Biennale Cuvée 2010, at World Selection of Contemporary Art
OK Offenes Kulturhaus, Linz, Austria 2010

Exhibition Catalogue: smART at the Miami Dade College
Miami Dade College, 2010

Herrera, Adriana
Panorama del Arte Emergente Latinoamericano
Arte Al Día, June-August 2010, Issue 131

Hoyo, Andrés
El teatro colombiano invade a Berlín, April 13, 2010

Ithaca College Names Winners of Environmental Film Festival, March 10, 2010

Kampen om arkivet- Utstilling, The Creative Act
Aftenposten, Kultur, September 6, 2010

Libertad y Desorden
Black Box Berlin, March 23, 2010

La Paglia, Federica
Se Non Qui, Dove?
Cura Magazine, October-December 2010, Issue 06

López, Liliana
Artistas colombianos hacen presencia en Berlín, April 23, 2010

Marmeleira, José
Exposição- Somos todos cidadãos do mundo em Serralves
ípsilon, November 17, 2010

Marshall, Piper
Avenue of the Americas, September 13, 2010

Meierhenrich, Doris
Freiheit und Unordnung: Theater aus Kolumbien in HAU
Berliner Zeitung, April 26, 2010

Morales, Lorenzo
Experimento de Justicia Narrativa en Seis Actos, March 21, 2010

A Conversation Between Carlos Motta and Gabriela Rangel
Henie Onstad Art Centre Exhibition Catalogue, 2010

Exhibition Catalogue for “The Politics of Art”
National Museum of Contemporary Arts, Athens, 2010

Worlds Together- An hour with artist Carlos Motta
Fountain Head, Communicative Experimentation, June 27, 2010

Sarmiento, Jorge
¿El Libreto Teatral Como Discurso Artístico Del Arte Contemporáneo?
esferapú, September 18, 2010

Schulz, Ole
Wo die Gewalt zeitlos ist- Kritische kolumbianische Theatermacher versammeln sich im HAU
TANZ, April 2010

Schulz, Ole
Kein Fest Ohne Feind
Die Tageszeitung, April 22, 2010

Spreng, Eberhard
Antirhetorick einer mörderischen Wirklichkeit
Deutschlandradio Kultur,, April 26, 2010

Teicke, Friedhelm
Festival: Libertad y Desorden Freiheit und Unordnung
Zitty, April/May 2010

Teicke, Friedhelm
Gewalt und Leidenschaft
14 Tage Bühne, April/May 2010

Pintor colombiano reconcilia a Latinoamérica reordenado el sueño de Bolívar
Terra Argentina, October 23, 2010

Trezzi, Nicola
Avenue of the Americas at Lower Manhattan Cultural Council, July 13, 2010

Weiner, Andrew Stefan
The Shapes I Remember from Maps, Tracking New Geographies
X-TRA, Volume 12, Number 2

Wildermann, Patrick
O Land voll Blut und Wunden- Passionsspiele: Politisches Theater aus Kolumbien- ein Festival am Berliner HAU.
Der Tagesspiegel, Kultur, April 24, 2010

Wildermann, Patrick
Die dreckigen Helilgen
Der Tagesspiegel, March 25, 2010

Zerpa, Marth Escalona
Gran retrospectiva de Frida Kahlo, el músico Ruben Rada y arte joven colombiano en Berlín
Analí, May 5, 2010

Exhibition Catalogue: 5×5 Castelló‘09

EACC, Castelló, July 24- September 27, 2009

6th Annual New Prints Review
Art on Paper, November/December 2009, Vol 14, No. 2

Allerholm, Milou
Carlos Motta på Konstahall C, Stockholm, February 19, 2009

Amado, Miguel
Ours: Democracy in the Age of Branding at Parsons Anna-Maria and Stephen Keller Gallery, January 24, 2009

Bellet, Harry and Dagen, Phillippe
Biennale de Lyon, Petites choses, grande réussite
Le Monde,  September 16, 2009

Cole, Lori
Critics’ Picks: Things Fall Apart at the Winkleman Gallery, January 26, 2009

Durant, Mark Alice
Notes on Photography and Monumentality
Aperture, Fall 2009

Exhibition Catalogue: Feedforward- El ángel de la Historia/ The Angel of History 
Laboral Centro de Arte y Creación Industrial, 2009

Exhibition Catalogue: 28 Grafica Bienale/ Biennial of Graphic Arts
Mednarodni Graficni Likovni Center/ International Centre of Graphic Arts, 2009

Exhibition Catalogue: Xe Biennale de Lyon, Le Spectacle du Quotidien/ The Spectacle of the Everyday
Les Presses du Reél, 2009

Exhibition Catalogue: Incheon Women Artists’ Beinnale, Tuning Exhibition
Incheon Women Artists’ Beinnale Organizing Committee, 2009

Flores, Tatiana
Preemptive Resistances: Critical Pointers in Latin American Art
ArtNexus, June/August 2009, Issue 7

Incerti, Roberto
La Buena Vida/ The Good Life – Fabbrica Europa, Stazione Leopolda
La Repubblica, May 5, 2009

Iyer, Gayathri
The End. And…at Frederico Séve Gallery/Latincollector, August 4, 2009

Lindgren, Peter
Mörk bild av den svenska modellen/ Konsthall C, February 20, 2009

Listing of La Buena Vida/ The Good Life at Stazione Leopolda
Fabbrica Europa, May 5-May 23, 2009

Manen, Martí
Carlos Motta, los archivos del immigrante, at  Konsthall C
Exposiciones Europa

McQuaid, Cate
Vidoes, then and now, tell a story, at the RISD Museum, Janurary 4, 2009

Motta, Carlos
Brigada Ramona Parra
A Prior, Issue 03, 2009

Motta, Carlos
Allora and Calzadilla (Interview)
Bomb, Number 109, Fall 2009

Ospina, Lucas
Historia de dos Artistas, April 17, 2009

Peña, Carolina
La Buena Vida: Una Percepción Latinoamericana de Democracia
Acceso Directo, Portada, Edition 40

Peña, Pompillio
La fuerza de Carlos Motta en la Fundación Gilberto Alzate Avendaño, March 26, 2009

Pope-Chappell, Maya
Dissecting The Good Life, at Smack Mellon Gallery, March 23, 2009

Spotlight on Carlos Motta at P.S. 1 MoMA
Summer 2009, P.S.1 Summer 2009 Newspaper

Carlos Motta, Demokrati på riktigt/Konsthall C, Feruary 20, 2009

Carlos Motta, Undersöker den svenska demokratin/Konsthall C, January 28, 2009

Younger Than Jesus/ Artist Director/ New Museum
Phaidon, 2009

Jones, Caitlin

In The Private Eye at ISE Cultural Foundation
Rhizome, February 2008

Bernasconi, Roberta
VENEZIA TUTTO S.A.L.E., February 2008

Zellen, Jody
Carlos Motta
Art Papers, January 2008

Blagojovic, B.
Upcoming Events, “Parsons Fine Arts Lecture Series: Carlos Motta”
The Zine, October 14, 2008

Blagojovic, B.
Democracy in America at the Park Avenue Armory
The Zine, Events, News/Upcoming, September 22, 2008

Bryant, Eric
The Indecisive Image
Art News, March 2008

Buil, Belaxis
Carlos Motta, Capturing the Voice of the Masses
Art Voices, Creative Art Network, 2008

Cotter, Holland
With Politics in Air, a Freedom Free-for-All Comes to Town
The New York Times, September 23, 2008

Carvalho, Denise
The Good Life at the Institute of Contemporary Art
ArtNexus, No.116 September-November 2008, pg 156

Douglas, Sarah
New York Museum Shows to Restore Your Faith 
Art Info, November 3, 2008

Exhibition Catalogue: Soft Manipulation- Who is Afraid of the New Now?
Casino Luxembourg, 2008

Exhibition Catalogue: The Greenroom, Reconsidering the Documentary and Contemporary Art
Center for Curatorial Studies, Bard College, 2008

Estévez, Mayra
UIO-BOG, Estudios Sonoros Desde la Región Andina
Trama, 2008

Halpern, Ashlea
Exhibition listing of “Ours: Democracy in the Age of Branding” at Parsons Anna-Maria and Stephen Keller Gallery
Time Out New York, Own this city, October 16- October 22, 2008

Holmes, Pernilla
Blast from the Past- Artists around the globe are turning Socialist Realism on its head, layering the once-potent tool of propaganda with irony and nostalgia
Art News, January 2008

Kushner, Marilyn S.
The Future Must Be Sweet- Lower East Side Printshop Celebrates 40 Years
Lower East Side Printshop Inc., 2008

Mella, Leanne
Exhibition Catalogue: The Prisioner’s Dilemma
Cisneros Fontanals Art Foundation, 2008

Moreno, S.
Parsons Show Examines Democracy as Brand
I.D. Magazine, October 28, 2008

Motta, Carlos
Relations in Real Time: A Conversation with Maria Lind
Sjónauki Art Magazine, Number 3, 2008

Motta, Carlos
mapa zerø, 2008 2DA Trienal Poli/Gráfica de San Juan América Latina y el Caribe. Número Cero, Issue 1

Motta, Carlos
The Good Life
Art In General, New Commissions Program 2008

Ozuna, Tony
“Straight Shooters” of Archivo Sur: Art Between Identity and the Mask, at Futura
The Prague Post, November 19, 2008

Roalf, Peggy
Art at a Cultural Crossroads
Design Arts, October 16, 2008

Smith, Roberta
Exhibition listing of “Ours: Democracy in the Age of Branding” at Parsons Anna-Maria and Stephen Keller Gallery.
The New York Times, Arts and Leisure, October 10, 2008

New York goes democrazy
Flash Art, November 1, 2008

Ours: Democracy in the Age of Branding 
Art Slant New York, Exhibitions, October 2008

Soft Manipulatin- Who is afraid of the new now? at Casino Luxembourg 
ArtFama, March 2009

Stamenkovic, Marko
Interview with Carlos Motta, “Victims’ Dignity”, January 23, 2008

Thompson, Nato
A Guide to Democracy in America
Creative Time Books, 2008

Velasco, David
The Greenroom: Reconsidering the Documentary and Contemporary Art at CCS Bard/Hessel Museum, September 2008

Vriens, Matthias
Contributors, “Top Tip”
Elle UK, February 2008

Wilson, Beth E.
The Greenroom: Reconsidering the Documentary and Contemporary Art, “Lucid Dreaming” at CCS Bard/Hessel Museum
Chronogram, November 2008

Zellen, Jody
Carlos Motta
Art Papers, January/February 2008

Amir, Yaelle

Carlos Motta: The Leningrad Trilogy, Winkleman Gallery
whitehot, Oct. 2007

Hernández, Sofía
Carlos Motta: Consistently Aware
Arte Al Día Internacional, May 2007

Motta, Carlos
Means of Engagement: A review of Oliver Herring’s Show
Camerawork: A Journal of Photographic Arts, Fall 2007

Bordón, Juan Manuel

Carta Abierta a la Vanguardia Artística en el Correo Central
Clarin, Cultura, November 11, 2006

Clinton, Margaret Liu
Distortion, Disruption & Dispersion: Reconfigured Retellings
Kevin Bruk Gallery, Exhibition Brochure Essay, June 2006

Carlos Motta: Reciclador de Imagenes
Conección Colombia, Abril 6, 2006

Cotter, Holland
Whitney Independent Study Program
New York Times, May 12, 2006

Costa, Marcela
Balelatína, The Art of Latin America on the Banks of the Rhine
Arte al Día, No 115, September 2006

10 Experimentos Determinantes
Cisneros Fontanals Art Foundation, Exhibition Catalog, 2006

Genocchio, Benjamin
Black and White But Not That Simple: Carlos Motta Confronts Latin American Politics
New York Times, April 30, 2006

Genocchio, Benjamin
Is It the N.S.A., Or, an M.F.A?
New York Times, February 12, 2006

Herrera, Adriana
La incertidumbre en el arte contemporáneo
El Nuevo Herald, Oct. 15, 2006

Motta, Carlos
Venas Abiertas?
Exit Express, 2006

Motta, Carlos
Lesson Plan: Unlearn
NYFA Current, Dec, 2006

Cultura: Hablan los Artistas
Cambios, No. 685, August 14-20, 2006

Kilston, Lyra
The Front Page: Artists and Photojournalism
Artlies, 2006

Suarez De Jesus, Carlos
Ella’s Gift: Cifo is an oasis in a desert of concrete rot
Miami New Times, October, 2006

McKee, Yates
Carlos Motta’s Hemispheric Counter-Pedagogy
Real Art Ways, Exhibition Brochure Essay, May 2006

Perez, Dinorah
Carlos Motta en Kevin Bruk Gallery
Arte al Dia, Dec 2006

Projekt: The People Speak v. Saul Albert og Mikey
Kunst, Art Guide, September-October 2006

Rexer, Lyle
Bill Hunt’s Photographs
Art on Paper, January 2006

Turner, Eliza
Video, defined: Two shows focus on the history of video arts
The Miami Herald, Nov 5, 2006

Cotter, Holland

Latino Art, and Beyond Category
New York Times, September 2, 2005

Cullen Deborah
The (S) Files
El Museo, Exhibition Catalog Essay, 2005

Henry, Clare
The (S) Files
ARTnews, December, 2005

Howard, Christopher
El Museo’s Bienal: The (S) Files/The Selected Files
The Brooklyn Rail, November 2005

Kopenkina, Olga
Russia Significant Other
ICA, Exhibition Brochure Essay, St. Petersburg, Russia, February 2006

Micchelli, Thomas
The Book as Object and Performance
The Brooklyn Rail, January 2005

Powhida, William
Enemy Image
The Brooklyn Rail, October 2005

Serrano, Eduardo
Se acabo el rollo? La fotografia en Colombia de 1950 a 2000
Editorial Planeta, 2005

Ellis, David

New Home for WTC Art Studios
Downtown Express, July 15, 2004

Farrel, Jennifer
Establishing Shot
Exit Express, May 2004

Hudson, Suzanne
Establishing Shot
Artforum, September 2004

Rattemeyer, Christian
Establishing Shot
Artists Space, Exhibition Catalogue Essay, April 2004

Roca, José
Urbes Interiores: Carlos Motta, Enterrar y Callar
Biblioteca Luis Angel Arango, Exhibition Catalog Essay, June 2004

Schwendener, Martha
Establishing Shot
Time Out New York, April 15, 2004

Stillman, Nick
Establishing Shot, April 30, 2004

Baker, Kenneth

Artists Leave the Camera Out of the Picture
SF Chronicle, June 7, 2003

Bowen, Doren
Photography In The Mix: Flora-Fauna-Photo
Camerawork: A Journal of Photographic Arts, Spring/Summer 2003

Nuovi Spazi, nasce a Aréa a Palermo, January 2003

Flynt, Robert
Interview with Carlos Motta
Camerawork: A Journal of Photographic Arts, CD-ROM, Spring/Summer 2003

New York Arts Magazine, August 2003

Nicita, Paola
No Money, No Honey, February 12, 2003

Comienza Fotología
Periodico El Tiempo,August 6, 2003

25 Artistas en el Salón Nacional
Periodico El Tiempo, August 25, 2003

Arévalo, Antonio

Latin-American Photography from New York to Santiago de Chile
IILA, Exhibition Catalogue Essay, May 2002

Bastante, Maria Cristina
Latin-American Photography from New York to Santiago de Chile, June 14, 2002

Ciolini, Vittoria
Identita Culturali: Toscana Fotografia
La Corte Arte Contemporanea, Exhibition Catalog Essay, October 2002

Da non perdere: Carlos Motta, Pesca Milagrosa
CityFirenze, November 5, 2002

Mundos Creados
CultFrame, September 2002

Door, Arno
De Volkskrant, September 12, 2002

Guarnieri, Beatrice
Pesca Milagrosa, November 7, 2002

L’altro é il mio obbietivo torna Toscana fotografia
La Repubblica, November 2002

La ‘Pesca Miracolosa’ dei guerriglieri colombiani
L’unita, November 8, 2002

Melis, Wim
Carlos Motta: ‘Pesca Milagrosa’
Mundos Creados: Constructed Photography from the Wider Caribbean,” Noorderlicht Photofestival, Exhibition Catalog Essay, 2002

Reieneweld, Chris
Waarachtig beeld
Financieel Dagblad, September 28, 2002, Groningen, The Neatherlands

Pietersma, lland
Ik will niet aan geweld wennen
Dagblad van het Noorden, September 2002, Groningen, The Neatherlands

Van, Ek S.
Experimentale Fotografie
Friesch Dagblad, September 2002, Groningen, The Neatherlands

Vásquez, Mauricio and de Greiff, Ilse

Interview with Carlos Motta
Choque y Fusión,99.1 Radio Joven, Colombia, November 2001

Landi, Patrizia

Tecnica Mista
La Corte Arte Contemporanea, Exhibition Catalog Essay, May 2000

Frailey, Stephen
Introduction for Close,
Published by Deskubre, Rome Italy, 2000

Tocancipa Luz Stella
Goce Visual
Revista Cromos, November 16, 2000

Umbrico, Penelope
Critical Essay for Close
Deskubre, Rome Italy, 2000

[show] Institutional and Corporate Collections

Bronx Museum, New York, NY, USA

Cisneros Fontanals Foundation, Miami, Fl, USA

Colección Dieresis, Guadalajara, Mexico

Deutsche Bank, New York, NY,  USA

Faena Art, Buenos Aires, Argentina/Miami, FL, USA

Fundación ARCO, Madrid, Spain

Fundación Cisneros, Caracas, Venezuela/New York, USA

Fundación RAC (Rosón Arte Contemporáneo), Pontevedra, Spain

Guggenheim Museum, New York

KADIST, Paris and San Francisco

Lab’ Bel, Paris, France

LARA Foundation, Singapore

Leslie-Lohman Museum of Gay and Lesbian Art, New York

Metropolitan Museum of Art, New York

Museo de Arte Latinoamericano de Buenos Aires —MALBA, Argentina

Museo de Arte del Banco de la República, Bogotá, Colombia

Museo de Arte Contemporaneo de Barcelona (MACBA), Spain

Museo de Arte Moderno de Medellín, Colombia

Museo de Arte, Universidad Nacional de Colombia, Bogotá, Colombia

Museo de Arte de Lima (MALI), Peru

Museu Fundação Serralves, Porto, Portugal

Museum of Latin American Art (Mola), Long Beach, CA, USA

Museum of Modern Art (MoMA), New York

Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain

National Museum of Contemporary Art (EMST), Athens, Greece

Nc-arte, Bogotá, Colombia

Pérez Art Museum (PAMM), Miami, USA

PinchukArtCentre, Kiev, Ukraine

Proyecto AMIL, Lima, Peru

The Art Institute of Chicago, USA

Timeline, Konstfack’s Videotek, Konstfack, Stockholm, Sweden

San Francisco Museum of Modern Art (SFMOMA), USA

Savannah College of Art and Design, Savannah, GA, USA

Wroclaw Contemporary Museum, Wroclaw, Poland

[show] Lectures, Panels, Workshops & Artist Presentations

Online Conversation: Obra Viva: Artistic Creation Laboratory
(With artisan Higinio Bautista and artist Carlos Motta)
Banco de la República, Centro Cultural Leticia, Colombia, December 21, 2022

Day With(out) Art 2022: Being and Belonging
(Panel with Kat Cheairs, Pamela Sneed, and Jess Saldana)
Barnard College, New York, December 1, 2022

Carlos Motta (Artist Talk) (Invited by Katherine Hubbard)
School of Art, Carnegie Mellon University, Pittsburgh, November 8, 2022

Critical Dialogues: Carlos Motta (Artist Talk ) (Invited by Alpesh Patel)
Temple Contemporary, Art History, Gender, Sexuality, and Women’s Studies and Latin American Studies, Temple University Philadelphia, November 2, 2022

Carlos Motta and Ana María Reyes in Conversation (Moderated by Lucy Zimmerman)
Wexner Center for the Arts, Columbus (online), October 26, 2022

Carlos Motta (Artist Talk at Cash Ragona’s class)
School of Art, Carnegie Mellon University, Pittsburgh, October 12, 2022

Art & Identity: Allocating resources to the development and representation of Latine/@/X artists
(Panel with Constanza Valenzuela, Nicole Calderón, Eva Díaz, and Elena Ketelsen González)
Pratt Institute, School of Art, September 29, 2022

Eros Rising: Visions of the Erotic in Latin American Art

(Panel with Bernardo Mosqueira, Mariano Lopez Seoane, David Lamelas, Wynnie Minerva, and La Chola Poblete)
ISLAA, New York, September 20, 2022

Studio Visits MFA Program
School of Art, Carnegie Mellon University, Pittsburgh, September 22, 2022

BFA Thesis show walkthrough
Hunter College, New York, June 3, 2022

Carlos Motta (Artist Talk at Visiting Artists Series) (Invited by Marc Tribe)
School of Visual Arts, New York, March 29, 2022

Carlos Motta (Artist Talk at Cash Ragona’s class)
School of Art, Carnegie Mellon University, Pittsburgh, February 23, 2022

Carlos Motta (Artist Talk) (Invited by Marc Arthur)
University of Michigan School of Social Work, Ann Arbor, November 11, 2021

Bodies of Water Rising (Performance lecture) (Curated by Juana Berrio)
Part of Brooklyn Through the Eyes Of
Amant Foundation, New York, November 6, 2021

The Arts Representation of the Dispossessions: Overview of the Art Exhibits, Art Projects, and Public Performances in the Americas
(Panel with Tania Bruguera, Carlos Motta, Las Nietas del Nonó, Giuliana Vidarte, Eduardo Carrera, Jonathan Katz, and Jorge Sánchez)
The Andrew W. Mellon Foundation and University of Pennsylvania, October 28, 2021

Historias: A Panel Discussion (Panel with Ruth Benítez, Flavia Krause, Carlos Motta, Liliana Porter, Rosaura Ramos y Inés Yujnovsky)
Franklin Furnace, New York, October 19, 2021

Off the Record: An Unclassified Dossier
(Symposium) (Organized by Ashely James)
Guggenheim Museum, New York, September 17, 2021

Histórias da diversidade/queer histories (Seminar) (Organized by Adriano Pedrosa, André Mesquita, and Julia Bryan-Wilson)
Museu de Arte de São Paulo (MASP), June 28-29, 2021

Carlos Motta (Artist Talk)
UC Riverside, May 20, 2021

Carlos Motta (Artist Talk)
Museum Nights, Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, May 13, 2021

Carlos Motta (Artist Talk at Angela Dufresne and Dean Moss’ class)
Rhode Island School of Design, April 30, 2021

Panelist, Dublin LGBTQ+ Asylum Seekers Online Conference
Dublin City University, April 9-10, 2021

2021 Tutorials
School of Arts & Humanities, Royal College of Art, London, March 22-23, 2021

Untimely Transgressions (Forum with Tavia Nyong’o. Curated by Raegan Truax)
Hurford Center for the Arts & Humanities, Haverford College, March 19, 2021

Carlos Motta (Artist Talk at Melissa Ragona’s class)
School of Art, Carnegie Mellon University, Pittsburgh, March 10, 2021

Carlos Motta (Artist Talk at Mariano López Seoane’s class)
Department of Comparative Literature, New York University, February 16, 2021

Searching for Missing Narratives (Panel discussion with Karol Radziszewski and Laura Raicovich)
Polish Cultural Institute, co-presented with Residency Unlimited, New York, December 15, 2020

Carlos Motta: History’s Backrooms (Book launch and panel discussion with Hendrik Folkerts, Eungie Joo, Miguel López and Roya Amirsoleymani)
Portland Institute for Contemporary Art (PICA), co-presented with P.P.O.W Gallery, December 8, 2020

Carlos Motta (Artist Talk)
Photography Department, Cranbrook Academy of Art, Detroit. November 30, 2020

The Power of Mourning: Decolonial Struggles and Queer Bodies (with Simon(e) Pateau, Bartolina Xixa, Naomí Rincón Gallardo, and Agustín Pérez Rubio)
Berlin Biennial, Gathering 3, ExRotaprint, Berlin, October 29, 2020

Carlos Motta and Nato Thompson in Conversation
Instagram Live, August 19, 2020

Carlos Motta and Mania Akbari in Conversation
Instagram Live, June 30, 2020

Movimiento queer, activismo y políticas del cuerpo: Entrevista con Carlos Motta y Pablo Bedoya por Inés Elvira Mejía
Plataforma Enlaces, Montevideo, Uruguay y Signo Centro Interdisciplinario, Bogotá, Colombia
Stream Yard, June 15, 2020

Carlos Motta: We The Enemy (Artist Talk)
The Center for Cultural Studies, UCSC, Santa Cruz, January 22, 2020

Bodies at the Borders (Symposium convened with Rachel Nelson)
UCSC, Santa Cruz and SFMOMA, San Francisco, January 24-25, 2020

Queer Archives: Between the Individual and the Institution (Panel with Dean Erdmann, Tiona Nekkia McClodden, Shannon Mattern, and Christiane Paul)
Vera List Center for Arts and Politics, The New School, New York, January 27, 2020

“I am reborn at every moment” – Contemporary Reflections on Feliciano Centurión and AIDS (Panel with Bill Arning, Elektra KB, and Carlos Motta. Moderated by Gonzalo Casals (Executive Director, Leslie-Lohman Museum), Americas Society (in collaboration with Visual AIDS), New York, March 5, 2020

Movimiento queer, activismo y políticas del cuerpo: Entrevista con Carlos Motta y Pablo Bedoya con Inés Elvira Mejía
Plataforma Enlaces (Colobia) y Signo (Uruguay), June 17, 2020

Making Another World Possible (Panel with Nato Thompson, A.L. Steiner, Rashida Bumbray, and Nikolay Oleynikov)
Summit X Sessions, Creative Time, New York, November 16, 2019

Soot Breath: On Land, Law, and Bodies (Symposium convened by Denise Ferreira da Silva and Arjuna Neuman)
Goldsmiths, London, May 18, 2019

Are the Arts Essential? (Symposium)
John Brademas Center/New York University at Pocantico Center of the Rockefeller Brothers Fund, January 23-25, 2019

SEX/WORK (Screening)
First Person Plural, March 3, 2019

En Vivo y En Directo (Reading with SPIT! for Camilo Godoy’s En Vivo y En Directo programs)
CUE Art Foundation, March 9, 2019

Marathon Reading of Theresa Hak Kyung Cha’s DICTEE (Organized by Sarah Schulman) (Reading)
Performance Space New York, March 17, 2019

Humboldt’s Parrot: David Ayala-Alfonso, Carlos Motta and Felipe Steinberg (Panel)
Independent Curators International (ICI), New York, March 18, 2019

Carlos Motta (Job Talk)
Pratt Institute, New York, February 21, 2019

Carlos Motta (Artist Talk)
Parsons The New School of Design, November 28, 2018

Max Wasserman Forum on Contemporary Art: Future Genders (Symposium)
MIT List Visual Arts Center, November 10, 2018

Carlos Motta (Artist Talk)
The Mount Royal School of Art MFA Visiting Artist Lecture Series, Maryland Institute College of Art, October 9, 2018

Butterfly’s Mirror: A Conversation on Carlos Motta’s Refugee Portraits in
The Crossing (Discussion with Laura Raicovich and Itamar Mann)
The Dedalus Foundation organized by Denniston Hill, May 17, 2018

Carlos Motta (Artist Talk)
NYU Performance Studies, March 22, 2018

Carlos Motta (Artist Talk for Tyler Coburn’s Critical Issues Seminar)
Columbia University, MFA Program, March 19, 2018

The Unforgettables (Reading Group and Discussion about The SPIT! Manifesto) (with SPIT!)
A.I.R. Gallery, New York, March 19, 2018

Collapsing Structures (Panel with Simon Castets, Michy Marxuach, and Laura Raicovich)
Armory Live, Armory Show, March 9, 2018

Shapes of Freedom: Carlos Motta (Artist Talk)
Pratt Institute, February 12, 2018

After Silence: A History of AIDS Through Its Images (Panel with Avram Finkelstein, Nayland Blake, and Kameelah Janan Rasheed)
Rizzoli Bookstore, November 17, 2017

Trans*historicities (Panel with  Maya Mikdashi, Kay Ulanday Barrett, Gabriel Garcia Roman, Leah DeVun, and Zeb Tortorici)
NYU’s Fales Library and Special Collections, November 3, 2017

Carlos Motta in Conversation with Lia Gangitano 
Americas Society, November 2, 2017

Carlos Motta (Artist Talk)
Fire Island Artist Residency, July 31, 2017

The Visitor Talks: Carlos Motta (Artist Talk)
CCS, Bard College, April 5, 2017

Council presents The Against Nature Journal, Contour Biennale 8 Public Program (Screening of Deseos)
March 11, 2017

La internacional queer: La indecencia y el futuro de la teología (Symposium with Ron Athey, Hugo Córdova-Quero and Linn Tonstad)
MALBA, Buenos Aires, October 15, 2016

Nefandus: Colonial Sexual Alterity and Histories for the Future (Symposium with Anjali Arondekar, Pablo Bedoya, Joseph Massad, Fernanda Molina and Pete Sigal)
Pérez Art Museum (PAMM), Miami, August 27, 2016

Histories for the Future (Panel with Tone Hellesund, Heather Love and Julia Morandeira)
Hordaland Kunstsenter, August 27, 2016

What Now? On Future Identities (Panel)
Art in General, in collaboration with the Vera List Center for Art and Politics, New York, May 20, 2016

Jack McGrath on Carlos Motta’s Nefandus Trilogy
PPOW Gallery, New York, May 17, 2016

Editor Evan Moffitt in conversation with Carlos Motta 
Reading Room, Frieze New York, May 9, 2016

Asking and Telling It: A Conversation between Carlos Motta and Juan Ledezma
Henrique Faria Fine Art, New York, March 9, 2016

La universidad desconocida (Symposium)
Museo Jumex, Mexico City, January 29-30, 2016

Gender Talents (Artist Presentation)
Sofia Queer Forum, Red House Centre for Culture and Debate, Sofia, December 9, 2015

SOMA presents: The Archive  (Panel with Jorge Méndez-Blake, Alaina Claire Feldman and Carla Herrera-Prats). Art Basel Crowdfunding Lab, Miami, December 3, 2015

Cidade queer  (Panel with Maya Mikdashi and Ezsio Rosa)
Centro Cultural Sao Paulo, November 11, 2015

Sunny Bunny — Molodist Kiev International Film Festival (Member of the jury), October 24- November 1, 2015

Conflict #5 – ‘Do-Gooding’ and Criticality (Artist Presentation)
Art and Social Justice Working Group, Vera List Center for Art and Politics, The New School, New York September 24, 2015

MoMA R&D Salon: Fluid States of America (Panel with Paola Antonelli, Micha Cárdena, Thomas Lax, Latoya Peterson, Tricia Wang)
Museum of Modern Art, New York, September 16, 2015

Drawing in A Straight Line (Panel with Nayland Blake, Collier Shorr and Bob Nickas)
Artist Space, New York, July 16, 2015

Encuentro profesionales ArteBA (Co-organizer with Miguel López)
ArteBA, Buenos Aires, June 4-7, 2015

Gender Talents  (Panel Organizer with Kate Bornstein, Johanna Burton, Tiger Devore, Tara Mateik and Tavia Nyong’o)
New Museum, New York, May 3, 2015

Carlos Motta  (Artist Presentation)
Purchase College, State University of New York, April 15, 2015

Art, Social Change, and the Urban Sphere (Panelist with Johanna Fateman, Eva Franch i Gilabert and Dread Scott)
The City College of NY (CCNY), New York, March 26, 2015

Who remains? Subjectivity After Identity Politics part of the Visible/Invisible Symposium
(Panelist with Katherine Hubbard, Steffani Jemison and Luke Willis Thompson. Moderated by Johanna Burton)
New Museum, New York, March 7, 2015

Encuentros profesionales ARCO (Participant in both Miguel López’s and Manuel Segade’s Professional Encounters)
ARCO, Madrid, February 27-28, 2015

Carlos Motta  (Artist Presentation)
Pratt University, New York, February 11, 2015

SITAC XII: Just Art(e) Justamente (Screening)
Patronato de arte contemporáneo, Mexico City, Jan. 22-24, 2015

The Empire of Love: Alternative Relationships and Other Possibilities  (Symposium co-organizer with Mary Coble and Sara Jördeno. With Erika Alm and Ellie Nordfeldt, Katarina Bonnevier, Mathias Danbolt, Al Masson, and Transmilitanta Brigaden)
Valand Academy, Gothenburg, January 25, 2015

Queer/Art/Film: Carlos Motta presents TO DIE LIKE A MAN
IFC Center, January 12, 2015

Carlos Motta: Nefandus Trilogy (Screening and artist presentation)
Jeu de Paume, Paris, October 14, 2014

Carlos Motta: Nefandus Trilogy (Screening and artist presentation)
School of the Art Institute of Chicago, October 4, 2014

Carlos Motta: Gender Talents (Artist Presentation)
98weeks —Beirut, Lebanon, July 14, 2014

Curatorial Intensive in Mexico City (Artist Presentation)
Independent Curators International —Museo Jumex, Mexico, July 3, 2014

El cuerpo producido (Panel with Carolina Escobar Sarti and Dorotea Gómez)
Centro Cultural de España —19 Bienal de Arte Paiz, Guatemala, Peru, June 7, 2014

Talentos de género: Disidencias sexo-genéricas y prácticas políticas desde REDMMUTRANS (Panel with Galilea Bracho (REDMMUTRANS), Jorge Chavarría (artist), Ricardo García (UNAIDS), Carlos Motta (artist), Lic. Trinidad (Presidential Commission Against the Discrimination and Racism Against Indigenous People), and Gabriela Tuch (Sexual Diversity Defender, Attorney General’s Office for Human Rights, Guatemala)
Centro Cultural de España — 19 Bienal de Arte Paiz, Guatemala, Peru, June 5, 2014

Genealogías del arte latinoamericano desde la sexualidad y el género (Panel with Miguel López y Fernanda Nogueira)
PARC-Perú Arte Contemporáneo, Lima, Peru, Abril 26, 2014

I see in the sea nothing except the sea. I don’t see a shore. I don’t see a dove. (Round table discussion with Adam Golfer, Ashley Hunt, Heather M. O’Brien and Samira Yamin)
The Camera Club of New York, April 19, 2014

The Queer Art of the Counter Archive (Panel moderator. With Harrison Apple, Andy Campbell, and Ryan Conrad)
Radical Archives Conference, A/P/A Institute & Cantor Film Center, NYU, April 12, 2014

The Oncoming Corner # 13: Carlos Motta (Screening and Discussion)
A project by Malin Arnell at her Brooklyn apartement, March 30, 2014

Visual Activism Symposium 
(Keynote Presentation)
SF MoMA and International Association for Visual Culture, San Francisco, March 14-16, 2014

El sexo (el arte) y la ciudad (Workshop)
Galeria Arte Actual, Quito, Ecuador, February 17-19, 2014

Los contextos queer en el arte (Panel with Eduardo Carrera, Eduardo Fajardo and León Sierra)
Cine Ocho y Medio, Quito, Ecuador, February 18, 2014

Oiticica-subterrânea (Panel moderator. With Irene Small and Víctor Manuel Rodriguez)
PINTA FORUM, PINTA NY, November 15, 2013

ritual of queer rituals (Ritual co-organizer with AA Bronson. With Ron Athey, François Chaignaud, Ebe Oke, Elizabeth Povinelli and Linn Tonstad) 
Witte de With, Rotterdam, November 2, 2013

The Practice of Reading Undocumented Histories (Artist Talk & Screening with Prof. Carmen Mörsch)
Kunsthof Zürich at Main Auditorium ZHdK, Zürich, October 31, 2013

Art Talk: AA Bronson and Carlos Motta 
Hyperallergic, New York, August 21, 2013

Aesthetics of Engagement (Panel Discussion with Mariam Ghani, Murtaza Vali and Ann Mesner)
Pratt University, New York, May 9, 2013

El sexo (el arte) y la ciudad (Workshop and artist presentation) 
Proyectos Ultravioleta, Guatemala City, July 31, 2013

Youth (Lecture and panel discussion with Naomi Hirabayashi, Barry McGee, Carlos Motta, and Ellin O’Leary and Dennis Schol)
IDEAS CITY Conference, New York, May 2, 2013

Carlos Motta  (Artist Presentation)
Paul Branch Lecture Series, CalArts, Los Angeles, April 25, 2013

Godfull: Shape Shifting God as Queer (Symposium co-organizer with Jared Gilbert. With Lovett/Codagnone, Darnell L. Moore, Ernesto Pujol, Robert Sember, Samita Sinha and Linn Tonstad) The Institute for Art, Religion and Social Justice, Union Theological Seminary, New York, April 12, 2013

La forma de la libertad (Panel Discussion with Susana Vargas, Alonso Hernandez, Oscar Garcia and Xabier Lizarraga)
Sala de Arte Público Siqueiros, Mexico City, April 9, 2013

Gender Talents: A Special Address (Symposium co-organizer with Electra. With Xabier Arakistain, Esben Esther Pirelli Benestad, Giuseppe Campuzano, J. Jack Halberstam, Carlos Motta, Beatriz Preciado, Dean Spade, Terre Thaemlitz, Wu Tsang & Safra Project, Del LaGrace Volcano and Campbell X)
TATE Modern, London, February 2, 2013

Conflict and the Rebel City (Panel Discussion with Miguel Amado, Chelsea Haines and Sreshta Rit Premnath)
Dorsky Gallery—Curatorial Projects, Long Island City, Queens, October 21, 2012

Carlos Motta, We Who Feel Differently (Lecture and Screening)
Utah Museum of Contemporary Art, Salt Lake City, October 11, 2012

Feeling Differently (Round Table with Sianne Ngai, Nomy Lamm & Raegan Truax)
Stanford University, October 10, 2012

Show and Tell: Carlos Motta in Conversation with Larry Rinder and Naland Blake (Talk)
Yerba Buena Center for the Arts, San Francisco, October 8, 2012

Absolute Democracy (Symposium co-organizer with Oliver Ressler)
Steirischer Herbst, Graz, Austria, September 26, 2012

Carlos Motta: Algunos apuntes sobre las políticas del afecto queer (Lecture and Screening)
Lugar a dudas, Cali, Colombia, August 9, 2012

Carlos Motta, We Who Feel Differently (Lecture and Screening)
Gallery 400, University of Illinois at Chicago, July 17, 2012

Digital Art & Democracy: People, Places, Participation (Symposium—Artist Presentation)
University of California, Santa Cruz, June 1, 2012

We Who Feel Differently: Thursday Night Events— (Organizer of public programs in the context of New Museum solo exhibition)
New Museum, New York, May 31 – September 6, 2012

We Who Feel Differently: A Symposium (Co-organizer with Raegan Truax)
New Museum, New York, May 4-5, 2012

Carlos Motta (Artist Presentation)
Lower Manhattan Cultural Council, April 17, 2012

Carlos Motta (Artist Presentation)
Amherst College, Amherst, Massachusetts, March 29, 2012

Carlos Motta (Artist Presentation)
Escuela de Artes Plásticas (EAP), San Juan, Puerto Rico, March 12, 2012

SITAC X: The Future: The Long Count Begins Again (Symposium)
Patronato de arte contemporáneo, Mexico City, Feb. 9, 10 and 11, 2012

Writing as Practice: Peripheral Continuity (Symposium— Artist Presentation with Andrea Geyer)
International Center of Photography, New York, December 17, 2011

Theologies of Liberation (Artist Talk with Jared Gilbert)
Y Gallery, New York, December 15, 2011

The Walls That Divide Us (Artist Talk with Leor Grady)
Apexart, New York, December 8, 2011

The Future Lasts Forever (Book Presentation with Migue López and Lisa Rosendahl)
Gävle Konstcentrum, Sweden, November 19, 2011

Broken English (Panel Discussion with Julieta Aranda, Defne Ayas, Adam Kleinman and Naeem Mohaiemen)
Performa Hub, Performa 11, New York, November 13, 2011

A New Discovery: Queer Immigration in Perspective (Panel Discussion)
Museum of Art and Design, New York, October 15, 2011

Live Out Loud (Panel Discussion)
Pratt University, Brooklyn, October 11

The Gay Generation Gap (Panel Discussion)
Dixon Place, New York, October 2, 2011

We Who Feel Differently (Artist Presentation)
Pomona College Museum of Art, Clermont, CA, September 26, 2011

Diversidad Sexual, Activismo y Arte en Cali (Panel Discussion)
Espacio de Arte Contemporaneo, Museo La Tertulia, Cali, August 11, 2011

Artist Residencies and Conflict Areas (Symposium)
Goethe-Institut, New York, June 25, 2011

Aesthetic Justice (Artist Presentation with Niels Van Tomme)
Cabinet, New York, June 14, 2011

We Who Feel Differently (Panel Discussion)
Torpedo Books, Oslo, Norway, May 20, 2011

We Who Feel Differently (Panel Discussion)
Gallery USF, Bergen, Norway, May 19, 2011

Aesthetic Justice (Seminar)
Provisions Libraby and Lambent Foundation, New York, May 14, 2011

Queerocracy (Symposium)
The New School University, New York, April 17, 2011

Sexuality and the State in Latin America (Panel with Noelle Stout)
Columbia University, New York, April 13, 2011

Carlos Motta (Artist Presentation)
National Museum of Contemporary Art, Athens, Nov. 4, 2010

Carlos Motta (Artist Presentation)
School of Visual Arts, New York, NY, Oct. 12, 2010

Carlos Motta (Artist Presentation)
Hunter College, New York, NY, Sept.29, 2010

La imagen emancipada (Panel Discussion)
ARTEBA’10, Buenos Aires, June 26, 2010

Ask Los Artistas  (Panel Discussion)
VOLTA NY, New York, March 6, 2010

Carlos Motta (Artist Presentation)
University of California Santa Cruz (UCSC), Santa Cruz, CA, Feb.26, 2010

Geography of Trans-teritories (Panel Discussion)
San Francisco Art Institute (SFAI), San Francisco, CA, Feb.24, 2010

Carlos Motta (Artist in Residency & Artist Presentation)
Vermont College of Fine Arts, Montpelier, VT, January 29- Feb 7, 2010

Carlos Motta (Artist Presentation)
Medienwerkstatt, Vienna, Austria, Nov. 30, 2009

Feedforward: The Angel of History (Symposium)
Laboral, Gijon, Spain, Oct. 23-24, 2009

Carlos Motta (Artist Presentation)
Stiftelsen 3,14, Bergen, Norway, Oct. 15, 2009

Carlos Motta (Artist Presentation)
California College of the Arts Curatorial Practice Program, San Francisco,   Oct. 9, 2009

Carlos Motta (Artist Presentation)
SF Camerawork with Galeria La Raza, San Francisco, Oct. 8, 2009

¡Presente! Daniel Alarcón and Carlos Motta: Next-Generation Latin American Art and Literature (Panel Discussion)
Berkeley Art Museum, Berkeley, Oct. 10, 2009

Carlos Motta (Artist Presentation)
Galerija Miroslav Kraljevic, Zagreb, Croatia, Sept. 4, 2009

Carlos Motta (Artist Presentation)
Milton Avery School of the Arts at Bard College, New York, June 26, 2009

Atti Democratici (Panel Discussion)
Casa della Creativita, Florence, Italy, May 6, 2009

Symposium on Integration, April 4, 2009
Konsthall C in collaboration with Institute for Future Studies, Stockholm

The Good Life (Workshop)
El Parqueadero, Biblioteca Luis Angel Arango, Bogotá, March 14-15, 2009

Carlos Motta (Artist Presentation)
RISD Museum of Art, Providence, RI, February 18, 2009

The Shape of Things to Come – Artists as Public Intellectuals (Panel Discussion)
Cisneros Fontanals Art Foundation, Miami, USA, December 4, 2008

What is Real? Photography and the Politics of Truth (Symposium)
International Center of Photography, Dec 12-13, 2008

Carlos Motta (Artist Presentation)
Philadelphia Academy of Fine Arts, Philadelphia, PA, November 13, 2008

Carlos Motta (Artist Presentation)
Parsons Fine Arts Lecture Series, New York, NY, October 15, 2008

Carlos Motta + Ann Farnsworth-Alvear (Artist Presentation)
ICA, Philadelphia, PA, February 27, 2008

Vita Activa: Political Engagement through the Arts (Artist Presentation)
SODAart at Villa Arson, Nice, France, October 2007

On the edge of the abyss, one step forward! A conversation between Carlos Motta and Juan Pedro Fabra
wip:konsthall, Stockholm, Sweden, October 2007

Carlos Motta (Artist Presentation)
Konstfak, Stockholm, Sweden, October 2007

Art/Net/Work (Artist Presentation, Panel Discussion)
New Media Department, Aarhus University, Aarhus, Denmark, October 2006

Town Meeting (Artist Presentation)
Andrew Kreps Gallery, New York, October 15, 2005

La Conceptualizacion de La Imagen (Teaching, One-Week Workshop)
El Centro de La Imagen, Mexico City, Mexico, August 2005

The Future of Photography (Panel Organizer and Moderator)
Parsons The New School of Design, part of SPE Conference 2004, New York

Legitimizing The Other: Art and National Identity in the Age of  Globalization (Artist Presentation)
New York University, October 9, 2004, New York

Visiting Artist
School of Visual Arts, New York, April 2004

Establishing Shot (Panel Discussion)
Artists Space, March 2004, New York, USA

Carlos Motta (Artist Presentation)
SF Camerawork, May 2003, San Francisco, CA, USA

Slide Fest (Artist Presentation)
ICP Education Program, September 2002, New York , USA

[show] Professional Affiliations

Carlos Motta is Associate Professor of Interdisciplinary Practice at Pratt University’s Fine Arts Department

Faculty, The Alternative Art School —

Textile Arts Center’s Artis in Residence (TAC AIR) Program, New York

Adjunct Faculty, MFA & BFA Photography and Fine Arts Departments, Parsons The New School of Design, New York

Adjunct Faculty, BFA Photography Department, The School of Visual Arts (SVA), New York

Adjunct Faculty, General Studies, International Center of Photography (ICP), New York

Visiting Faculty, MFA, Pratt Institute School of Art and Design, New York

2014-2013 & 2020-2021
Mentor, Queer Art Mentorship Program, Queer Art, New York

Visiting Faculty, MFA, Cooper Union School of Art, New York

Adjunct Faculty, Milton Avery School of the Arts at Bard College, Annandale-on-Hudson

Visiting Faculty, MFA, Vermont College of Fine Arts (VCFA), Montpelier

Visiting Faculty, ICP-Bard MFA Program, International Center of Photography (ICP), New York