Education
Whitney Museum Independent Study Program, New York, USA, 2006
Master of Fine Arts, 2003
Milton Avery Graduate School of the Arts at Bard College, New York, USA
Bachelor of Fine Arts, Photography, 2001
The School of Visual Arts, New York, USA
Awards, Grants & Fellowships
Keith Haring Chair in Art and Activism Fellowship, 2026
The Center for Curatorial Studies (CCS Bard) and
Bard College’s Human Rights Project
Annandale-on-Hudson, New York
Ruth Arts Award, 2025
Ruth Foundation for the Arts, Milwaukee
Academic Service Award, 2025
Academic Senate, Pratt Institute, New York
Fellowship, 2023
Artist Impact Initiative x Creative Time R&D Fellowship, New York
Premio Santa Lucía a mejor corto experimental, competencia nacional, 2022
(Best experimental short film, national competition)
20 Bogoshorts, Bogotá, Colombia
Fellowship, 2022
Obra Viva: Artistic Creation Laboratory
Banco de la República, Centro Cultural Leticia, Colombia
EFA Studio Program 2022-Present, New York
Project Grant, 2022
“Dispossessions in the Americas”
Penn Mellon Just Futures Initiative Grant (with MAMBO, Bogota)
Visual Arts Residency, 2021
The Wexner Center for the Arts, Columbus
Project Grant, 2019
Rockefeller Brothers Fund, New York
PS122 Project Studio Program, 2019-2022, New York
Visiting Scholar, 2018
Department of Performance Studies, New York University (NYU), New York
The Vilcek Foundation Prize for Creative Promise, 2017
Finalist— Discovery Award, 2015
LOOP, Barcelona, Spain
Main Prize— Future Generation Art Prize 2014
PinchukArtCentre, Kiev, Ukraine
Hoteles Catalonia Award, 2013
In recognition to the best work selected by the LOOP 2013 jury, Barcelona, Spain
Beca de circulación nacional e internacional para artistas y agentes de las artes visuales
Ministerio de Cultura, Colombia
Artist Residency, 2013
The Institute for Art, Religion and Social Justice—Union Theological Seminary, New York, USA
Makers Muse Award, 2012
Kindle Project, Santa Fé, New Mexico, USA
Visual Arts Grant, 2012
Creative Capital, New York, USA
Individual Artist Grant, 2010
New York State Council on the Arts (NYSCA), New York,USA
Jury Prize, 2010
Map Digital Space, Finger Lakes Environmental Film Festival (FLEFF), Ithaca, NY
Artist Residency, 2009
Flaggfabrikken, Bergen, Norway
Guggenheim Fellowship, 2008
John Simon Guggenheim Memorial Foundation, New York,USA
New Commission, 2008
Art in General, New York,USA
Studio Residency, 2008
Smack Mellon, New York,USA
Special Editions Residency, 2008
Lower East Side Printshop, New York,USA
Finishing Funds, 2008
Experimental Television Center, New York,USA
Art Matters Grant, 2007
Art Matters Foundation, New York,USA
Artist Residency, 2007
International Artists Studio Program in Sweden (IASPIS), Stockholm, Sweden
Swing Space Program, 2007
Lower Manhattan Cultural Council, New York,USA
DaNY Arts Grant (with HOMEWORK), 2007
Danish Arts Council, Aarhus, Denmark
Subvention Grant, 2006
Cisneros Fontanals Foundation (cifo), Miami, FL, USA
Next Exhibition Award, 2006
Real Art Ways, Hartford, CT, USA
Fellowship, 2005/06
Whitney Museum Independent Study Program, New York, USA, 2005/06
Workspace Grant for Emerging Artists, 2005
Center for Book Arts, New York
Workspace Program Residency, 2004
Lower Manhattan Cultural Council, New York, USA
Fellowship, 2001/02/03
Milton Avery Graduate School of the Arts at Bard College, New York, USA
Rhodes Family Award for Exceptional Achievement in Photography, 2001
The School of Visual Arts, New York
Solo Exhibitions & Projects
2028
Carlos Motta
Pioneer Works, New York, curated by David Everitt Howe
2027
Carlos Motta: Pleas of Resistance
Nikolaj Kunsthal, Copenhangen, curated by Agustín Pérez-Rubio and Aujke Lepoutre Ravn
2026
Carlos Motta: Pleas of Resistance
OK Center for Contemporary Art, Linz, curated by Agustín Pérez-Rubio and Susanne Watzenboeck
Carlos Motta
Institute for Arts and Sciences, University of California Santa Cruz, curated by Rachel Nelson
2025
Carlos Motta: When Falling Feels Life Flying
Mor Charpentier, Paris
Carlos Motta: Plegarias de resistencia
Museu d’Art Contemporani de Barcelona (MACBA)
Curated by Agustín Pérez-Rubio and Maria Berrio
Jjagɨyɨ: Air of Life
Carlos Motta with Elio Miraña, ELO, Gil Farekatde Maribba, Higinio Bautista, Kiyedekago, Rosita, and Yoí nanegü
Cinema Permanente, Fondazione Antonio Ratti, Como
Curated by Martina Angelotti
2024
Carlos Motta: Gravidade
Galeria Vermelho, São Paulo
Carlos Motta: Gravedad (performance)
El Espacio 23, Miami
Curated by Patricia García-Velez
2023
Carlos Motta: Stigmata
Museo de Arte Moderno de Bogotá (MAMBO)
Curated by Eugenio Viola
Jjagɨyɨ: Air of Life
Carlos Motta with Elio Miraña, ELO, Gil Farekatde Maribba, Higinio Bautista, Kiyedekago, Rosita, and Yoí nanegü
P.P.O.W Gallery, New York
2022
Carlos Motta: Your Monsters, Our Idols
Wexner Center for the Arts, Columbus
Curated by Lucy Zimmerman
Cuerpos en gravedad: Daniel Correa Mejía y Carlos Motta
Mor Charpentier, Bogotá
When I Leave This World
Carlos Motta and Tiamat Legion Medusa
OCD Chinatown, New York
Curated by Liūtauras Pšibilskis
2021
Carlos Motta and Jaanus Samma: Otherness, Desire, The Vernacular (Two-person show)
Temnikova & Kasela, Tallinn, Estonia.
Curated by Denis Maksimov
2020
Carlos Motta: We The Enemy
Mary Porter Sesnon Gallery, University of California Santa Cruz
Curated by Rachel Nelson
Carlos Motta: We Got Each Other’s Back
Portland Institute of Contemporary Art (PICA)
Curated by Roya Amirsoleymani and Kristan Kennedy
Carlos Motta: Billboard from “50 State Initiative”
Judd Foundation, New York, in collaboration with For Freedoms
2019
Dialogues: David Wojnarowicz and Carlos Motta
P.P.O.W Gallery at ARCO, Madrid
Carlos Motta: Conatus
P.P.O.W Gallery, New York
Carlos Motta: NÓS, X INIMIGX
Galeria Vermelho, São Paulo
2018
Carlos Motta: Deseos
Galeria Vermelho, São Paulo
Carlos Motta: The Psalms
Discoveries, Art Basel Hong Kong with Mor Charpentier Galerie, Paris
Carlos Motta: Petrificado
CDAN— Centro de Arte y Naturaleza, Fundación Beulas, Huesca
Curated by Juan Guardiola
Carlos Motta. Formas de libertad
Centro Cultural Matucana 100, Santiago de Chile
Curated by Emiliano Valdés
Carlos Motta: L’oeuvre du Diable
Mor Charpentier Galerie, Paris
Carlos Motta: Corpo Fechado
Galeria Avenida da Índia (EGEAC), Lisbon
Curated by Pedro Faro and Sara Matos
2017
Carlos Motta. Formas de libertad
Museo de Arte Moderno de Medellín (MAMM)
Curated by Emiliano Valdés
Carlos Motta: Lágrimas
Museo de Arte de la Universidad Nacional at the Claustro de San Agustín, Bogotá
Curated by María Belén Sáez de Ibarra
The SPIT! Manifesto (with SPIT! (Carlos Motta, John Arthur Peetz and Carlos Maria Romero))
Frieze Projects, London
Curated by Raphael Gygax
Carlos Motta: The Crossing
Stedelijk Museum, Amsterdam
Curated by Martijn Van Nieuwenhuyzen
Carlos Motta: Desviaciones
Centro Cultural Gabriel García Márquez / Colombian Embassy in Spain, Madrid
in collaboration with Mor Charpentier Galerie, Paris
2016
Beloved Martina...
Mercer Union, Toronto
Curated by Georgina Jackson
Deviations
P.P.O.W Gallery, New York
Mondo Invertito (Performance)
Tenuta dello Scompiglio, Vorno
Part of the performance festival “Sui generis”
Curated by Angel Moya and Eugenio Viola
Histories for the Future
Pérez Art Museum (PAMM), Miami
Curated by María Elena Ortíz
Desires
Hordaland Kunssenter, Bergen
REQUIEM
MALBA—Museo de Arte Latinoamericano de Buenos Aires
Curated by Agustín Pérez Rubio
2015
For Democracy There Must Be Love
Röda Sten Konsthall, Gothenburg
Curated by Aukje Lepoutre Ravn
Désirs
Mor.Charpentier Galerie, Paris
Patriots, Citizens, Lovers…
PinchukArtCentre, Kiev
Curated by Bjorn Geldhof
2014
Nefandus Trilogy
Galeria Filomena Soares at Solo Projects ARCO, Madrid
Nefandus
El Túnel Arte Alternativo, Cuenca, Ecuador
Curated by Anamaría Garzón Mantilla
2013
Gender Talents (in the context of Charming for the Revolution: A Congress for Gender Talents and Wildness)
The Tanks, Tate Modern, London (co-presented with Electra)
The Movers (with Matthias Sperling)
The Tanks, Tate Modern, London
Godfull: Shape Shifting God as Queer— A Performative Symposium
The Institute for Art, Religion and Social Justice, Union Theological Seminary, New York (with Jared Gilbert)
La forma de la libertad
Sala de Arte Público Siqueiros (Proyecto fachada), Mexico City
Curated by María Elena Ortíz
Nefandus
Galeria Filomena Soares, Lisbon
La visión de los vencidos
Galeria La Central, Bogotá
ritual of queer rituals (with AA Bronson)
Witte de With, Rotterdam
La visión de los vencidos
PINTA VIDEO, Curated by Octavio Zaya
Y Gallery at PINTA NY, New York
2012
Museum as Hub: Carlos Motta: We Who Feel Differently
New Museum, New York
Curated by Eungie Joo
Carlos Motta
Y-Gallery at PINTA, New York
2011
Deus Pobre: Modern Sermons of Communal Lament
Y Gallery, New York
The Future Lasts Forever (with Runo Lagomarsino)
Gävle Konstcentrum, Gävle, Sweden
Broken English (with Julieta Aranda)
Performa 11 Project, New York
A New Discovery: Queer Immigration in Perspective (with Queerocracy)
Risk + Reward Series, Museum of Art and Design, New York
Petite Mort: Recollections of a Queer Public (with Joshua Lubin-Levy)
Forever & Today, New York
Normativo (Two-person show with LTTR)
Espacio de Arte Contemporaneo, Museo de La Tertulia, Cali. Curated by Veronica Wiman
We Who Feel Differently
Visningsrommet USF, Bergen, Norway
The Good Life and Six Acts: An Experiment in Narrative Justice
Wiener FestWochen, Vienna
2010
Six Acts: An Experiment in Narrative Justice
Museo de Arte del Banco de la República, El Parqueadero, Bogotá
The Good Life and Six Acts: An Experiment in Narrative Justice
Hebbel am Ufer (HAU), Berlin, Germany
We Who Feel Differently
Other Gallery, Shanghai, China
2009
Brief History
MoMA/PS1, Long Island City, Queens, NY
La Buena Vida/The Good Life
Fundación Alzate Avendaño, Bogotá, Colombia
Smack Mellon, New York, USA
Festival Fabbrica Europa, Firenze, Italia
The Immigrant Files: Democracy Is Not Dead, It Just Smells Funny
Konsthall C, Stockholm, Sweden
Baltic Art Center (BAC), Visby, Sweden
2008
La Buena Vida/The Good Life
ICA: Institute of Contemporary Art, Philadelphia, USA
Art in General, New York, USA
The People…
Johannesburg Art Gallery, South Africa
KZNSA Gallery, Durban, Kwazulu Natal, South Africa
2007
Leningrad Trilogy
Winkleman Gallery, New York, USA
The Good Life (Installation Sketch # 3) and Other Works in Progress
Lower Manhattan Cultural Council, New York, USA
2006
The Good Life (Installation Sketch # 1)
rum46, Aarhus, Denmark
SOA: Black & White Tales
Kevin Bruk Gallery at bâleLatina, Basel, Switzerland
Kevin Bruk Gallery, Miami, Fl, USA
Real Art Ways, Hartford, CT
2004-2002
Bury Them And Keep Quiet
Alliance Française, Bogotá, Colombia (Catalog)(2004)
Ese Algo que Somos
Alonso Garcés Galería, Bogotá, Colombia (2004)
The Missing Series
Kevin Bruk Gallery, Miami, Fl, USA (2004)
Pesca Milagrosa
La Corte Arte Contemporanea, Florence, Italy (2002)
Group Exhibitions
2026
Disobedience Archive
everything must change, RIS9
9th Thessaloniki Biennale of Contemporary Art. Curated by Nadja Argyropoulou
¿Será posible el sur?
Museo Tamayo, Mexico City. Curated by Alberto Ríos de la Rosa
Imagining Queer Utopia
Queer Museum, Vienna
Des chemins sur la mer
Mor Charpentier, Paris
Disobedience Archive (Gender Inventory) as part of The Whisperers
University of Oregon, Eugene. Curated by Simone Ciglia and Tannaz Farsi
Disobedience Archive (Canopy for Broken Time)
Migros Museum, Zurich, Switzerland. Curated by Marco Scotini in collaboration with Nadia Schneider Willen, Tasnim Baghdadi, and Yasmin Naderi Afschar, with support from Alessia Riva, Mirta Gianocca, and Paula Thomaka.
2025
No tan corto, no tan largo
Museo de Arte Contemporáneo de Monterrey. Curated by Luis F. Ramírez
Is it morning for you yet? A Collective Poem of Solidarity
NuMu, Guatemala City. Curated by Sohrab Mohebbi
Duet at WSA, New York. Curated by Kyle De Woody and Zoe Lukov
Jangueando: Recent Acquisitions, 2021-2025
El Museo, New York
7th The Wrong Biennale – Flow, Budapest. Curated by Bela Balog
A Thick Cloud of Love
Universidade Nova de Lisboa. Curated by Pedro Faro
Disobedience Archive
Phoda Festival, Trenčín, Slovakia. Curated by Marco Scotini
Museum Yet to Be
Museum of Contemporary Art of Montenegro
Curated by Milica Bezmarević, Mišela Blanuša, and Jovanka Popova
El rigor de la mirada
Centro Cultural del Banco de la República, Cali.
Curated by Luis Fernando Ramirez
Déjala correr
Museo de Arte Miguel Urrutia (MAMU), Bogotá.
Curated by Luis Fernando Ramirez
Hubba Hideout
Club Rhubarb and Canada, New York. Curated by Tony Cox
Disobedience Archive
PROA21 Buenos Aires, Argentina. Curated by Marco Scotini
Motion of a Nation
Spazio Spuma, Venice, Italy. Curated by Antonio Arevalo
Phantom Voyages and Other Detours
Short Film Program, ArtBasel Hong Kong
Disobedience Archive
Kunsthalle Charlottenborg, Copenhangen, Denmark. Curated by Marco Scotini
The Reality Principle
Mounira Foundation, Jersey City, NJ. Curated by Deric Carner and Ysabel Pinyol Blasi
Sin Fatigue
Salma Sarriedine, New York. Curated by Aviva Silverman and Nadine Sarriedine
Cosmos, Other Cartographies
Galeria Nara Roesler, São Paulo, Brazil. Curated by Laura Vinci
Unclaimed Experience, Carpenter Center at Harvard University. Curated by Sara Jordenö
Co-sponsored by the Film Study Center, the Kennedy School, The Art Film Visual Studies School, and the AgX Film Collective
2024
Disobedience Archive, a project by Marco Scotini in Foreigners Everywhere
La Biennale di Venezia, curated by Adriano Pedrosa
Histórias Queer
MASP, São Paulo. Curated by Adriano Pedrosa and Julia Bryan-Wilson
Zelo, PAMMTV and ArtRio, online. Curated by Jennifer Inacio
Unclaimed Experience, Springs Projects, Brooklyn. Curated by Sara Jordenö
Cuir Sou: Notas sobre afetividade, Verve Galeria, São Paulo
I am a thousand different people – Everyone is real
Leslie-Lohman Museum of Art, New York. Curated by Tina Gregory, Noam Parness, and Judy Giera
TONO— Festival de Performance, Música y Videoarte
Ciudad de México. Curated by Samanta Ozer
Scientia Sexualis
Pacific Standard Time at ICA LA, Los Angeles. Curated by J Doyle and Jeanne Vaccaro
L’ecriture ou la vie, Mor Charpentier, Paris
Constelaciones e insurrecciones tropicales, curated by Elías Doria
Centro Cultural Gabriel García Márquez / Colombian Embassy in Spain, Madrid
Flagging The Circle
Queer|Art|Pride at Sargent’s Daughters, New York
Cuir Sou: Notas sobre afetividade
Verve Galeria, São Paulo
Pride at BAK: Queer Film Program
BAK, basis voor actuele kunst, Utrecht, The Netherlands. Curated by Orlando Maaike Gouwenberg
2.0
Galeria Filomena Soares, Lisbon
International Short Film Competition
37th Stuttgarter Filmwinter – Festival for Expanded Media, Stuttgart, Germany
El Dorado: Myths of Gold
Americas Society, New York. Curated by Aimé Iglesias, Tie Jojima, and Edward J. Sullivan
Never Spoken Again: Rogue Stories of Science and Collections. Curated by David Ayala-Alfonso for ICI
Fleming Museum of Art, Burlington, Vermont
Moss Art Center, Blacksburg, Virginia
Seeing Through Stone
San Jose Museum of Art and Institute of Art and Sciences, Santa Cruz. Curated by Gina Dent, Lauren Schell Dickens, and Rachel Nelson
Silencios postcoloniales
Museo Casa Natal del General Santander, Cúcuta, Colombia. Curated by Susana Quintero
No tan corto, no tan largo
Museo de Arte Miguel A. Urrutia, Bogotá. Curated by Luis F. Ramírez
2023
Signals: How Video Transformed the World
The Museum of Modern Art (MoMA), New York. Curated by Stuart Comer and Michelle Kuo
The Cult of Beauty
Wellcome Collection, London. Curated by Janice Li and Adam Rose
SEMBRAR LA DUDA: Indicios sobre la representación Indígena en Colombia
Museo de Arte Miguel Urrutia (MAMU), Bogotá, Colombia. Curated by Maria Wills and Sigrith Castañeda.
KFFK/Kurzfilmfestival Köln, Germany
Ilímites
Museo de Arte de Pereira, Colombia
Transgressive, Transnational, Transgender: A Night of Global Queer Cinema
Organized by Exposures and Dhakira Collective, Perversité, Montreal, Canada
KFFK/Kurzfilmfestival Köln 17, Cologne, Germany
Simon(e) Jaikiriuma Paetau with Nadia Granados, Natalia Escobar & Carlos Motta
Berlinische Galerie, Museum of Modern Art, Berlin. Curated by Anne Bitterwolf
After That Blue
Fragment Gallery, New York
Love?
Rautenstrauch-Joest Museum, Cologne. Curated by The LOVE? Workshop Collective
Charming for the Revolution
Transitions Film Festival, Maastricht. Curated by Orlando Maaike
Una historia (no tan) rosa
ARKHÉ, Madrid. Curated by Halim Badawi
German Competition
69th International Short Film Festival Oberhausen
2022
Is it morning for you yet? 58th Carnegie International
Carnegie Museum of Art, Pittsburgh. Curated by Sohrab Mohebbi
This Is Not a Burial, It’s a Resurrection (Performance with Simon(e) Jaikiriuma Paetau)
Haus der Kulturen der Welt, Berlin. Curated by Xiang Zairong, Anselm Franke, Elisa Giuliano, Dee Westwood, and Claire Tancons
Disobedience Archive (Ders Bitti), curated by Marco Scotini and Can Altay
17th Istanbul Biennial, Turkey
The Cinema of Gender Transgression: Trans Film Series: Exuberance as Process
Anthology Film Archives, New York. Curated by Joey Carducci and Angelo Madsen Minax
Letters from Overseas; Zooming into De Molina’s Collection
Coral Gables Museum, Miami. Curated by Yuni Villalonga
Macho: Representing Masculinity
Another Space, New York. Curated by Estrellita Brodsky
National Competition of Experimental Shorts
Bogoshorts, Bogotá, Colombia
Nada fluye como el río
Asociación del Teatro Caracol, Vigo, Spain. Curated by Victor Ramírez Tur.
Fine Arts Faculty/Staff Exhibition Series
The Rubelle and Norman Schafler Gallery, Pratt Institute, Brooklyn. Curated by Kyle Staver
Apuntes maricas
Oficina de Investigaciones Patafisicas, Mexico City. Curated by Reynel Ortíz
The Oceans and the Interpreters
Hong-Gah Museum, Taipei, Taiwan. Curated by Nobuo Takamori
Britto Arts Trust, Dhaka, Bangladesh
Together – Interact, Interplay, Interfere
Kunst Meran Merano Arte, Merano, Italy. Curated by Judith Waldmann
Trailblazers Park
Fire Island Pines. Curated by TM Davy
Y de pronto no había más orilla
Il Posto, Santiago, Chile. Curated by Gala Berger and Miguel A. López
Eros Rising
Institute for Studies on Latin American Art (ISLAA), New York.
Curated by Mariano López Seoane and Bernardo Mosqueira
Skin in the Game
400 N. Peoria Ave., Chicago. Curated by Zoe Lukov
Art for the Future: Artists Call and Central American Solidarities
Tufts University Art Galleries, Boston; University of New Mexico Art Museum, Albuquerque; DePaul Art Museum and Chicago Cultural Center, Chicago.
Curated by Abigail Satinsky and Erina Duganne
Historic Sight
Gallery Closed, Pittsburgh, curated by Phillip Andrew Lewis and Lenka Clayton
2021
Skin in the Game
1620 Washington Avenue, Miami. Curated by Zoe Lukov
Intervenciones contemporáneas
Museo de Arte de Lima (MALI), Peru
Counter Encounters
Art of the Real, Film at Lincoln Center, New York. Curated by Laura Huertas Millán and Rachel Rakes
Terra Nostra
Mor Charpentier, Bogotá
Incandescences: Regarding the Passage of Electrical Energy Through Solid Bodies
ArteBA, Buenos Aires. Curated by Julieta Tarraubella
Transfronteras y temporalidades amazónicas
Centro Cultural de España, La Paz. Curated by Juan Fabbri
Kindred Solidarities: Queer Communities and Chosen Families
The 8th Floor/ The Shelley & Donald Rubin Foundation, New York. Curated by Sara Reisman and Anjuli Nanda Diamond
Recovery
P.P.O.W Gallery, New York. Curated by Eden Deering
Psychopathia Sexualis
Overgaden, Copenhagen. Curated by Mathias Kryger
American Boy
Mor Charpentier, Online Viewing Room, Paris.
Wandamba yalungka…/Winds Change Direction…
Radical Broadcast, Performa, New York. Curated by Maura Riley
And If I Devoted My Life To One of Its Feathers?
Kunsthalle Wien, Vienna. Curated by Miguel López
Un deseo tan fluído como el Mar
Museo Marítimo de Barcelona. Curated by Dr. Victor Ramírez
Das dritte Geschlecht
A.K.T, Pforzheim, Germany. Curated by Janusz Czech
Skopje Pride Weekend, Macedonia. Curated by Slavco Dimitrov
Off the Record
Guggenheim Museum, New York. Curated by Ashley James
STOA169: The Artist Column Hall in Polling, Polling, Germany.
Ires y venires: Diálogos en torno a la colección de Arte del Banco de la República
Casa Republicana de la Biblioteca Luis Ángel Arango, Bogotá. Curated by Estrella de Diego, Sigrid Castañeda y Julien Petit
Pantalla abierta. Obras de la colección MACBA
Museu d’Art Contemporani de Barcelona (MACBA). Curated by Anna Garcia Munàrriz
Shoreline Movements
Taipei Fine Arts Museum, Taipei Biennial, Curated by Erika Balsom and Grégory Castéra (Council)
2020
ALL THE LOVE
Museum of Contemporary Art Skopje, Macedonia. Curated by Jovanka Popova
The Crack Begins Within: 11th Berlin Biennale for Contemporary Art
Curated by María Berrios, Renata Cervetto, Lisette Legnado, and Agustín Pérez Rubio
The Time Complex: Yerevan Biennial 2021. Curated by Lorenzo Fusi
Viaje hacia la luz
Aninat Galería, Santiago, Chile. Curated by Thiago Verardi
De Voz a Voz
Museo de Arte Moderno de Bogotá (MAMBO). Curated by Eugenio Viola
In Plain Sight
National Intervention on July 4th throughout the U.S. Organized by Cassils and Rafa Esparza
NOT OVER
Visual AIDS, New York (Online during Covid-19)
Art at a Time Like This
artatatimelikethis.com (Online during Covid-19). Curated by Barbara Pollack and Anne Verhallen
Hell is a Place on Earth, Heaven is a Place in Your Head
P.P.O.W Gallery, New York (Online during Covid-19)
As Soon As If It Was Not
LOOP—Barcelona (Online during Covid-19). Curated by Pedro Torres
Never Spoken Again: Rogue Stories of Science and Collections
Eli and Edythe Broad Art Museum at Michigan State University
East Lansing, MI, USA; The College of Wooster Art Museum
Wooster, OH, USA; Telfair Museums, Jepson Center
Savannah, GA, USA. Curated by David Ayala-Alfonso for ICI
sex workers’ pop-up, New York City. Curated by Alexis Heller
When Home Won’t Let You Stay: Migration through Contemporary Art
Minneapolis Institute of Arts, Minneapolis; Iris and Gerald B. Cantor Center for the Visual Arts at Stanford University. Curated by Ruth Erickson and Eva Respini with Ellen Tani
Radical Hope
Mor Charpentier, Paris
We We First Arrived…
The Corner at Whitman-Walker, Washington D.C. Curated by Mary Ellen Carroll and Lucas Michael
2019
Time for Change: Art and Social Unrest in the Jorge M. Pérez Collection
El Espacio 23, Miami
Still I Rise: Feminisms, Gender, and Resistance
Arnolfini, London. Curated by Amy Budd, Albert Potrony, and D-M Withers
Tan pronto como si no fuera: selección de videos de Loop Barcelona
Centro Nacional de Arte Contemporaneo, Cerrillos, Chile. Curated by Pedro Torres
+50
Contempo, Paris, France. Curated by Mehdi Dakhli
Una presentación sobre la insuficiencia de las imágenes
La Cueva, Mexico City. Curated by Jared Quinto and Gonzalo Reyes Rodriguez
Soft Power
San Francisco Museum of Modern Art (SF MoMA), San Francisco. Curated by Eungie Joo
From the Margins
Gallery 102, Corcoran School of the Arts and Design, Washington D.C.
2nd Anren Biennale: A Confrontation of Ideals. Curated by Hé Guiyan and Siebe Tettero
6 Festival de Cine Radical, Cinemateca Boliviana, La Paz.
United by AIDS—An Exhibition about Loss, Remembrance, Activism and Art in Response to HIV/AIDS
Migros Museum, Zürich. Curated by Raphael Gygax
When Home Won’t Let You Stay: Migration through Contemporary Art
The Institute of Contemporary Art, Boston. Curated by Ruth Erickson and Eva Respini with Ellen Tani
RIOT—Antwerp Queer Arts Festival (with SPIT!)
BOFFO Fire Island Performance Festival (with SPIT!)
The Present Is Not Enough
Hebel am Ufer (HAU), Berlin. Curated by Ricardo Carmona
IN-VISIBLE REALNESS: In Berlin 50 Jahre nach Stonewall
PS120, Berlin. Curated by Ben Livne Weitzman und Justin Polera
as it rises into the air: listening in practice
Goethe-Institut / Max Mueller Bhavan Mumbai, India, Curated by Juana Awad and Zeenat Nagree
Home is a Foreign Place. Recent Acquisitions in Context
Metropolitan Museum of Art, New York. Curated by Brinda Kumar
About Face: Stonewall, Revolt and the New Queer
Wrightwood 659, Chicago. Curated by Jonathan Katz
Under Construction. Relatos desde Latinoamérica en la Colección CIFO
Fundación Fugaz, Lima
La naturaleza de las cosas: Humboldt, idas y venidas
Museo de Arte de la Universidad Nacional, Bogotá. Curated by Halim Badawi
Rivers Flow Out of My Eyes
tagenboschvanvreden, Amsterdam. Curated by Madelon van Schie
Pasado tiempo futuro: Arte en Colombia en el siglo XXI
Museo de Arte Moderno de Medellín (MAMM), Medellín
Transamerica/n: Gender, Identity, Appearance Today
McNay Art Museum, San Antonio, TX. Curated by Jackie Edwards, Bianca Alvarez and René Paul Barilleaux
Entrecruce Latinoamericano— Travestismo cultural
Galeria Isabel Aninat, Santiago
De-colombianity Now! Videocañonazos del Post-conflicto. Vol 3. Colombian videoart on Post-Conflict & Utopia
Panorama Colombia, the Colombian Film Festival of Berlin. Curated by Julián Santana
Amazonías
Matadero, Madrid. Curated by Grenda Landolt and Sharon Lerner
Portadores de Sentido–Arte contemporáneo en la Colección Patricia Phelps de Cisneros
Museo Amparo, Puebla. Curated by Sofía Hernández Chong Cuy
A Decolonial Atlas: Strategies in Contemporary Art of the Americas
Mandeville Gallery at Union College, Schenectady, New York. Curated by Pilar Tomkins Rivas
2018
50 States, 50 Billboards
FOR FREEDOMS. Curated by Eric Gottesman and Hank Willis Thomas
Mark for Redaction
Flux Factory, New York. Envisioned by Razan Al-Salah and curated by Hilal Khalil
Territorios que importan. Género, arte y ecología
Centro de Arte y Naturaleza, Fundación Beulas, Huesca. Curated by Juan Guardiola and Patricia Mayayo Bobst
Debes seguir. No puedo seguir. Seguiré.* (With SPIT!)
Espacio Odeón, Bogotá. Curated by Alejandra Sarria
Estados migratorios
Centro Cultural de España en Lima. Curated by Manuel Segade
7 Festival de Cine La Orquídia, Cuenca.
Habitación compartida
Museo de Arte Miguel Urrutia (MAMU), Bogotá. Curated by Sigrid Castañeda, Julien Petit, and Luis Fernando Ramírez
Dialogues in Time: Charting Genealogies and Intersections of Gender
Referentes: ArtBO, Bogotá. Curated by Pilar Tomkins Rivas
DON’T BELIEVE THEIR LIES
4 Contemporary artists from Colombia an iniciative by Thibault Poutrel.
Curated by Catherine Petitgas. Claustro de San Agustín, Museo de Arte de la Universidad Nacional de Colombia, Bogotá.
A group exhibition with work by Dora García, Sharon Hayes, Mahmoud Khaled, Emily Jacir, Carlos Motta, Wu Tsang, and Akram Zaatari, as well as a letter by Quinn Latimer. Witte de With Center for Contemporary Art, Rotterdam. Curated by Sofía Hernández Chong Cuy and Samuel Saelemakers
Tradiciones subvertidas: hacia una etnografía queer, La Casa Encendida, Madrid. Curated by Quiela Nuc
I SEE YOU
Savannah College of Art and Design. Curated by Storm Janse van Rensburg
UTOPIAS, Centro de Arte Contemporáneo de Quito, Ecuador. Curated by Eduardo Carrera
Verbo 2018, 14a mostra de performance arte, São Paulo
Cast of Characters: An Immersive Installation by Liz Collins Featuring Portraits by 100 LGBTQ Artists
Bureau of General Services— Queer Division, New York
Enchanted Bodies / Fetish for Freedom
Galleria d’Arte Moderna e Contemporanea di Bergamo (GAMeC). Curated by Bernardo Mosqueira
Landscapes After Ruskin:Redefining the Sublime
Grey Art Gallery NYU, New York. Curated by Joel Sternfeld
In the Name Of…
LATINX LGBTQ FESTIVAL, Fuerza Fest New York, Julia de Burgos Cultural Center. Curated by Richard Morales
Part of the Continuum, Sion-St. Peter’s Church, New York
Video “cañonazos” of post-conflict. Colombian video art on Utopia & Post-conflict. Vol 2., The Colombian Film Festival in Berlin – PANORAMA COLOMBIA, Berlin
Germen, Ediciones Popolet, Galeria Jaqueline Martins, São Paulo
Queer Tropics, Transformer, Washington D.C.
Ensaios do Outro Mundo – Acervo Histórico Videobrasil, OLHO Video Festival. Curated by Alessandra Bergamaschi
Cineteatro São Luiz, Fortaleza; and Cinemateca, Museu de Arte Moderna do Rio de Janeiro
Campo a través. Arte colombiano en la colección del Banco de la República, Sala Alcalá 31, Madrid
The Words We Won’t Say, works from the collection of Thibault Poutrel, Residencia de la Embajada de Colombia, Madrid
Unfinished Portrait, Mor Charpentier Galerie, Paris
Liberté, Égalité, Fraternité, Weekends, Paris. Curated by Rasmus Myrup (with SPIT!)
Section 28 Tribute Night – 30 years on, Queer Tours of London8 (with SPIT!)
Beyond The Binary, Lomography, London (with SPIT!)
Queer Cafe at Lush – Summit, London (with SPIT!)
Talking HIV Stigma during Stick It To Stigma, Canvas Cafe, London, 2018 (with SPIT!)
Names Printed in Black, LACE, Los Angeles. Curated by Emily Butts
A Decolonial Atlas: Strategies in Contemporary Art of the Americas
Tufts University Art Gallery, Medford, MA. Curated by Pilar Tomkins Rivas
2017
Exquisite Corpse: Moving Image in Latin American and Asian Art, Mana Wyndham, Miami. Organized by Asia Society Museum, Mana Contemporary, and Smack Mellon.
The Words We Won’t Say, Four Contemporary Artists from Colombia: An Initiative of Thibault Poutrel, Mana Wynwood, Miami. Curated by Catherine Petitgas
Queer Tropics, Pelican Bomb Gallery X, New Orleans
Working for the Future Past, Seoul Museum of Art Seosomun Building. Curated by Jin Kwon
Council presents The Against Nature Journal
Contour Biennale 8, Mechelen
Festival Internacional de Cine de Morelia, Mexico
Sex, Lies and Videotapes, POMADA 7 Queer Festival, Warsaw, Poland
Histórias da sexualidade
Museu de Arte de São Paulo Assis Chateaubriand (MASP). Curated by Camila Bechelany, Pablo León de la Barra, Lilia Moritz Schwarcz and Adriano Pedrosa.
Tracing Trajectories: Selections from the Hoggard/Wagner Collection
Trestle Projects, Brooklyn. Curated by Jesse Bandler Firestone
Pacific Standard Time: LA/LA: Video Art in Latin America
LAXART, Los Angeles. Curated by Glenn Phillips and Elena Shtromberg
Pacific Standard Time: LA/LA: Guatemala from 33,000 km: Contemporary Art from 1960 – Present
Museum of Contemporary Art Santa Barbara. Curated by Miki Garcia and Emiliano Valdes
Selections from the 32nd Bienal de São Paulo: Incerteza Viva
Curated by Jochen Volz with Gabi Ngcobo, Júlia Rebouças, Lars Bang Larsen and Sofía Olascoaga
Museo de Arte Moderno, Bogotá
Over the Rainbow
Praz-Delavallade, Los Angeles
Visual Notes for an Upside-Down World
P.P.O.W Gallery, New York. Curated by Jack McGrath
Os corpos são as obras
Despina, Rio de Janeiro. Curated by Guilherme Altmayer and Pablo Leon de la Barra
Fragile State
PinchukArtCentre, Kiev. Curated by Bjorn Geldhof
After the Fact. Propaganda 2001-2017
Lenbachhaus, Munich. Curated by Stephanie Weber
Dixit: rro
ArteBA, Buenos Aires. Curated by Sarah Demeuse and Javier Villa
89 Noches. Descolonizando la sexualidad y la oscuridad
Museo de Antioquia, Medellín. Curated by Stephanie Noach y Carolina Chacón
2 Chiangjiang International Biennale of Photography and Video Art. Curated by Bisi Silva and Wang Qingsong
We’re Happy Here in the Happy House
Proyecto Amil, Lima. Curated by Joel Yoss
CANIBALIA (Redux)
Hangar, Lisbon. Curated by Julia Morandeira
Universo holograma
Museo La Tertulia, Cali. Curated by Lina López and François Bucher
A Decolonial Atlas: Strategies in Contemporary Art of the Americas
Vincent Price Art Museum, Monterey Park, California. Curated by Pilar Tomkins Rivas
Revisiones: Obras contemporáneas en la colección del MALI
Museo de Arte de Lima
2016
International Competition, 20 Internationale Kurzfilmtage Winterthur
Forumdoc.bh, Belo Horizonte, Brazil
Invideo 2016, Milan
Luststreifen Queer Film Festival Basel
20th Anniversary Show, Smack Mellon, Brooklyn. Curated by Charlotta Kotik
Lo que se ve no se pregunta
Centro Cultural de España en México, México City. Curated by Susana Vargas
Dissent: What They Fear is the Light
LACE, Los Angeles. Curated by Shoghig Halajian and Thomas Lawson
Time-Based Art Festival (TBA) :16
Portland Institute of Contemporary Art
32nd Bienal de São Paulo: Incerteza Viva
Curated by Jochen Volz with Gabi Ngcobo, Júlia Rebouças, Lars Bang Larsen and Sofía Olascoaga
The Morality Reflex
Contemporary Art Centre (CAC), Vilnius. Curated by Heidi Ballet
The Revolution Will Not Be Grey
Aspen Art Museum, Aspen. Curated by Courtenay Finn
INVIDEO—26 Mostra Internazionale di video e cinema oltre, Milano
FUSO 2016, Anual de Vídeo Arte Internacional de Lisboa
O que vem com a aurora
Galeria Casa Triângulo, São Paulo. Curated by Bernardo Mosqueira
Muestra de Cine Queer Colombiano: Experiencias Cinematográficas Sexodisidentes
Fundación Cineteca Pública, Centro Cultura del Oriente, Bogotá
Labor Relations
Wrocław Contemporary Museum. Curated by Sylwia Serafinowicz
Dissonance (Screening)
Harold Williams Auditorium, J. Paul Getty Museum, Los Angeles
Curated by Glenn Phillips and Elena Shtromberg
Landscapes After Ruskin:Redefining the Sublime
Hall Art Foundation, Reading, VT. Curated by Joel Sternfeld
The 11th Xposed International Queer Film Festival, Berlin
‘O GAFA FA’ASIPA (Queer Genealogies)
Gertrude Contemporary, Emerging Curators’ Program, Next Wave Festival, Melbourne
Curated by Léuli Eshraghi
BORDERS, BARRIERS, WALLS
Monash University Museum of Art (MUMA), Melbourne. Curated by Francis E. Parker
ConTexto: Palabra, escritura y narración en el arte contemporáneo
Museo Universidad de Antioquia (MUUA), Medellín. Curated by Francine Birbragher and Oscar Roldán
Lembre-se de lembrar
Carbono Galeria, São Paulo. Curated by Alexia Tala
(SIGNAL)
Smack Mellon, Brooklyn, New York. Curated by Alexis Heller
Do Ask, Do Tell: Male Homoerotic Art from Latin America (1970s-2016)
Henrique Faria Fine Arts, New York. Curated by Juan Ledezma
The Anthropophagic Banquet (Screening)
Instituto das Artes, University of Rio de Janeiro. Curated by Rosana Sancin
<Barthes, mon amour> (www.barthesmonamour.com)
La ONG, Buenos Aires
As Long As It Takes: Short
45th International Film Festival Rotterdam
Under the Same Sun: Art from Latin America Today
Museo Jumex, Mexico
South London Gallery, London. Curated Pablo León de la Barra
2015
Resistance Performed
Migros Museum für Gegenwartskunst, Zürich
They Will Remember Us in the Future
Academy Gallery, NAA, Sofia. Curated by Vladiya Mihailova
A Decolonial Atlas: Videos from the Americas 2010-2015
Something Else – Off Cairo Biennale
Oficina de Proyectos Culturales, Puerto Vallarta (2016)
Curated by Pilar Tompkins Rivas
A Strangely Glorious Opportunity. Curated by Panos Fourtoulakis
Fringe! Queer Film & Arts Fest, London
23 Festival Mix Brasil de Cultura da Diversidade, Sao Paolo
Encuentro Internacional de Arte de Medellín, MDE15
Molodist, 45th Kiev International Film Festival
Lee mis labios. Curated by Miguel López
TEOR/éTica, San José, Costa Rica
Then & Now: Ten Years of Residencies at The Center for Book Arts. Curated by Alex Campos
The College of New Rochelle Castle Gallery, New Rochelle, New York
Queer Lisboa 19. Festival Internacional de Queer Cinema, Lisbon
A Story Within A Story
Göteborg International Biennial of Contemporary Art. Curated by Elvira Dyangani Ose
Memorias imborrables. Curated by Agustín Pérez-Rubio
MALBA, Buenos Aires
MARCO – Museo de Arte Contemporánea de Vigo
Museum Angewandte Kunst, B3 Biennal of the Moving Image, Frankfurt
Laboratorio de Arte Alameda, Mexico City (2016)
Les Rencontres Internationales, Berlin 2015
Haus der Kulturen der Welt, Berlin
Japanese Nightingale Doesn’t Sing At Night
XYZ collective, Tokyo. Curated by American Boyfriend
Acting on Dreams: The state of immigrant rights, conditions, and advocacy in the U.S.
Franklin Street Works, Stamford, CT. Curated by Yaelle Amir
Discovery Award Exhibition
LOOP Barcelona 2015, Antigua Fábica, Estrella Damm
Orde Baru OK. Video – Indonesia Media Arts Festival, Galeri Nasional Indonesia, Jakarta. Curated by Mahardika Yudha
DIXIT: El mundo tal como es y el mundo como podría ser
ArteBA, Buenos Aires. Curated by Julieta González
Cannibale, ou le Musée Anthropophage
Le Musée de la Chase et de la Nature, Paris. Programmed by Laura Huertas Millán
12th Queer City Cinema International Film Festival, Regina, Canada
Frente à Euforia
Oficina Cultural Oswald de Andrade, São Paulo. Curated by Mariana Lorenzi, Isabelle Rjeille and Fabio Zuker.
Ident-Alter-ity
5th Thessaloniki Biennale of Contemporary Art, State Museum of Contemporary Art
Wild Noise: Artwork from The Bronx Museum of the Arts and El Museo Nacional de Bellas Artes, Habana, Cuba
The 10th Xposed International Queer Film Festival, Berlin
The Manufacturing of Rights
Ashkal Alwan, Beirut. Curated by Council— Grégory Casterá and Sandra Terdjman
Then & Now: Ten Years of Residencies at The Center For Book Arts, New York
Natural Beginners, Nuvolari, Paris
Ejercicios de traslado: colecciones 9915, Centro de Arte Alcobendas, Madrid
6 Proyecciones, Casa América, Madrid
Encrucijadas//Encruzilhadas: Corpos, Corpus, Corpses, Dialogues for Latin American Cinemas
Michelson Theater, NYU Department of Cinema Studies, New York
NUMUteca: libre, Nuevo Museo de Arte Contemporaneo de Guatemala
Ornament (Two-person show with Amy Siegel), Simon Preston Gallery, New York
Wave & Particle, Ronald Feldman Fine Arts, New York
FOKUS 2015 Video Art Festival, Nikolaj Kunsthal, Copenhagen
Rip It!, Theater Freiburg & Museum für Neue Kunst, Freiburg
Canibalia, Kadist Art Foundation, Paris. Curated by Julia Morandeira
2014
Tiger Awards Competition for Short Films
International Film Festival Rotterdam
#1: Cartagena
The First International Biennial of Contemporary Art of Cartagena de Indias. Curated by Berta Sichel with Bisi Silva, Barbara Krulik and Paul Willemsen.
QP5- El cuerpo queer, la construcción de la memoria (Zanele Muholi and Carlos Motta)
ARTE ACTUAL – FLACSO, Quito. Curated by Anamaría Garzón Mantilla
7.000.000
Espai d’art contemporani de Castelló, Spain. Curated by Arlandis Marroquí
Micro-acciones de emergencia # 3
ADN Platform, Barcelona. Curated Inés Jover and Claudia Segura
I see in the Sea Nothing Except the Sea. I don’t See a Dove. I don’t See a Shore
The Camera Club of New York. Curated Heather M. O’Brien
La noche del apagón
Museu d’Art Contemporani de Barcelona. Curated Isaias Griñolo y Beatriz Preciado
Under the Same Sun: Art from Latin America Today
Guggenheim Museum, New York. Curated Pablo León de la Barra
Festival de Cine Ciclo Rosa, Cinemateca Distrital, Bogotá; Centro ColomboAmericano, Medellín.
IBAFF-Festival Internacional de Cine de Murcia
Festival Internacional de Cine Asterisco, Buenos Aires
Transvisible, 19 Bienal de Arte Paiz, Guatemala. Curated by Cecilia Fajardo-Hill with Anabella Acevedo, Rosina Cazali and Pablo Ramírez.
Colonia apócrifa
Museo de Arte Contemporáneo de Castilla y León (MUSAC), León, Spain. Curated by Juan Guardiola
Bellos Jueves
Museo Nacional de Bellas Artes, Buenos Aires, Argentina. Curated by Santiago Villanueva
European Short Films Competition, New Horizons International Film Festival, Wroclaw, Poland
Sinopale 5—International Sinnop Biennale, Turkey.
Curated by T. Melih Görgün, Dimitrina Sevova, Emre Zeytinoğlu, Aslı Çetinkaya, Işın Önol and Elke Falat
Realidades en Conflicto
Espacio Artnexus, Estudios Las Nieves, Bogotá, Colombia. Curated by Francine Birbragher and Oscar Roldán Alzate.
PORT. Galerij Verbeeck Van Dyck. Antwerp Queer Arts Festival
Curated by Thomas Grødal
BY INVITATION ONLY
Instant HERLEV Institute, Copenhagen. Curated by Lucia Sanromán
5 Years, 6 Works, 7 Artists, LOOP Awards 2010-2014
Fuso: Anual de Video Arte Internacional de Lisboa. Programmed by Conrado Uribe
Después de lo anterior
Galería Santa Fe, Bogotá. Curated by Carolina Ponce de León
memórias inapagaveis
Sesc Pompeia—VIDEOBRASIL, Sao Paolo. Curated by Agustín Pérez-Rubio
The Unwritten
Marres House for Contemporary Culture, Maastricht, The Netherlands. Curated by Valentijn Byvanck
Burning Down the House — 10th Gwangju Biennale
Curated by Jessica Morgan with Fatos Ustek and Emiliano Valdes
EVAKUIEREN (with Camilo Godoy)
Mousonturm, Frankfurt. Curated by Akira Takayama
Inventer le possible. Vidéothèque éphémère 2
Jeu de Paume, Paris. Curated by Marta Ponsa and Hilde Van Gelder
16 Muestra Internacional Documental de Bogotá, Colombia
Salón de Belleza in Utopian Pulse — Flares in the Darkroom
Secession, Vienna. Curated by Miguel A. López
Evidencias de los hechos — Adquisiciones recientes
Museo de Arte del Banco de la República, Bogotá.
Future Generation Art Prize
PinchukArtCentre, Kiev
Migraciones: Género, economía, poscolonialismo
Galería de Arte del Palacio Municipal, Puebla, Mexico. Curated by Michael López Murillo
Rencontres Internationales a Paris, Gaîté Lyrique, Paris
2013
global aCtIVISm
ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe. Curated by Peter Weibel and Andreas Beitin
The Temptation of AA Bronson
Witte de With, Rotterdam. Curated by AA Bronson
Erinnerungsfelder/ Campos de memoria
Galerie Ratskeller, Berlin. Curated by Oscar Ardila
Carlos Motta – Zachary Drucker – Sopheak Sao
Where Dreams Cross at Cinemaqueer International Film Festival, Stockholm. Programmed by Åsa Segerstedt Falewicz
Wavelenghts Program
Toronto International Film Festival. Programmed by Andréa Picard
Disobedience Archive
Castello di Rivoli, Turin. Curated by Marco Scotini
Fractured Spaces
Flaherty NYC Film Festival, New York. Programmed by Jerónimo Rodriguez
Ideas y Presupuestos
jugada a 3 bandas, Galeria Liebre, Madrid. Curated by Marti Manen
Intersections
Museum of Latin American Art (Molaa), Long Beach. Curated by Idurre Alonso
Without Reality There is No Utopia
Yerba Buena Center for the Arts, San Francisco
2012
Battleground States
Utah Museum of Contemporary Art, Salt Lake City. Curated by Aaron Moulton
From Below, As A Neighbor
Drugo More, Rijeka, Croatia. Curated by Fatima Hellberg
Ciclo rosa 2012, Cinemateca Distrital y Galería Santa Fé, Bogotá
Required Reading: Printed Material As Agent of Intervention
Center for Book Arts, New York. Curated by Yaelle Amir (Brochure)
Contested Territories
Dorsky Gallery—Curatorial Programs, Long Island City, Queens. Curated by Miguel Amado (Brochure)
Salvajes
Traneudstillingen Exhibition Space, Hellerup, Denmark
Latin America: Between Identity and Mask
Art Stays International Festival of Contemporary Art, Ptuj, Sovenia. Curated by Antonio Arévalo
III Trienal Poligráfica de San Juan, San Juan, Puerto Rico. Curated by Deborah Cullen, Sergio Bessa, Ursula Dávila and Rebeca Noriega.
Ñew York: Latin American and Spanish Artists in New York
Art Museum of the Americas, Washington D.C. Curated by Paco Cano, Eva Mendoza and Jodie Dinapoli.
2011
Found in Translation
Guggenheim Museum, New York. Curated by Nat Trotman
The Air We Breathe
San Francisco Museum of Modern Art. Curated by Apsara di Quinzio (Book)
The Walls That Divide US
apexart, New York. Curated by Miguel Amado (Brochure)
Modo de empleo 3: Desobedecer a toda costa, video y manifestaciones
Museo Carrillo Gil, Mexico City. Curated by Miguel López (Brochure)
The Unseen Eye: Photographs from the W.M. Hunt Collection
George Eastman House International Museum of Photography and Film, Rocherster, New York. (Book)
Sin realidad no hay utopía
Centro Andaluz de Arte Contemporáneo, Sevilla, Spain
Curated by Alicia Murría, Mariano Navarro and Juan Antonio Álvarez. (Catalogue)
InSite: Art + Commemoration
Lower Manhattan Cultural Council (Online), New York
Patria o Libertad!
Cobra Museum, Amstelveen, The Netherlands
Museum of Contemporary Canadian Art, Toronto, Canada. Curated by Paco Barragán
Multiple, Limited, Unique
Center for Book Arts, New York— Traveling from until 2013 to Savannah College of Arts and Design; Minnesota Center for Book Arts; Museum of Printing History, Houston, TX; Lafayette College, Easton, PA; The Book Club of California, San Francisco.
Drawn to Disaster
Institute of Contemporary Art at Maine College of Art, Portland, Maine
Motion of a Nation
VM21 Arte Contemporanea, Rome, Italy. Curated by Antonio Arévalo
Aesthetic Justice
The Lambent Foundation, New York. Curated by Niels van Tomme. (Catalogue)
Boundaries: Selections from the Molaa Permanent Collection
Molaa, Long Beach, CA.
Stuttgart Filmwinter, Stuttgart, Germany (Catalogue)
2010
To the Arts Citizens!
Museu Serralves, Porto, Portugal. Curated by Oscar Faria and João Fernandes (Book)
Notes on Memories
IG Bildende kunst, Vienna, Austria. Curated by Sophie Goltz
smART
Miami Dade College at The Freedom Tower. Curated by Sonia Becce. (Catalogue)
Second World Congress of Free Artists
Aarhus Kunstbygning. Organized by CAMEL
Monitoring Exhibition
27th Kassel Documentary Film and Video Festival, Kassel, Germany. (Catalogue)
How To Do Things With Words
Parsons School of Design, New York. Curated by Melanie Crean
The Politics of Art
National Museum of Contemporary Art, Greece, Athens. (Book)
The Creative Act
Henie Onstad Kunstsenter, Oslo, Norway. Curated by Tone Hansen (Catalogue)
Dwelling-in-Travel
Art Today Association – Center for Contemporary Art, Plovdiv, Bulgaria. Curated by Katia Anguelova and Andrea Wiarda
Kabul, Jenin, Tehran…
MIT List Visual Arts Center, Cambridge. Curated by João Ribas
2nd “Qui Vive?” Moscow International Biennale for Young Art
Moskow Museum of Modern Art, Moskow, Russia. Curated by Martin Schibli. (Catalogue)
The Mobile Archive
Stacion-Center for Contemporary Art Prishtina, Kosova
The Art of War
CEPA Gallery, Buffalo, NY, USA (Catalogue)
Avenue of the Americas
LMCC Lent Space, New York. Curated by Adam Kleinman. (Brochure)
39th International Film Festival Rotterdam (IFFR), The Netherlands (Catalogue)
Geography of Trans-territories
Walter and McBean Galleries, San Francisco Art Institute, San Francisco. Curated by Hou Hanru. (Brochure)
Biennale Cuvee 10
OK Center for Contemporary Art, Linz. (Catalogue)
2009
Le spectacle du quotidien
X Biennale de Lyon, Lyon, France. Curated by Hou Hanru. (Catalogue)
Matrix: The Unstable Reality
28 Biennial of Graphic Arts, Ljubijana, Slovenia. (Catalogue)
Conversation Pieces
CEPA Gallery, Buffalo, NY, USA. Curated by Sean Donaher and Mariam Ghani. (Catalogue)
5x5Castelló
Espai d’art contemporani de Castelló (EACC), Castellón, Spain. (Catalogue)
Turn on, Tune in, Drop out
Beijing 798 Biennale 2009, China. Curated by nicoykatiushka
Feedforward- The Angel of History
LABoral Art Center, Gijón, Spain. Curated by Christiane Paul and Steve Dietz. (Catalogue)
The 21st Century, The Feminine Century, and the Century of Diversity and Hope
International Incheon Women Artists’ Biennale, Incheon, Korea. (Catalogue)
NO SOUL FOR SALE – A Festival of Independents (with Miguel Amado + Filipa Oliveira and with Migrating Forms)
X Initiative, New York
Special Editions
Lower East Side Printshop, New York.
Turn On
Slag Gallery, New York
Biennale Democrazia, Torino, Italy
t.error
Hungarian Cultural Institute, New York. Curated by Aniko Erdosi
Things Fall Apart
Winkleman Gallery, New York. Curated by Joy Garnett
2008
Soft Manipulation, or Who is Afraid of The New Now?
Casino Luxembourg, Luxembourg
Stiftelsen 314, Bergen, Norway. Curated by Zoran Eric, Maria Lind and Enrico Lunghi. (Catalogue)
The Prisoner’s Dilemma
Cisneros Fontanals Art Foundation, Miami, USA. Curated by Leanne Mella. (Catalogue)
Archivo Sur
Futura, Prague, Czech Republic. Curated by Antonio Arévalo
Alternating Beats
RISD Art Museum, Providence, RI, USA. Curated by Zeljka Himbele
European Social Forum (ESF) Screening Program, Mälmo, Sweden. Programed by Michele Masucci and Jesper Nordahl
Ours: Democracy in the Age of Branding
Sheila C. Johnson Design Center at Parsons, New York, NY. Curated by Carin Kuonic and Marisa Olson for The Vera List Center
The Greenroom: Reconsidering the Documentary and Contemporary Art
CCS Bard Hessel Museum of Art, Annandale-on-Hudson, NY, USA. Curated by Maria Lind. (Catalogue)
Wild Horses
Art Space Diffusion138, University of Grenoble, France. Curated by Nicolas Audureau
The Long Distance Runner
Den Frie Udstillingsbygning, Copenhagen. Organized by Production Unit
Auto Memorized
Centrum for fotografi, Stockholm, Sweden
Festival International d’Art Video de Casablanca, Casablanca, Morocco
TROUBLEMAKERS
Magazzini del Salle- Punta della Dogana, Venice, Italy. Curated by Marco Baravalle
Night School
New Museum, New York, NY. A project by Anton Vidokle
In The Private Eye
ISE Foundation, New York, NY. Curated by Yaelle Amir
2007
OPEN HOUSE WITH OPEN STUDIOS
IASPIS, Stockholm, Sweden. Filtered by Cecilia Widenheim and Marti Manen. (Brochure)
INFINITU ET CONTINI
Smack Mellon Gallery, Brooklyn, NY. Curated by Denise Carvalho
Timeline: Human Speed and Technology Speed
Korea Cultural Service China, Hong Kong, Curated by Jeeyun Kim.(Brochure)
EXPOSURE
Rotunda Gallery, Brooklyn, NY, USA. Curated by Patrick Grenier. (Brochure)
MAKING GOOD LUCK
Y- Gallery, Queens, NY. Curated by Larry Litt and Cecilia Jurado
PAWNSHOP
e-flux projects, New York, NY, USA
Atlante Latinoamericano
Centro de las Artes Conarte. En el Marco de el Forum Internacional de las Culturas, Monterrey, Mexico. Curated by Antonio Arevalo
Tollé…Toleránce (Screening)
Images Citoyennes, Festival International de la Vidéo, Liege, Belgium
Unmarked Categories (with HOMEWORK)
K2,Yzmir-Istanbul, Turkey. Organized by Elmas Deniz (Publication)
Quote Unquote
Nurture Art, Brooklyn, NY, USA. Curated by Yaelle Amir (Brochure)
CHALLENGERS!: art-e-conomy Selected Video Screening
Laboratorio Occupato Morion, Venice, Italy. Curated by Marko Stamenkovic
Symbiotic/Synergy: Selections from The Center for Book Arts Community
Columbia College Center for Book and Paper Arts, Chicago, IL, USA. Curated by Alex Campos
Carte Blanche á Heure Exquise! (Screening)
International Short Film Festival Oberhausen, Oberhausen, Germany
in someone else’s skin
CCS Bard Hessel Museum of Art, Annandale-on-Hudson, NY, USA. Curated by Rebeca Noriega-Costas (Brochure)
The Karma of War (Screening)
Wang Center- Stony Brook University, Stony Brook, NY, USA. Curated by Carla Machiavello
Oog-Eye
Foam_Fotografiemuseum, Amsterdam, The Netherlands
Recorridos y Video Proyecciones Durante ARCO
ArtBus, Madrid, Spain. Curated by Antonio Arevalo
System Error: War Is a Force That Gives Us Meaning
Palazzo delle Papesse, Siena, Italy. Curated by Lorenzo Fusi and Naeem Mohaiemen (Catalogue)
2006
Estrecho Dudoso
TEOR/éTica, San José, Costa Rica. Curated by Virginia Pérez-Ratton and Tamara Díaz Bringas (Catalog)
OHNE BLICK
Musée de ElyséeLausanne, Switzerland
pa.per.ing
Art in General at Deutsche Bank, New York, NY, USA. Curated by Sofia Hernandez Chong Cuy
Festival des Cinémas Différents de Paris (Screening)
Centre Culturel La Clef, Paris, France
Estudio Abierto
Palacio de Correos, Buenos Aires, Argentina. Organized by Gobierno de La Ciudad de Buenos Aires (Catalogue)
10 Defining Experiments: cifo 2006 Grant Program Recipients
Cisneros Fontanals Art Foundation (cifo), Miami, Florida, USA (Catalogue)
Manifesta 6 School (Cancelled)
Manifesta 6, Nicosia, Cyprus. Curated by Mai Abu El Dehab, Anton Vidokle and Florian Waldvogel
Prevailing Climate (Screening)
Sara Meltzer Gallery, New York. Curated by Rachel Gugelberger and Jeffrey Walkowiak
3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy. Curated by Antonio Arévalo (Catalogue)
Whitney Museum of American Art Independent Study Program Exhibition
Chelsea Museum, New York
El Museo’s 4th Bienal: The (S) Files
Museo de Arte de Puerto Rico, San Juan, Puerto Rico. Curated by Deborah Cullen and Miki Garcia with Marysol Nieves (Catalogue)
4ème Festival International du Cinéma Iranien en Exil (Screening)
Art en Exil, Paris, France
When Artists Say We
Artists Space, New York. Organized by Andrea Geyer and Christian Rattemeyer
Bzzzz
Fundación C4rto Nivel Arte Contemporaneo, Bogotá, Colombia. Curated by Jaime Cerón. (Catalogue)
Russia: Significant Other
ICA at the Anna Akhmatova Museum, St Petersburg, Russia. Curated by Olga Kopenkina (Brochure)
Surveillance
Jersey City Museum, Jersey City, NJ. Curated by Rocio Aranda Alvarado (Brochure)
Moving Time
Gallery Korea, Korean Cultural Service, New York, USA, Curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon (Brochure)
Featured Artist Projects
The Center for Book Arts, New York
2005
El Salón de la Justicia
Galería Santa Fé, Bogotá, Colombia
Co-dependent (with Julieta Aranda)
College of Arts and Letters, Florida Atlantic University, Miami, Fl, USA. Curated by Omar Lopez-Chahoud
New Vectors, Southern Panorama
15th International Electronic Art Festival Videobrasil, Sesc Pompeia, Sao Paulo, Brazil (Catalog)
BEOGRAD NEKAD I SAD
Prodajna galerija “Beograd”, Belgrad, Serbia. Curated by Marko Stamenkovic
El Museo’s 4th Bienal: The (S) Files
El Museo, New York, USA. Curated by Deborah Cullen and Miki Garcia with Marysol Nieves (Catalog)
Enemy Image
Momenta Art, Brooklyn, NY, USA. Curated by Elena Sorokina
Se acabó el rollo? La fotografia en Colombia de 1950 a 2000
Museo Nacional, Bogotá, Colombia. Curated by Eduardo Serrano (Publication)
Selections from ‘Dancing Bear’ the Collection of W.M. Hunt
Arles: Les Rencontres Internationales de la Photo 2005, Arles, France
The Generals (with Julieta Aranda, K8 Hardy and Gareth James)
Art in General, New York, USA. Invited by Sofia Hernández (Publication)
Digital Cotton
Savannah Gallery at the Savannah College of Art, Savannah, GA, USA. Curated by Matthew Mascotte
2004
The Book as Object and Performance
Gigantic ArtSpace, New York, USA. Curated by Sara Reisman (Catalogue)
LMCC’s Workspace 120 Broadway Open Studios
Lower Manhattan Cultural Council, New York, USA
The Freedom Salon
Deitch Projects, New York, USA. Curated by Christina Kukielski and Apsara Di Quinzio
2 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy. Curated by Antonio Arévalo (Catalog)
Free Roaming: Video Madness (Screening)
El Museo, New York, USA. Curated by Euridice Arratia
Produciendo Realidad
Associazione Culturale Prometeo di Lucca, Lucca, Italy. Curated by Marco Scotini (Catalog)
Urbes Interiores
Biblioteca Luis Angel Arango, Bogotá, Colombia. Curated by José Roca (Catalog)
Outdoor Intervention
PS122 Gallery, New York, USA
Establishing Shot
Artists Space, New York, USA. Curated by Christian Rattemeyer (Catalog)
2003
Salón Regional de Artistas de Bogotá
Museum of Modern Art, Bogotá, Colombia (Catalogue)
XII Art Biennial of Cerveira
Forum Cultural, Cerveira, Portugal (Catalog)
Visiones, Fotología Photography Festival
Universidad de Salamanca, Bogotá, Colombia. Curated by Clemencia Poveda (Brochure)
Translatability
Berliner Kunstproject, Berlin, Germany. Curated by David Adamo and Gordana Benzanov
Agitate: Negotiating the Photographic Process
SF Camerawork, San Francisco, CA, USA. Curated by Dore Bowen and Chuck Mobley (Publication)
No Money No Honey
Area (Contenitore d’Arte Contemporanea), Palermo,Italy. Curated by Antonio Arévalo
[B L A N K]: In Pursuit of An American History
Staller Center for the Arts, Stony Brook University, Stony Brook, NY. Curated by Stephanie Dinkins and Keith Miller
2002-2000
Mundos Creados: Constructed Photography from the Wider Caribbean
Noorderlicht Photofestival, Fries Museum, Groningen, The Netherlands. Curated by Wim Melis (Catalog) (2002)
Fresh: New Photography
Peter Hay Halpert Fine Art, New York, USA (2002)
Latin-American Photography from New York to Santiago de Chile
Fotografia, Primo Festival Internazionale di Roma, IILA, Rome, Italy. Curated by Antonio Arévalo (Catalog)(2001)
Tecnica Mista
La Corte Arte Contemporanea, Florence, Italy. Curated by Patrizia Landi (Brochure)(2000)
Monographic Publications & Books
Carlos Motta: History’s Backrooms (Monograph, 300p. Edition of 2000)
Published by SKIRA, Italy (2020)
The Future Lasts Forever (with Runo Lagomarsino) (Book, 224p. Edition of 500)
Published by Gävle Konstcentrum and Iaspis, Sweden, 2011
BROKEN ENGLISH (Tabloid, 48 pages, co-edited with Julieta Aranda)
Published by Performa 11, New York, USA, 2011
Petite Mort: Recollections of a Queer Public (with Josh Lubin-Levy) (Book, 160p. Edition of 500)
Published by Forever & Today, Inc., 2011
We Who Feel Differently (Book, 96p., Edition of 500)
Published by Ctrl+Z Publishing, Norway, 2011
A Timeline of Queer Immigration (with Camilo Godoy) (Newsprint poster, edition of 1000)
Published by the Museum of Art and Design, New York, October 2011
Second edition published by New Museum, New York, May 2011
Third edition published by CICLO ROSA, Bogotá, September 2011
We Who Feel Differently (Catalog, Edition of 500)
Published by The Other Gallery, Shanghai, China, 2010
La Buena Vida/The Good Life (Book, 136p., Edition of 500)
Published by Fundación Alzate Avendaño, Bogotá, Colombia, 2009
Brief History of Leftist Guerrillas in Latin America (Newsprint poster, edition of 1000).
Originally published for exhibition at MoMA/PS1, New York in 2009
La Buena Vida/The Good Life (Catalog, 85p., On demand)
Published by Art in General, New York,USA, 2008
The Immigrant Files: Democracy is Not Dead; It Just Smells Funny (Book, 185p., Edition of 500)
Published by Konsthall C, Stockholm, Sweden, 2009
What is Democracy To You? (Poster, Edition of 2000)
Originally published for exhibition at ICA, Philadelphia, 2008
Brief History of U.S. Interventions in Latin America Since 1946 (Poster, 4 editions of 2000 up to date).
Originally published for exhibition at Jersey City Museum, NJ, US, 2005
Arts & LEISURE (Tabloid, 28 pages, co-edited with The Generals)
Published by Art in General and e-flux, New York, USA, 2005
Close (Book, 76 pages, Edition of 700)
Published in 2000 by Deskubre, Rome, Italy, 2000
Bibliography
2024
Art Daily
Americas Society Presents “Part II of El Dorado: Myths of Gold”
January 24, 2024
Cerón, Jaime
“Carlos Motta, construir disidencias ante las ansiedades hegemónicas, el des-silenciamiento de las sexualidades desobedientes”
RUA # 351, Universidad de Antioquia, Medellín, 2024
Carollo, Elisa
“Collecting for the Community and Miami’s Art Scene: An Interview with Jorge Perez”
Observer, November 22, 2024
Eshraghu, Léuli
8 Curators on LGBTQ+ Artists to Celebrate This Pride Month 2024
Artsy, May 30, 2024
For Freedoms
Where Do We Go From Here?
Book, Monacelli Press, 2024
Fossi, Michele
“Arsenale alla Biennale di Venezia 2024: ecco un percorso da non perdere”
Vogue Italia, April 24, 2024
Giunta, Andrea
Diversidad y Arte Latinoamericano
Siglo XXI Editores, Spain, 2024
Gonzalez, Damaly
“At Americas Society Artists Look at the Myth That Started Natural Resource Extraction in
Latin America,” Artnews, April 26, 2024
Katz, D., Jonathan
About Face: Stonewall, Revolt, and New Queer Art
Book, Monacelli Press, 2024
López, Ianko
“Bienal de Venecia: un planteamiento convencional pero con algunos puntos de luz que alumbran un
futuro diferente”
El Periódico de España, April 23, 2024
Patel, Kantilal Alpesh
Forever Becoming: Teaching “Transgender Studies Meets Art History’and Theorizing Trans Joy”
New Articulation of Identity In Contemporary Aesthetics, Ed. Derek Conrad and Stacey Schwartz, MDPI, 2024
Pratt News— pratt.edu
“Pratt Faculty Stand Out in Venice,” September 25, 2024
Rinaldi, Ray Mark
“For an Italian Curator, Colombia Is a Place to Make a Difference,” NY Times, Sep. 26, 2024
Rolls-Bentley, Gemma
Queer Art: From Canvas to Club, and the Spaces Between
Book, Frances Lincoln, 2024
RUA # 351 (Guest Artist)
Universidad de Antioquia, Medellín, 2024
Van Meter, William
“Artbo Marks 20 Years in Bogotá, Celebrating Colombian Creativity From Geometric Minimalism to A.I. Art”
Artnet, September 29, 2024
Vidal Egea, Ana
“Miami Art Week 2024: The Latino Artists to Watch”
El País, December 5, 2024
2023
Cultured Magazine
“This Week in Culture: September 4-10”
September 4, 2023
Hopkins Zöe
“Five Shows To See in New York During Armory Show”
Frieze, September 8, 2023
Hakim, Claudia
“A capotear la incertidumbre”
El Tiempo, January 5, 2023
Hakim, Claudia
“El arte alerta”
El Tiempo, March 30, 2023
Keenan, Annabel
“10 Standout Gallery Exhibitions to See During the Armory Week 2023”
Artsy, Sep., 2023
Kruijswijk, Léon
“Carlos Motta in conversation with Léon Kruijswijk on queer ageing”
Body Politics: ON Masculinity, King Kong, 2023
Moses, Serubiri
“It Shall Not Be Named— Carlos Motta’s Your Monsters, Our Idols”
Art Papers, 2023
Motta, Carlos
“Wynnie Minerva Brings Their Rib—and a 70-Foot Long Painting—to the New Museum for their U.S. Debut”
Cultured Magazine, June 30, 2023
Motta, Carlos and Zimmerman, Lucy
“The Columbus Assembly,” Amalgam, 2023
Motta, Carlos
“We Who Feel Differently: Interview with Chase Strangio,” MoMA Magazine, June 2023
Osorio, Adrian
“Visionarios: Carlos Motta”
Revista Diners, Noviembre 2023
Revista Diners
“El MAMBO celebra 60 años con una programación excepcional de expocisiones”
July 18, 2023
Reyes, Ana María
Dialogical Episodes for Decolonizing (Art) History
The Routledge Companion to Decolonizing Art History, Routledge, 2023
Valdes, Emiliano
“Carlos Motta – MAMBO”
Artnexus, 2023
“‘Virosis’, Primera exposición en Colombia sobre la epidemia del VIH”
Radionica, June 6, 2023
Velandia, Manuel
“Todos vivimos en un mundo ‘positivo’”
Semanario Voz, March 25, 2023
2022
Cascone, Sarah
“The Pain is Part of the Process: Why Two Artists Are Pushing Body Modification to the Extreme”
Artnet, April 7, 2022
Díaz, Carmen Graciela
“America Latina erotismo,” La voz de Chile
September 22, 2022
Díaz, Carmen Graciela
“Erotism Beyond the Flesh”
Hyperallergic, September 22, 2022
Gilson, Nancy
“Artists offer food for thought in dual fall exhibits at the Wexner Center for the Arts”
The Columbus Dispatch, Nov. 2022
Harris-Huffman, Rachel
“What Does Solidarity By Artists Look Like”
Hyperallergic, November 17, 2022
Hicklin, Aaron
“Bless the Perverts: The artist Carlos Motta and the writer Rabih Alameddine on recovering the real (and imagined) stories of the demonized”
Grand Journal, November 28, 2022
Mak, Geoffrey
“Linn Tonstad’s Theology of the Dance Floor”
Pioneer Works, 2022
Maksimov, Denis
“Otherness, Desire, the Vernacular”
Arterritory, January 25, 2022
Mosqueira, Bernardo and López Soane, Mariano
“Eros Rising: Visions of the Erotic in Latin American Art”
ISLAA, 2022
Packard, Cassie
“Your Concise New York Art Guide for March 2022”
Hyperallergic, March 1, 2022
Paz, Luciano
“Requiem: El cristianismo y las estructuras binarias de relación. Análisis de la obra de Carlos Motta”
Raigaonkard, Varad
“Exhibitions at Wexner Center for the Arts Bring the Worlds of Revolutionary Artiststo Columbus”
The Lantern, September 26, 2022
Vogel, Wendy
“Carlos Motta and Tiamat Legion Medusa”
Artforum, May 2022
Wally, Maxine
“At Trailblazers Park in Fire Island Pines, Queer Icons Get Their Due”
W Magazine, July 26, 2022
2021
“8 LGBTQIA+ Artists on Self-Portraiture and Expressions of Pride”
Artsy, June 15, 2021
Bermudez Tobón, Juan
“Poner el culo. Arte disidencia sexual en Colombia”
Beca de curaduría histórica, Fundación Gilberto Alzate Avendaño, 2021
Bideaux, Kévin
“La vie en rose: Petite histoire d’une couleur aux prises avec le genre”
Thése de doctorat, Etudes de genre, option arts, Univeristé Paris 8, 2021
Boaden, James
“United by AIDS?”
Association for Art History, 2021
Cotter, Holland
“How the Guggenheim Got Its Groove Back”
New York Times, July 29, 2021
Dawers, Bill
“Never Spoken Again”
Savannah Morning News, July 6, 2021
Marine, Brooke
“Guggenheim Curator Ashley James Lives For “Unanticipated Epiphanies”
April 2, 2021
McShane Julianne
“From genetics to allyship: how queer culture changed the family portrait”
The Guardian, October 27, 2021
Ostojski, Alexander
“Queere Körperin der Gegenwartskunst am Beispiel vom Carlos Mottas Requiem”
Bachelorarbeit für die Prüfung zum Bachelor of Arts im Studiengang Kultur und Technik / Kunstwissenschaft and der Technischen Universität Berlin, Fakultät I, Geisteswissenschaften, August 18, 2021
Russo, Jullian
“Wandamba yalungka…/Winds change direction”
The Brooklyn Rail, September 2021
Steinberg, Claudia
“Carlos Motta”
TANK Magazine, 2021
Tarbox, Wilson
“The 10 Best Booths at FIAC 2021”
Artsy, October 21, 2021
Wesley, Noah
“Never Spoken Again”
Burnaway, July 26, 2021
2020
“A Miami, conversation avec l’artiste queer Carlos Motta”
Soleil Rouge, February 4, 2020
Bailey, Stephanie
“Hell is a Place on Earth: PPOW Looks to History in the Context of Covid-19”
Ocula, April 3, 2020
Blondet, José Luis
“19 Bienal de Arte Paiz”
Artnexus, December 2, 2020
Cerón, Jaime
“Territorios ampliados”
La revista que no fue, April 21, 2020
Devi, Reena
“Collector Benedicta Badia de Nordenstahl Is Drawn to the Art That Appals Her”
Artsy, May 11, 2020
Devi. Reena
“Why Are We Not Paying Attention to Latin American Art?”
Cobosocial.com, April 14, 2020
Eler, Alicia
“For exhibit about migration, Minneapolis museum wraps its white façade in colorful life jackets”
February 20, 2020
Ghizzoni, Edoardo
“(Auto) critica, riconciliazioni e il ruolo dell’arte oggi. Intervista a Carlos Motta”
Artribune, November 11, 2020
Krieger, Deborah
“A Look Into The Future: Four Pivotal Queer Artists Discuss Their Most Powerful Work,
Them, June 25, 2020
Langjahr, Kathleen
“Hell is a Place on Earth. Heaven is a Place in Your Head”
The Brroklyn Rail, May 2020
Larios, Pablo
“Why the Real 11th Berlin Biennale Happens Outside the Institution”
Frieze, September 25, 2020
Levin K., Amy
“Crossing Over: Museums as Spaces of Violence”
Museum International, 2020
Moffit, Evan
“Roma Holiday”
Artforum, February 18, 2020
Moro, Humberto
“National Insuffiencies”
Art Papers, Winter 2020
Yerebacan Can, Osman
“11 Digital Art and Design Exhibitions to Get Lost In From Home”
Architectural Digest, April 10, 2020
Whitechapel Gallery
“Pride Celebration” June 13, 2020
Whittle, Andrea
“Artists Turn to the Skies to Bring Awareness to Detention Centers Around the Country”
W Magazine, July 3, 2020
2019
Adell, Anna
“Carlos Motta, Mirillas desde las que espiar lo contado”
Le Bastart, January 2019
Anderson, Samuel
“Carlos Motta Kindles Wojnarowicz’s Rage”
V-Man, February 26, 2019
Awad, Juana and Nagree, Zeenat
“As It Rises Into the Air: Listening As Practice”
Goethe Institut, Mumbai, 2019
Berardini, Andrew
“Madrid Roundup”
Art Agenda, April 2, 2019
Betancourt, Manuel
“Carlos Motta: on Excavating a Queer Historical Past and Imagining its Future”
Extra Extra, March 2019
Bishop, Nancy
“Stonewall Exhibit at Wrightwood 659 Celebrates Queer Art And “Trans-ness”: We Are Many Things At Once”
Third Coast Review, May 31, 2019
Carrigan, Margaret
“Is it time to drop the ‘Latin American’ artist label”
The Art Newspaper, May 3, 2019
Cyrpiano, Fabio
“Carlos Motta aponta raízes do preconceito e racism no século 21”
Arte!Brasileiros, 2019
Diderich, Joelle
“Paris Photo Week Draws Fashionable Crowd” November 8, 2019
Espinoza, Alex
“Tracing’s L.A.’s Cruising Culture”
Boom California, 2019
Ferreira da Silva, Denise
“Corpus Infinitum”
Catalogue for the exhibition “Carlos Motta: Corpo Fechado,” Galeria Avenida da India, Lisbon, Portugal, EGEAC, Lisbon.
Jaeger, William
“Exhibit at Union College examines issues of power, U.S. hegemony”
Times Union, January 30, 2019.
Johnson, Steve
“Queer art celebration honors Stonewall anniversary by looking beyond the binary”
Chicago Tribune, May 30, 2019.
Katz, Anita
“Soft Power Showcases World Changing Art”
The San Francisco Examiner, October 30, 2019
Kleinman, Adam
“Do Artists Have ‘Soft Power’ To Create Political Change, Frieze, November 28, 2019
Kotlarczyk, Abbra
“Queer uses of colour: A tinted hermeneutics,” Artlink, March 1, 2019
Le Bastart
“Carlos Motta, drilling peepholes in the official history,” January, 2019
Leeb, Susanne and Stakemeier, Kerstin
Denise Ferreira da Silva Interviewed, Texte Zür Kunst, April 12, 2019.
McGrath, Jack. “Carlos Motta: Conatus,” Brochure of the Exhibition: Carlos Motta: Conatus, P.P.O.W Gallery, New York, NY.
Molitor, Felipe. “Deviating from the Norms, with Carlos Motta”
SP-Arte.com, October, 24, 2019
Motta, Carlos in “Confessions on the Dance Floor: Reveries From The Gay Bar,” Art Forum, June 2019.
Motta, Carlos in “What is Photography?” B&H Photo, August 2019.
Ocula. “Sao Paulo Weekend: Shows to See,” November 1, 2019
Umbigo
“Corpo Fechado de Carlos Motta-uma revisitação da narrativa histórica,” 2019
Ramos Santiago
“Trace of the Human: Migration and Contemporary Art”
Commonweal Magazine, Nov. 29, 2019
Small, Zachary
“Queer Artists in Their Own Words: Carlos Motta Wants an Iced Almond Latte”
Hyperallergic, June 6, 2019
Sulic, Susana
“Carlos Motta”
Artnexus 111, January 2019
Synec, Manuela
“Corpo Fechado de Carlos Motta — uma revisitaçao da narrativa histórica”
Umbigo, January 30, 2019
Whyte, Murray
“At the ICA, artists track the American dream’s nightmarish turn”
The Boston Globe, October 31, 2019
Wright, Eric
“Fifty years after Stonewall, how do commemorate its radical history?”
Xtra, June 6, 2019
Yerebacan Can, Osman
“Carlos Motta: Conatus”
Brooklyn Rail, June 2019
Yerebacan Can, Osman
“A Pain That I’m Used To: When The Art World Embraced S&M”
Elephant, June, 11, 2019
2018
America Economía
Carlos Motta y la elección de Iván Duque
August 31, 2018
Artishock
Carlos Motta: Formas de libertad, January 11, 2018
Backman, Marjorie
Updating Ruskin’s Sublime Landscape in the Age of the Anthropocene
Hyperallergic, July 2, 2018
Carrera, Edu
Deseos: Una película de Carlos Motta
Recodo, September 2018
Castillo, Rodrigo
Artista colombiano repasa sus grandes hits en Matucana
Las Ultimas Noticias, July 4, 2018
Devun, Leah and Tortorici, Zeb
Interview with Maya Mikdashi and Carlos Motta
Transgender Studies Quarterly, Volume 5, Number 4, Nov. 2018
Gabler, César
Formas de Libertad
La Penera, Junio 2018
García-Huidobro
Formas de Libertad
Más Deco, June 23, 2018
Gavilán, Jimmy
Artista desempolva la historia homosexual latinoamericana
La Segunda, July 19, 2018
Le Bastart
The Territory and its Layers: Gender, Nature, Body
November 6, 2018
Leal Soto, Vanessa
Imágenes de una contranarrativa: Carlos Motta en Matucana 100
El Mercurio, July 23, 2018
Moreno Moya, Nadia
Formas de libertad: Carlos Motta at MAMM, Medellín
Terremoto, January 25, 2018
Motta, Carlos
TOP 10
Artforum, January 2018
Pasqualotto, Silvia
In The Crossing: l’arte di Carlos Motta che racconta i rifugiati LGBTQI
Alley Oop, January 12, 2018
Ramírez, Diego Ignacio
Carlos Motta en Chile, el nuevo latino LGBTQAI
Galio.cl, August 2, 2018
Ratia, Alejandro
Historia, laberintos y ocultaciones
ArteContexto, September 3, 2018
Rivieccio, Genna
Carlos Motta’s The Crossing Gives a Voice to Queer Refugees
The Pride: The Los Angeles LGBT Newspaper, January 15, 2018
Selvin, Claire
‘Curating Involves a Practice Against Forgetting’: Hans Ulrich Obrist Waxes Poetic at the Armory Show
Artnews, March 13, 2018
Small, Zachary
Best of 2018: Our Top 20 Exhibitions Around the World
16. Carlos Motta: The Crossing at the Stedelijk Museum (Amsterdam, Netherlands)
Hyperallergic, July 2, 2018
Small, Zachary
This Video Exhibit Offers Stark, Intimate Portraits of Queer Refugees
them., January 3, 2018
Umoly, Yesomi
Recordando la 32 Bienal de San Pablo: Vivir esta en el instante
C& America Latina, July 30, 2018
2017
Arteinformado
El MAMM acoge la primera retrospective de Carlos Motta en Colombia
December 13, 2017
Colucci, Emily
I Could Live With You in Another World: Entering the Upside Down World at PPOW Gallery
filthy dreams, August 1, 2017
El Colombiano
El mundo es bello porque es diverso
November 29, 2017
El Tiempo
‘Lágrimas’, un testimonio de los estigmas y las diferencias
October 27, 2017
Frieze Magazine: Critic’s Guide Amsterdam
Carlos Motta, ‘The Crossing’, Stedelijk Museum
November 24, 2017
Folkerts, Hendrik
The Living Monument
Mousse Magazine, Fall 2018
Guzmán, Laura
La Bienal de Sao Paulo llega al Museo de Arte Moderno de Bogotá
El Tiempo, July 31, 2017
Heiserman, Katie
Visual Notes on an Upside-Down World at P.P.O.W
MUSEE, VANGUARD OF PHOTOGRAPHY CULTURE, July 12, 2017
.itsliquid
Carlos Motta: The Crossing, Fall 2017
Love, Heather
Histories Back Rooms: Carlos Motta Interviewed by Heather Love
Public Culture, Volume 29, Number 1, January 2017
Meijer, Laurens
Een minderheid in een minderheid
tubelight.nl, December 23, 2017
Netherlands—Financial Times
Niet gay genoeg bevonden
November 11, 2017
Pechaman, Alexandra
Diary: Flora and Fauna
Artforum.com, October 25, 2017
Pedro, Leila
Topsy-Turvy Art for a World Turned on Its Head
Hyperallergic, July 21, 2017
Con el talento no es suficiente: hay que estudiar
Periódico Arteria, July 30, 2017
‘Lágrimas’: una instalación que retrata el sufrimiento
Revista Arcadia, October 28, 2017
Carlos Motta: Registros de la diferencia
Revista Caras, November 2017
Carlos Motta: Mucho más que “Desviaciones”
Semana, February 18, 2017
Salazar Ruíz, María Camila
‘Formas de libertad’, una muestra sobre la reinvindicación lgbti
El Tiempo, November 28, 2017
Sheets, Hillary
Gender-Fluid Artists Come Out of the Grey Zone
New York Times, September 15, 2017
Stromberg, Matt
Artists Decolonize the History of the Americas at the Vincent Prize Art Museum
Hyperallergic, April 19, 2017
Wall Street International
Carlos Motta
November 25, 2017
2016
Alpert, Avi
Carlos Motta: Histories for the Future
Miami Rail, December 2016
Colucci, Emily
X-Ray of Civilization: Beyond Biopolitics in Carlos Motta’s “Deviations”
filthy dreams, May 8, 2016
Cotter, Holland
Carlos Motta, ‘Deviations’
New York Times, May 12, 2016
Dama, Francesco
An Anthology of Queer Art Theory Puts Artists First
Hyperallergic, May 26, 2016
Doucet, Emily
Carlos Motta: Beloved Martina
C Magazine, Issue 121, Autumn 2016
Dunham, Noah
Unpacking “Otherness” in Carlos Motta’s Deseos
The Portland Mercury, September 15, 2016
La indecencia y el arte de Carlos Motta
El Espectacular–Revista Digital de Tea Arte, Diciembre 21, 2016
Gigena, Daniel
Carlos Motta el el Malba: videos elegíacos para una teología de la diferencia
La Nación, December 1, 2016
Gaia, Giovanni
Performance e provocazione. Alla Tenuta dello Scompiglio
Artribune, June 13, 2016
Getsy, David
QUEER— Documents of Contemporary Art
Whitechapel Gallery and MIT Press, 2016
Getsy, David J.
Histories for the Future:Visionary Identification in the Work of Carlos Motta
Brochure, PPOW Gallery, New York
Gómez-Egaña, Pedro
Ten Questions: Carlos Motta
Kunstkritikk, August 25, 2016
Kleinman, Adam
Carlos Motta
Artforum, Summer 2016
Kogler, Stefanie
The art Practice of Carlos Motta and the archive as a tool for re-enactment and communication
World Art, March 2016
Kosciuczuk, Krzysztof
The Morality Reflex
Frieze.com, October 29, 2016
Laia, Joâo
Live Uncertainty: 32nd Bienal de Sâo Paulo
Mousse Magazine, Fall 2016
Luna, Claire
Carlos Motta
Arte al Dia, January 2016
Martí, Silas
Carlos Motta rêve iconografia católica em chave sadomasoquista na Bienal
Folha de S. Paulo, November 12, 2016
Masushio, Taro
Critics’ Picks: Carlos Motta
Artforum, May 6, 2016
Motta, Carlos
Activism, Visuality, and the Needs of Queer Youth
Journal for Visual Culture, April 2016
Motta, Carlos
We Are Orlando
Bomb Magazine, June 15, 2016
Motta, Carlos
A Personal Latin America
Frieze, August 2016
Norman, Lee Ann
Live Uncertainty: Impressions from Sao Paulo Biennial
ARTSLANT
Ortíz, María Elena
Histories for the Future (Essay for exhibition brochure)
Pérez Art Museum, Miami, 2016
Peláez, Carmen
All Eyes Are On These Latin American Artists
NBC News, December 2, 2016
Pérez-Rubio, Agustín
Muerte eterna (Essay for exhibition brochure)
MALBA, Buenos Aires, 2016
Revilla, Ana
Carlos Motta. Project Gallery. Historias para el futuro
ARTECONTEXTO, Octubre 24, 2016
Silver, Erin
Beloved…
Brochure, Mercer Union, Toronto
TELAM
Carlos Motta: Las conversaciones en torno a la sexualidad y el género se han vuelto hegemónicas
October 12, 2016
Torchia, Franco
Parte de tu religión
Página 12, SOY, October 14, 2016
Yerebakan, Osman Can
Carlos Motta: Deviations at PPOW Gallery
ARTE FUSE, May 13, 2016
Small, Zachary
Art that Slows Down How We Assess Gender
Hyperallergic, April 4, 2016
Tyc, Cat
Carlos Motta
Bomb Magazine, May 6, 2016
Uszerowicz, Monica
Carlos Motta: Histories for the Future, Pérez Art Museum, Miami
Best of 2016: Out Top 15 Exhibitions Across the United States
Hyperallergic, December 29, 2016
Vazquez, Neil
Artist Carlos Motta Revives Latin America’s Queer Culture With “Histories for the Future” at PAMM
Miami New Times, July 12, 2016
VICE Magazine
Ten Queer Reimaginings of New York’s ‘Gay Liberation Monument’
December 23, 2016
2015
Berardini, Andrew
Carlos Motta, Suppression and Pre-Columbian Blowjobs
Art Review, January 2015
Janeksela, Jacklyn
Gender Talents is Making You Rethink Everything You Thought You Knew About Gender
culturedesigners.com, March 26, 2015
Obregón, Catalina
El arte pecador de Carlos Motta
Revista Diners, February 2015
Olsson, Nils
En mångfald av röster
Kunstkritikk, February 6, 2015
Piñero, Alvaro
‘gender talents’ es la prueba de que el género está sobrevalorado
i-D, March 25, 2015
Rana, Matthew
Carlos Motta, Röda Sten Konsthall
Frieze Magazine, April 2015
Schoiswohl, Maria
Insider New York: Carlos Motta
Insiderei. com, March 19, 2015
Sutton, Benjamin
In An Artist’s Video Project, Getting to Know Trans and Intersex Activists
Hyperallergic, March 24, 2015
Svensk, Fredrik
Sex i kolonin
Aftonbladet, February 23, 2015
Teplitzky, Alex
Performing Gender
The Lab, Creative Capital Blog, March 11, 2015
Zaya, Octavio
Carlos Motta: Letter to My Father
Memórias Inapagáives, Associacâo Cultural Videobrasil
2014
ARCO’14: El crítico como galerista
ABC Cultural, February 19, 2014
Barbancho, Juan-Ramón
El cuerpo queer, la construcción de la memoria
http://ramona.org.ar, Marzo 2014
Cotter, Holland
Under the Same Sun, Art From Latin America, at Guggenheim
New York Times, June 12, 2014
Hontoria, Javier
Nuevos escenarios en los Solo Projects
El Cultural (Spain) — Especial ARCO, February 21, 2014
Kovalyova, Ekaterina
арлос Мотта: «Сексуальная идентичность — это ахиллесова пята нашего мира»
http://theoryandpractice.ru, April 9, 2014
Las diversidades sociales y sexuales aún son incómodas
HOY (Ecuador), February 23, 2014
León de la Barra, Pablo
Dispatch: Mexico
blogs.guggenheim.org/map/dispatch-mexico, February 26, 2014
León de la Barra, Pablo
Dispatch: Colombia
http://blogs.guggenheim.org/map/dispatch-columbia, April 2, 2014
López Jijón, Ana María
“El cuerpo es un espacio de resistencia donde la identidad se ejerce como performance”
radiococoa.com/index.php?url=entrevistas-2/el-cuerpo-es-un-espacio-de-resistencia-donde-la-identidad-se-ejerce-como-performance
Mejía, Joseph and Garrido, Rafael
Carlos Motta: Hacia una historiografía homoerótica
ICONOS- Flacso, Ecuador
Millán de Benavides, Carmen
Sus monstruos son nuestros ídolos: A propósito de la Trilogía Nefanda de Carlos Motta
Instituto Caro y Cuervo, Ciclo Rosa Audiovisual 2014
Molina, Oscar
Lo queer en sí es colonial
HOY (Ecuador), February 19, 2014
Moscoso, Manuela
Entrevista con Carlos Motta
Catalogue for “7.000.000”, Espai d’art contemporani de Castelló, 2014
Ortíz, Diego
Retratos de aquellas otras historias
El Comercio (Ecuador), February 20, 2014
Ostrander, Tobias
My Highlights from ARCOmadrid
ART SY, February 26, 2014
Rodríguez Dalvard, Dominique
Bienal Internacional de Arte de Cartagena (BIACI)
Revista Diners, Marzo 11, 2014
Vera, Cristhian
Teoría queer y memoria
GATOPARDO Número 22 (Ecuador), 2014
Young, Peter
The Artists Subverting the Gender Binary
Dazed, November 20, 2014
2013
Bettencourt, Sandra
A Arte Nefanda de Carlos Motta
Janela Urbana, August 8, 2013
Carbone, Christopher
We Created This: The Value of Mentorship for Queer Artists In the Age of Assimilation
Master of Arts Thesis, Columbia University Graduate School of Journalism, 2013
Cotroneo, Rocco
Dalla politica Usa ai trans riprendo la mia Colombia
Corriere Della Sera, January 25, 2013
D’Arcy, David
What The Experimental Films at TIFF Tell Us About the Future of Film
Indiewire, September 16, 2013
Feiss, Ellen
Gender Talents: A Special Address
Frieze Blog, March 4, 2013
Feiss, Ellen
Absolute Democracy
Frieze Magazine, Winter 2012-2013
Kogler, Stephanie
Democracy Cycle— An Interview with Carlos Motta
Arara: Art and Architecture of the Americas, Issue 11, 2013
Marucci, Luciano
L’Arte dei Paesi Emergenti
Juliet # 163, 2013
Mayer, Mariano
Extranjero
Arte al Dia, February, 2013
Motta, Carlos
AA Bronson: On the Ineffable Quality of His Life and Work
EXTRA EXTRA, April Issue # 2
Motta, Carlos, Guest Editor
(im)practical (im)possibilities
e-flux journal # 44, April Issue
Motta, Carlos
Deviations to Love
ATLANTICA, Journal of Art and Thought # 53
Motta, Carlos
Dios es pobre in The Second World Congress of Free Artists
Ed. Camel Collective. Aarhus Kunsthal, 2012
Nash, Mark
Das Dokumnentarische im Zeitalter der Asthetik — Documentary in the Age of Aesthetics
Kultur Kreis, 2013
Ostrowska, Ania
Gender Charmers
the f word, Contemporary UK Feminism, February 24, 2013
Sicinski, Michael
NEFANDUS in TIFF 2013. Wavelenghts Experimental Films—The Shorts and the Mediums
Mubi.com, September 2013
Sierra, Sonia
Frontera y libertad, temas en los muros de la SAPS
El Universal, April 9, 2013 (Mexico)
Weil, Harry J.
Somewhere There is History: A Conversation with Carlos Motta
Afterimage Vol. 41, No. 2, 2013
2012
Konsten att flytta ett berg
Aftonbladet, January 16, 2012
Amir, Yaelle
Required Reading (Catalogue)
Center for Book Arts
Berrío, Juana
On Queering Dominant Discourses: An Interview with Carlos Motta
Six Degrees, New Museum’s Blog, September 7, 2012
Bogre, Michelle
Activism: Practice and Process in Photography as Activism: Images for Social Change
Focal Press, 2012
Cruz, Araceli
Carlos Motta, On “We Who Feel Differently” and Obama’s Gay Marriage Stance
Village Voice, June 5, 2012
Clements, Alexis
Can We Queer the (Art) World, and Why Should We?
Hyperallergic, May 9, 2012
Diaz, Silvina
Sentir de una manera diferente…
Pie Derecho, May 2012
Durant, Marc Alice
Carlos Motta
Saint Lucy, September 2012
Erikson, Alex
Centering the Fringe
Next Magazine, April 27, 2012
Finkelstein, Avram
We Who Feel Differently
criticalmob.com, May 10, 2012
Forero, Parra; Michael, Andrés
Carlos Motta: entre el arte y el museo
Premio Nacional de Crítica y Ensayo (Corto): Arte Contemporáneo en Colombia, 2012
Kartofel, Graciela
Carlos Motta at Y Gallery
Artnexus No. 84, Volume 11, 2012
Kogler, Stefanie
Mediation and the Role of Archives in Contemporary Art from Latin America
University of Essex, School of Philosophy and Art History, MA Curating Latin American Art, September 2012
Loek, Heida
Come! To Man’s Country: Counterpublic Space, Sexuality and Identity of the Gay Clone in New York City
American Studies, MA Dissertation, University of Groningen, 2012
López Sorzano, Liliana
Interrogando la diferencia
El Espectador, Mayo 20, 2012
Nakano, Sarah
Queer Eyes on “We Who Feel Differently” Exhibit
velvetparkmedia.com, May 23, 2012
Petersson, Frans Josef
Konsten att flytta ett berg
Aftonbladet, January 16, 2012
Roca José and Suárez, Silvia
Transpolítico — Arte en Colombia 1992-2012
Lunwerg, Grupo Editorial Planeta, Colombia
3ra Trienal Poli/gráfica de San Juan: El Panal/The Hive (Catalogue)
Instituto de Cultura Puertorriqueña, 2012
Zaya, Octavio
We Who Feel Differently, The New Museum, New York
Arte al Dia, September 2012
2011
Arevalo, Antonio
No se está trabajando con banderas sino con poéticas de lo personal
ArtiShock, June 2011
Ardila, Oscar
Zeit- Genössische Kunst im Öffentlichen Raum in Kolumbien
Kunststadt Stadtkunst, April 2011, Number 58
Artecontexto
Without Reality There is No Utopia, June 6, 2011
Biesenbach, Klaus
Erdkunde
Monopol Magazine, Janurary 2011
Bosco Díaz-Urmeneta, Juan
Descripción de la mentira
El País.com, Junio 20, 2011
burrough, xtine (Ed.)
NetWORKS: Case Studies in Web Art and Design
Routldege, 2011
Bourland, Ian
Critics’ Picks, Found in Translation
Artforum.com, March 2011
Conrad, Ryan
Thinking Differently: Carlos Motta on public sex, collective memory, and queer activism
2Bmag online, October 18, 2011
de ll a 21: Sobre la constitución política del presente. Déficit (vs excedente)
De 11 a 21, March-June 2011, Number 1, Centro Andaluz de Arte Contemporáneo
Danbolt, Matthias
We Who Feel Differently
trickster.net, May 31, 2011
de la Vega Hurtado, Margarita
Cineastas Colombianos en los Estados Unidos
December 2011
di Quinzio, Apsara (Ed.)
The Air We Breathe
San Francisco Museum of Modern Art, 2011
La Tertulia Trangrede
El País. 8 de Agosto, 2011
Âs Artes, Ciudadãos!
Museu de Arte Contempoânea de Serralves, 2011
Fisher, Cora
Found in Translation
The Brooklyn Rail, March 2011
Gelder, Van Hilde
Aesthetic Justice
Le Magazine Jeu de Paume. 30 Mai, 2011
Gluzman, Yelena & Yankelevich, Matvei
Emergency Index—2011 Documenting Performance Annually
Ugly Duckling Press, 2011
Grate, Rachel
We Who Feel Differently: Artist Carlos Motta proposes a change in perspective
The Student Life, Published by Pomona College, September 2011
Hou, Hanru with Johnson, Mary Ellyn
Paradigm Shifts
San Francisco Art Institute, 2011
Haraldseth, Geir
Ten questions: Carlos Motta
Kunstikritikk Nordic Edition, kunstkrittikk.se, May 18, 2011
Hebert, Niels
Bananskal och drink pa golvet
Arbetarbladet, November 19, 2011
Kindstrand, Gunilla
Osäker framtid
Gefle Dagblad, November 19, 2011
Public Sex in New York City
OUT TRAVELER, October 20, 2011
Rangel, Gabriela (Ed.)
arteBA: Bicentenarios después de la invención
arteBA Fundación, 2011
Symons, Stéphane
Aesthetic Justice
lemagazine.jeudepaume.org
The Unseen Eye: Photographs from the Unconscious
Thames & Hudson and Aperture, 2011
Ullebø, Kjetil
Med kunstnerblikk pa skeive Norge
Fredag, Kultur & Folk, May 20, 2011
Zeithammer, Sabina
Carlos Motta, Wiener Festwochen
derStandard.at, June 9, 2011
2010
Amdam, Peter
Arkivets spøkelser
Kunstkritikk, September 9, 2010
Cahill, Zachary
The Creative Act
Artforum.com, December 20, 2010
Días de Auditorio
ADN Cultura, June 26, 2010
Donovan, Thom
Melanie Crean: How To Do Things With Words
BomBlog, November 30, 2010
Exhibition Brochure: Biennale Cuvée 2010, at World Selection of Contemporary Art
OK Offenes Kulturhaus, Linz, Austria 2010
Exhibition Catalogue: smART at the Miami Dade College
Miami Dade College, 2010
Herrera, Adriana
Panorama del Arte Emergente Latinoamericano
Arte Al Día, June-August 2010, Issue 131
Hoyo, Andrés
El teatro colombiano invade a Berlín
Eltiempo.com, April 13, 2010
Ithaca College Names Winners of Environmental Film Festival
IthacaIndy.com, March 10, 2010
Kampen om arkivet- Utstilling, The Creative Act
Aftenposten, Kultur, September 6, 2010
Libertad y Desorden
Black Box Berlin, March 23, 2010
La Paglia, Federica
Se Non Qui, Dove?
Cura Magazine, October-December 2010, Issue 06
López, Liliana
Artistas colombianos hacen presencia en Berlín
Elespectador.com, April 23, 2010
Marmeleira, José
Exposição- Somos todos cidadãos do mundo em Serralves
ípsilon, November 17, 2010
Marshall, Piper
Avenue of the Americas
Artforum.com, September 13, 2010
Meierhenrich, Doris
Freiheit und Unordnung: Theater aus Kolumbien in HAU
Berliner Zeitung, April 26, 2010
Morales, Lorenzo
Experimento de Justicia Narrativa en Seis Actos
impre.com, March 21, 2010
A Conversation Between Carlos Motta and Gabriela Rangel
Henie Onstad Art Centre Exhibition Catalogue, 2010
Exhibition Catalogue for “The Politics of Art”
National Museum of Contemporary Arts, Athens, 2010
Νερομάνα
Worlds Together- An hour with artist Carlos Motta
Fountain Head, Communicative Experimentation, June 27, 2010
Sarmiento, Jorge
¿El Libreto Teatral Como Discurso Artístico Del Arte Contemporáneo?
esferapública.org, September 18, 2010
Schulz, Ole
Wo die Gewalt zeitlos ist- Kritische kolumbianische Theatermacher versammeln sich im HAU
TANZ, April 2010
Schulz, Ole
Kein Fest Ohne Feind
Die Tageszeitung, April 22, 2010
Spreng, Eberhard
Antirhetorick einer mörderischen Wirklichkeit
Deutschlandradio Kultur, Dradio.de, April 26, 2010
Teicke, Friedhelm
Festival: Libertad y Desorden Freiheit und Unordnung
Zitty, April/May 2010
Teicke, Friedhelm
Gewalt und Leidenschaft
14 Tage Bühne, April/May 2010
Pintor colombiano reconcilia a Latinoamérica reordenado el sueño de Bolívar
Terra Argentina, October 23, 2010
Trezzi, Nicola
Avenue of the Americas at Lower Manhattan Cultural Council
FlashArtOnline.com, July 13, 2010
Weiner, Andrew Stefan
The Shapes I Remember from Maps, Tracking New Geographies
X-TRA, Volume 12, Number 2
Wildermann, Patrick
O Land voll Blut und Wunden- Passionsspiele: Politisches Theater aus Kolumbien- ein Festival am Berliner HAU.
Der Tagesspiegel, Kultur, April 24, 2010
Wildermann, Patrick
Die dreckigen Helilgen
Der Tagesspiegel, March 25, 2010
Zerpa, Marth Escalona
Gran retrospectiva de Frida Kahlo, el músico Ruben Rada y arte joven colombiano en Berlín
Analítica.com, May 5, 2010
2009
Exhibition Catalogue: 5×5 Castelló‘09
EACC, Castelló, July 24- September 27, 2009
6th Annual New Prints Review
Art on Paper, November/December 2009, Vol 14, No. 2
Allerholm, Milou
Carlos Motta på Konstahall C, Stockholm
DN.se, February 19, 2009
Amado, Miguel
Ours: Democracy in the Age of Branding at Parsons Anna-Maria and Stephen Keller Gallery
Artforum.com, January 24, 2009
Bellet, Harry and Dagen, Phillippe
Biennale de Lyon, Petites choses, grande réussite
Le Monde, September 16, 2009
Cole, Lori
Critics’ Picks: Things Fall Apart at the Winkleman Gallery
Artforum.com, January 26, 2009
Durant, Mark Alice
Notes on Photography and Monumentality
Aperture, Fall 2009
Exhibition Catalogue: Feedforward- El ángel de la Historia/ The Angel of History
Laboral Centro de Arte y Creación Industrial, 2009
Exhibition Catalogue: 28 Grafica Bienale/ Biennial of Graphic Arts
Mednarodni Graficni Likovni Center/ International Centre of Graphic Arts, 2009
Exhibition Catalogue: Xe Biennale de Lyon, Le Spectacle du Quotidien/ The Spectacle of the Everyday
Les Presses du Reél, 2009
Exhibition Catalogue: Incheon Women Artists’ Beinnale, Tuning Exhibition
Incheon Women Artists’ Beinnale Organizing Committee, 2009
Flores, Tatiana
Preemptive Resistances: Critical Pointers in Latin American Art
ArtNexus, June/August 2009, Issue 7
Incerti, Roberto
La Buena Vida/ The Good Life – Fabbrica Europa, Stazione Leopolda
La Repubblica, May 5, 2009
Iyer, Gayathri
The End. And…at Frederico Séve Gallery/Latincollector
newyorkartbeat.com, August 4, 2009
Lindgren, Peter
Mörk bild av den svenska modellen/ Konsthall C
aftonbladet.se, February 20, 2009
Listing of La Buena Vida/ The Good Life at Stazione Leopolda
Fabbrica Europa, May 5-May 23, 2009
Manen, Martí
Carlos Motta, los archivos del immigrante, at Konsthall C
Exposiciones Europa
McQuaid, Cate
Vidoes, then and now, tell a story, at the RISD Museum
Boston.com, Janurary 4, 2009
Motta, Carlos
Brigada Ramona Parra
A Prior, Issue 03, 2009
Motta, Carlos
Allora and Calzadilla (Interview)
Bomb, Number 109, Fall 2009
Ospina, Lucas
Historia de dos Artistas
Elespectador.com, April 17, 2009
Peña, Carolina
La Buena Vida: Una Percepción Latinoamericana de Democracia
Acceso Directo, Portada, Edition 40
Peña, Pompillio
La fuerza de Carlos Motta en la Fundación Gilberto Alzate Avendaño
elespectador.com, March 26, 2009
Pope-Chappell, Maya
Dissecting The Good Life, at Smack Mellon Gallery
nycitynewsservice.com, March 23, 2009
Spotlight on Carlos Motta at P.S. 1 MoMA
Summer 2009, P.S.1 Summer 2009 Newspaper
Carlos Motta, Demokrati på riktigt/Konsthall C
svd.se, Feruary 20, 2009
Carlos Motta, Undersöker den svenska demokratin/Konsthall C
kulturstan.se, January 28, 2009
Younger Than Jesus/ Artist Director/ New Museum
Phaidon, 2009
2008
Jones, Caitlin
In The Private Eye at ISE Cultural Foundation
Rhizome, February 2008
Bernasconi, Roberta
VENEZIA TUTTO S.A.L.E.
Exibart.com, February 2008
Zellen, Jody
Carlos Motta
Art Papers, January 2008
Blagojovic, B.
Upcoming Events, “Parsons Fine Arts Lecture Series: Carlos Motta”
The Zine, October 14, 2008
Blagojovic, B.
Democracy in America at the Park Avenue Armory
The Zine, Events, News/Upcoming, September 22, 2008
Bryant, Eric
The Indecisive Image
Art News, March 2008
Buil, Belaxis
Carlos Motta, Capturing the Voice of the Masses
Art Voices, Creative Art Network, 2008
Cotter, Holland
With Politics in Air, a Freedom Free-for-All Comes to Town
The New York Times, September 23, 2008
Carvalho, Denise
The Good Life at the Institute of Contemporary Art
ArtNexus, No.116 September-November 2008, pg 156
Douglas, Sarah
New York Museum Shows to Restore Your Faith
Art Info, November 3, 2008
Exhibition Catalogue: Soft Manipulation- Who is Afraid of the New Now?
Casino Luxembourg, 2008
Exhibition Catalogue: The Greenroom, Reconsidering the Documentary and Contemporary Art
Center for Curatorial Studies, Bard College, 2008
Estévez, Mayra
UIO-BOG, Estudios Sonoros Desde la Región Andina
Trama, 2008
Halpern, Ashlea
Exhibition listing of “Ours: Democracy in the Age of Branding” at Parsons Anna-Maria and Stephen Keller Gallery
Time Out New York, Own this city, October 16- October 22, 2008
Holmes, Pernilla
Blast from the Past- Artists around the globe are turning Socialist Realism on its head, layering the once-potent tool of propaganda with irony and nostalgia
Art News, January 2008
Kushner, Marilyn S.
The Future Must Be Sweet- Lower East Side Printshop Celebrates 40 Years
Lower East Side Printshop Inc., 2008
Mella, Leanne
Exhibition Catalogue: The Prisioner’s Dilemma
Cisneros Fontanals Art Foundation, 2008
Moreno, S.
Parsons Show Examines Democracy as Brand
I.D. Magazine, October 28, 2008
Motta, Carlos
Relations in Real Time: A Conversation with Maria Lind
Sjónauki Art Magazine, Number 3, 2008
Motta, Carlos
mapa zerø, 2008 2DA Trienal Poli/Gráfica de San Juan América Latina y el Caribe. Número Cero, Issue 1
Motta, Carlos
The Good Life
Art In General, New Commissions Program 2008
Ozuna, Tony
“Straight Shooters” of Archivo Sur: Art Between Identity and the Mask, at Futura
The Prague Post, November 19, 2008
Roalf, Peggy
Art at a Cultural Crossroads
Design Arts, October 16, 2008
Smith, Roberta
Exhibition listing of “Ours: Democracy in the Age of Branding” at Parsons Anna-Maria and Stephen Keller Gallery.
The New York Times, Arts and Leisure, October 10, 2008
New York goes democrazy
Flash Art, November 1, 2008
Ours: Democracy in the Age of Branding
Art Slant New York, Exhibitions, October 2008
Soft Manipulatin- Who is afraid of the new now? at Casino Luxembourg
ArtFama, March 2009
Stamenkovic, Marko
Interview with Carlos Motta, “Victims’ Dignity”
labforculture.org, January 23, 2008
Thompson, Nato
A Guide to Democracy in America
Creative Time Books, 2008
Velasco, David
The Greenroom: Reconsidering the Documentary and Contemporary Art at CCS Bard/Hessel Museum
Artforum.com, September 2008
Vriens, Matthias
Contributors, “Top Tip”
Elle UK, February 2008
Wilson, Beth E.
The Greenroom: Reconsidering the Documentary and Contemporary Art, “Lucid Dreaming” at CCS Bard/Hessel Museum
Chronogram, November 2008
Zellen, Jody
Carlos Motta
Art Papers, January/February 2008
2007
Amir, Yaelle
Carlos Motta: The Leningrad Trilogy, Winkleman Gallery
whitehot, Oct. 2007
Hernández, Sofía
Carlos Motta: Consistently Aware
Arte Al Día Internacional, May 2007
Motta, Carlos
Means of Engagement: A review of Oliver Herring’s Show
Camerawork: A Journal of Photographic Arts, Fall 2007
2006
Bordón, Juan Manuel
Carta Abierta a la Vanguardia Artística en el Correo Central
Clarin, Cultura, November 11, 2006
Clinton, Margaret Liu
Distortion, Disruption & Dispersion: Reconfigured Retellings
Kevin Bruk Gallery, Exhibition Brochure Essay, June 2006
Carlos Motta: Reciclador de Imagenes
Conección Colombia, Abril 6, 2006
Cotter, Holland
Whitney Independent Study Program
New York Times, May 12, 2006
Costa, Marcela
Balelatína, The Art of Latin America on the Banks of the Rhine
Arte al Día, No 115, September 2006
Fajardo-Hill,Cecilia
10 Experimentos Determinantes
Cisneros Fontanals Art Foundation, Exhibition Catalog, 2006
Genocchio, Benjamin
Black and White But Not That Simple: Carlos Motta Confronts Latin American Politics
New York Times, April 30, 2006
Genocchio, Benjamin
Is It the N.S.A., Or, an M.F.A?
New York Times, February 12, 2006
Herrera, Adriana
La incertidumbre en el arte contemporáneo
El Nuevo Herald, Oct. 15, 2006
Motta, Carlos
Venas Abiertas?
Exit Express, 2006
Motta, Carlos
Lesson Plan: Unlearn
NYFA Current, Dec, 2006
Cultura: Hablan los Artistas
Cambios, No. 685, August 14-20, 2006
Kilston, Lyra
The Front Page: Artists and Photojournalism
Artlies, 2006
Suarez De Jesus, Carlos
Ella’s Gift: Cifo is an oasis in a desert of concrete rot
Miami New Times, October, 2006
McKee, Yates
Carlos Motta’s Hemispheric Counter-Pedagogy
Real Art Ways, Exhibition Brochure Essay, May 2006
Perez, Dinorah
Carlos Motta en Kevin Bruk Gallery
Arte al Dia, Dec 2006
Projekt: The People Speak v. Saul Albert og Mikey
Kunst, Art Guide, September-October 2006
Rexer, Lyle
Bill Hunt’s Photographs
Art on Paper, January 2006
Turner, Eliza
Video, defined: Two shows focus on the history of video arts
The Miami Herald, Nov 5, 2006
2005
Cotter, Holland
Latino Art, and Beyond Category
New York Times, September 2, 2005
Cullen Deborah
The (S) Files
El Museo, Exhibition Catalog Essay, 2005
Henry, Clare
The (S) Files
ARTnews, December, 2005
Howard, Christopher
El Museo’s Bienal: The (S) Files/The Selected Files
The Brooklyn Rail, November 2005
Kopenkina, Olga
Russia Significant Other
ICA, Exhibition Brochure Essay, St. Petersburg, Russia, February 2006
Micchelli, Thomas
The Book as Object and Performance
The Brooklyn Rail, January 2005
Powhida, William
Enemy Image
The Brooklyn Rail, October 2005
Serrano, Eduardo
Se acabo el rollo? La fotografia en Colombia de 1950 a 2000
Editorial Planeta, 2005
2004
Ellis, David
New Home for WTC Art Studios
Downtown Express, July 15, 2004
Farrel, Jennifer
Establishing Shot
Exit Express, May 2004
Hudson, Suzanne
Establishing Shot
Artforum, September 2004
Rattemeyer, Christian
Establishing Shot
Artists Space, Exhibition Catalogue Essay, April 2004
Roca, José
Urbes Interiores: Carlos Motta, Enterrar y Callar
Biblioteca Luis Angel Arango, Exhibition Catalog Essay, June 2004
Schwendener, Martha
Establishing Shot
Time Out New York, April 15, 2004
Stillman, Nick
Establishing Shot
Artforum.com, April 30, 2004
2003
Baker, Kenneth
Artists Leave the Camera Out of the Picture
SF Chronicle, June 7, 2003
Bowen, Doren
Photography In The Mix: Flora-Fauna-Photo
Camerawork: A Journal of Photographic Arts, Spring/Summer 2003
Nuovi Spazi, nasce a Aréa a Palermo
Exibart.com, January 2003
Flynt, Robert
Interview with Carlos Motta
Camerawork: A Journal of Photographic Arts, CD-ROM, Spring/Summer 2003
Translatability
New York Arts Magazine, August 2003
Nicita, Paola
No Money, No Honey
Exibart.com, February 12, 2003
Comienza Fotología
Periodico El Tiempo,August 6, 2003
25 Artistas en el Salón Nacional
Periodico El Tiempo, August 25, 2003
2002
Arévalo, Antonio
Latin-American Photography from New York to Santiago de Chile
IILA, Exhibition Catalogue Essay, May 2002
Bastante, Maria Cristina
Latin-American Photography from New York to Santiago de Chile
Exibart.com, June 14, 2002
Ciolini, Vittoria
Identita Culturali: Toscana Fotografia
La Corte Arte Contemporanea, Exhibition Catalog Essay, October 2002
Da non perdere: Carlos Motta, Pesca Milagrosa
CityFirenze, November 5, 2002
Mundos Creados
CultFrame, September 2002
Door, Arno
Revolutie
De Volkskrant, September 12, 2002
Guarnieri, Beatrice
Pesca Milagrosa
Exibart.com, November 7, 2002
L’altro é il mio obbietivo torna Toscana fotografia
La Repubblica, November 2002
La ‘Pesca Miracolosa’ dei guerriglieri colombiani
L’unita, November 8, 2002
Melis, Wim
Carlos Motta: ‘Pesca Milagrosa’
Mundos Creados: Constructed Photography from the Wider Caribbean,” Noorderlicht Photofestival, Exhibition Catalog Essay, 2002
Reieneweld, Chris
Waarachtig beeld
Financieel Dagblad, September 28, 2002, Groningen, The Neatherlands
Pietersma, lland
Ik will niet aan geweld wennen
Dagblad van het Noorden, September 2002, Groningen, The Neatherlands
Van, Ek S.
Experimentale Fotografie
Friesch Dagblad, September 2002, Groningen, The Neatherlands
2001
Vásquez, Mauricio and de Greiff, Ilse
Interview with Carlos Motta
Choque y Fusión,99.1 Radio Joven, Colombia, November 2001
2000
Landi, Patrizia
Tecnica Mista
La Corte Arte Contemporanea, Exhibition Catalog Essay, May 2000
Frailey, Stephen
Introduction for Close,
Published by Deskubre, Rome Italy, 2000
Tocancipa Luz Stella
Goce Visual
Revista Cromos, November 16, 2000
Umbrico, Penelope
Critical Essay for Close
Deskubre, Rome Italy, 2000
Collections
Bronx Museum, New York, NY, USA
Centre Pompidou, Paris, France
Cisneros Fontanals Foundation, Miami, Fl, USA
Colección Dieresis, Guadalajara, Mexico
Deutsche Bank, New York, NY, USA
Faena Art, Buenos Aires, Argentina/Miami, FL, USA
Fundación ARCO, Madrid, Spain
Fundación Cisneros, Caracas, Venezuela/New York, USA
Fundación RAC (Rosón Arte Contemporáneo), Pontevedra, Spain
Guggenheim Museum, New York
KADIST, Paris and San Francisco
Lab’ Bel, Paris, France
LARA Foundation, Singapore
Leslie-Lohman Museum of Gay and Lesbian Art, New York
Metropolitan Museum of Art, New York
Museo de Arte Latinoamericano de Buenos Aires —MALBA, Argentina
Museo de Arte del Banco de la República, Bogotá, Colombia
Museo de Arte Contemporaneo de Barcelona (MACBA), Spain
Museo de Arte Moderno de Medellín, Colombia
Museo de Arte, Universidad Nacional de Colombia, Bogotá, Colombia
Museo de Arte de Lima (MALI), Peru
Museu Fundação Serralves, Porto, Portugal
Museum of Latin American Art (Mola), Long Beach, CA, USA
Museum of Modern Art (MoMA), New York
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
National Museum of Contemporary Art (EMST), Athens, Greece
Nc-arte, Bogotá, Colombia
Pérez Art Museum (PAMM), Miami, USA
PinchukArtCentre, Kiev, Ukraine
Proyecto AMIL, Lima, Peru
The Art Institute of Chicago, USA
Timeline, Konstfack’s Videotek, Konstfack, Stockholm, Sweden
San Francisco Museum of Modern Art (SFMOMA), USA
Savannah College of Art and Design, Savannah, GA, USA
Wroclaw Contemporary Museum, Wroclaw, Poland
Lectures, Panels, Workshops & Artist Presentations
2026
The Ethical Imperative
Humanities Center, University of Rochester, February 5th, 2026
Keeping Time: Performance and Endurance Amid Political Erasure
The Keith Haring Lecture in Art and Activism
Center for Curatorial Studies and the Human Rights Project at Bard College, Annandale-on-Hudson, New York
April 27th, 2026
2025
The Coded Language: QueerWordPlay (Panel with Justin Linds, Pete Sigal, Rebecca Teich, and Noelle Deleon)
co-presented by Creative Time and Pratt Institute Fine Arts’ Project Third
CTHQ, New York, January 30th, 2025
La internacional Queer/cuir
MACBA, Barcelona, June 19-20, 2025
2024
VLC Forum 2024: Correct History (Panel with Andrea Geyer and Adam HajYahia)
Vera List Center, The New School, New York, October 26th, 2024
Jaanus Samma and Carlos Motta in Conversation
Esther NY, May 1, 2024
Immaginazione e politica: 20 anni di Disobedience Archive (with Marco Scotini, Marcelo Exposito, Angela Melitopoulus and Arnold Braho)
FM Centro per l’Arte Contemporanea, April 13th, 2024 Milan, Italy
El Dorado Roundtable: Body and Religion (Panel with Esperanza Mayobre and Tie Jojima)
Americas Society, April 3, 2024
Son(i)a #391: Carlos Motta
Radio Web MACBA, Barcelona, January 2024
Leslie Lohman Museum Artist Fellowship (Seminar leader)
Leslie Lohman Museum, January 21, 2024
2023
Visionado performativo y conversación con el artista Carlos Motta y la comisaria Maite Borjabad
Matadero, Madrid, December 1, 2023
Dry Run (Artist Responder)
PerformVu and Franklin Furnace, Pratt Institute, November 10, 2023
Don’t Mourn, Consecrate (1987, Juan González) (Open table discussion with Ted Kerr, Samuel Ernest, and Melanie Kress)
Grey Art Gallery, New York University, October 19, 2023
Corpus Delecti (Panel Moderator with Ceyenne Doroshow, Sandy Stone, and D’Hana Perry)
Park Avenue Armory, New York, October 14, 2023
Carlos Motta, Yelaine Rodríguez, Emilio Rojas (Artist Talk)
Colonial Archives, Erotics, and Latin American/Latinx Performance
Hemispheric Institute of Performance & Politics, New York University, September 21, 2023
Void: Tom Burr, Carlos Motta and José Esparza in Conversation
Storefront for Art and Architecture, Broadcast, Montez Radio, July 30, 2023
Carlos Motta (Artist Talk) (Invited by Chlöe Bass)
Social Practice, Queens College, April 25, 2023
Carlos Motta (Artist Talk) (Invited by Itziar Barrio)
Sarah Lawrence College, April 3, 2023
Art History Happy Hour: Jimmy DeSana
(with Laurie Simmons and Drew Sayer)
Brooklyn Museum, March 23, 2023
Carlos Motta (Artist Talk/Studio Visit) (Invited by Itziar Barrio)
University of Virginia, January 13, 2023
2022
Online Conversation: Obra Viva: Artistic Creation Laboratory
(With artisan Higinio Bautista and artist Carlos Motta)
Banco de la República, Centro Cultural Leticia, Colombia, December 21, 2022
Day With(out) Art 2022: Being and Belonging
(Panel with Kat Cheairs, Pamela Sneed, and Jess Saldana)
Barnard College, New York, December 1, 2022
Carlos Motta (Artist Talk) (Invited by Katherine Hubbard)
School of Art, Carnegie Mellon University, Pittsburgh, November 8, 2022
Critical Dialogues: Carlos Motta (Artist Talk ) (Invited by Alpesh Patel)
Temple Contemporary, Art History, Gender, Sexuality, and Women’s Studies and Latin American Studies, Temple University Philadelphia, November 2, 2022
Carlos Motta and Ana María Reyes in Conversation (Moderated by Lucy Zimmerman)
Wexner Center for the Arts, Columbus (online), October 26, 2022
Carlos Motta (Artist Talk at Cash Ragona’s class)
School of Art, Carnegie Mellon University, Pittsburgh, October 12, 2022
Art & Identity: Allocating resources to the development and representation of Latine/@/X artists
(Panel with Constanza Valenzuela, Nicole Calderón, Eva Díaz, and Elena Ketelsen González)
Pratt Institute, School of Art, September 29, 2022
Eros Rising: Visions of the Erotic in Latin American Art
(Panel with Bernardo Mosqueira, Mariano Lopez Seoane, David Lamelas, Wynnie Minerva, and La Chola Poblete)
ISLAA, New York, September 20, 2022
Studio Visits MFA Program
School of Art, Carnegie Mellon University, Pittsburgh, September 22, 2022
BFA Thesis show walkthrough
Hunter College, New York, June 3, 2022
Carlos Motta (Artist Talk at Visiting Artists Series) (Invited by Marc Tribe)
School of Visual Arts, New York, March 29, 2022
Carlos Motta (Artist Talk at Cash Ragona’s class)
School of Art, Carnegie Mellon University, Pittsburgh, February 23, 2022
2021
Carlos Motta (Artist Talk) (Invited by Marc Arthur)
University of Michigan School of Social Work, Ann Arbor, November 11, 2021
Bodies of Water Rising (Performance lecture) (Curated by Juana Berrio)
Part of Brooklyn Through the Eyes Of…
Amant Foundation, New York, November 6, 2021
The Arts Representation of the Dispossessions: Overview of the Art Exhibits, Art Projects, and Public Performances in the Americas
(Panel with Tania Bruguera, Carlos Motta, Las Nietas del Nonó, Giuliana Vidarte, Eduardo Carrera, Jonathan Katz, and Jorge Sánchez)
The Andrew W. Mellon Foundation and University of Pennsylvania, October 28, 2021
Historias: A Panel Discussion (Panel with Ruth Benítez, Flavia Krause, Carlos Motta, Liliana Porter, Rosaura Ramos y Inés Yujnovsky)
Franklin Furnace, New York, October 19, 2021
Off the Record: An Unclassified Dossier (Symposium) (Organized by Ashely James)
Guggenheim Museum, New York, September 17, 2021
Histórias da diversidade/queer histories (Seminar) (Organized by Adriano Pedrosa, André Mesquita, and Julia Bryan-Wilson)
Museu de Arte de São Paulo (MASP), June 28-29, 2021
Carlos Motta (Artist Talk)
UC Riverside, May 20, 2021
Carlos Motta (Artist Talk)
Museum Nights, Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, May 13, 2021
Carlos Motta (Artist Talk at Angela Dufresne and Dean Moss’ class)
Rhode Island School of Design, April 30, 2021
Panelist, Dublin LGBTQ+ Asylum Seekers Online Conference
Dublin City University, April 9-10, 2021
2021 Tutorials
School of Arts & Humanities, Royal College of Art, London, March 22-23, 2021
Untimely Transgressions (Forum with Tavia Nyong’o. Curated by Raegan Truax)
Hurford Center for the Arts & Humanities, Haverford College, March 19, 2021
Carlos Motta (Artist Talk at Melissa Ragona’s class)
School of Art, Carnegie Mellon University, Pittsburgh, March 10, 2021
Carlos Motta (Artist Talk at Mariano López Seoane’s class)
Department of Comparative Literature, New York University, February 16, 2021
2020
Searching for Missing Narratives (Panel discussion with Karol Radziszewski and Laura Raicovich)
Polish Cultural Institute, co-presented with Residency Unlimited, New York, December 15, 2020
Carlos Motta: History’s Backrooms (Book launch and panel discussion with Hendrik Folkerts, Eungie Joo, Miguel López and Roya Amirsoleymani)
Portland Institute for Contemporary Art (PICA), co-presented with P.P.O.W Gallery, December 8, 2020
Carlos Motta (Artist Talk)
Photography Department, Cranbrook Academy of Art, Detroit. November 30, 2020
The Power of Mourning: Decolonial Struggles and Queer Bodies (with Simon(e) Pateau, Bartolina Xixa, Naomí Rincón Gallardo, and Agustín Pérez Rubio)
Berlin Biennial, Gathering 3, ExRotaprint, Berlin, October 29, 2020
Carlos Motta and Nato Thompson in Conversation
Instagram Live, August 19, 2020
Carlos Motta and Mania Akbari in Conversation
Instagram Live, June 30, 2020
Movimiento queer, activismo y políticas del cuerpo: Entrevista con Carlos Motta y Pablo Bedoya por Inés Elvira Mejía
Plataforma Enlaces, Montevideo, Uruguay y Signo Centro Interdisciplinario, Bogotá, Colombia
Stream Yard, June 15, 2020
Carlos Motta: We The Enemy (Artist Talk)
The Center for Cultural Studies, UCSC, Santa Cruz, January 22, 2020
Bodies at the Borders (Symposium convened with Rachel Nelson)
UCSC, Santa Cruz and SFMOMA, San Francisco, January 24-25, 2020
Queer Archives: Between the Individual and the Institution (Panel with Dean Erdmann, Tiona Nekkia McClodden, Shannon Mattern, and Christiane Paul)
Vera List Center for Arts and Politics, The New School, New York, January 27, 2020
“I am reborn at every moment” – Contemporary Reflections on Feliciano Centurión and AIDS (Panel with Bill Arning, Elektra KB, and Carlos Motta. Moderated by Gonzalo Casals (Executive Director, Leslie-Lohman Museum), Americas Society (in collaboration with Visual AIDS), New York, March 5, 2020
Movimiento queer, activismo y políticas del cuerpo: Entrevista con Carlos Motta y Pablo Bedoya con Inés Elvira Mejía
Plataforma Enlaces (Colobia) y Signo (Uruguay), June 17, 2020
2019
Making Another World Possible (Panel with Nato Thompson, A.L. Steiner, Rashida Bumbray, and Nikolay Oleynikov)
Summit X Sessions, Creative Time, New York, November 16, 2019
Soot Breath: On Land, Law, and Bodies (Symposium convened by Denise Ferreira da Silva and Arjuna Neuman)
Goldsmiths, London, May 18, 2019
Are the Arts Essential? (Symposium)
John Brademas Center/New York University at Pocantico Center of the Rockefeller Brothers Fund, January 23-25, 2019
SEX/WORK (Screening)
First Person Plural, March 3, 2019
En Vivo y En Directo (Reading with SPIT! for Camilo Godoy’s En Vivo y En Directo programs)
CUE Art Foundation, March 9, 2019
Marathon Reading of Theresa Hak Kyung Cha’s DICTEE (Organized by Sarah Schulman) (Reading)
Performance Space New York, March 17, 2019
Humboldt’s Parrot: David Ayala-Alfonso, Carlos Motta and Felipe Steinberg (Panel)
Independent Curators International (ICI), New York, March 18, 2019
Carlos Motta (Job Talk)
Pratt Institute, New York, February 21, 2019
2018
Carlos Motta (Artist Talk)
Parsons The New School of Design, November 28, 2018
Max Wasserman Forum on Contemporary Art: Future Genders (Symposium)
MIT List Visual Arts Center, November 10, 2018
Carlos Motta (Artist Talk)
The Mount Royal School of Art MFA Visiting Artist Lecture Series, Maryland Institute College of Art, October 9, 2018
Butterfly’s Mirror: A Conversation on Carlos Motta’s Refugee Portraits in The Crossing (Discussion with Laura Raicovich and Itamar Mann)
The Dedalus Foundation organized by Denniston Hill, May 17, 2018
Carlos Motta (Artist Talk)
NYU Performance Studies, March 22, 2018
Carlos Motta (Artist Talk for Tyler Coburn’s Critical Issues Seminar)
Columbia University, MFA Program, March 19, 2018
The Unforgettables (Reading Group and Discussion about The SPIT! Manifesto) (with SPIT!)
A.I.R. Gallery, New York, March 19, 2018
Collapsing Structures (Panel with Simon Castets, Michy Marxuach, and Laura Raicovich)
Armory Live, Armory Show, March 9, 2018
Shapes of Freedom: Carlos Motta (Artist Talk)
Pratt Institute, February 12, 2018
2017
After Silence: A History of AIDS Through Its Images (Panel with Avram Finkelstein, Nayland Blake, and Kameelah Janan Rasheed)
Rizzoli Bookstore, November 17, 2017
Trans*historicities (Panel with Maya Mikdashi, Kay Ulanday Barrett, Gabriel Garcia Roman, Leah DeVun, and Zeb Tortorici)
NYU’s Fales Library and Special Collections, November 3, 2017
Carlos Motta in Conversation with Lia Gangitano
Americas Society, November 2, 2017
Carlos Motta (Artist Talk)
Fire Island Artist Residency, July 31, 2017
The Visitor Talks: Carlos Motta (Artist Talk)
CCS, Bard College, April 5, 2017
Council presents The Against Nature Journal, Contour Biennale 8 Public Program (Screening of Deseos)
March 11, 2017
2016
La internacional queer: La indecencia y el futuro de la teología (Symposium with Ron Athey, Hugo Córdova-Quero and Linn Tonstad)
MALBA, Buenos Aires, October 15, 2016
Nefandus: Colonial Sexual Alterity and Histories for the Future (Symposium with Anjali Arondekar, Pablo Bedoya, Joseph Massad, Fernanda Molina and Pete Sigal)
Pérez Art Museum (PAMM), Miami, August 27, 2016
Histories for the Future (Panel with Tone Hellesund, Heather Love and Julia Morandeira)
Hordaland Kunstsenter, August 27, 2016
What Now? On Future Identities (Panel)
Art in General, in collaboration with the Vera List Center for Art and Politics, New York, May 20, 2016
Jack McGrath on Carlos Motta’s Nefandus Trilogy
PPOW Gallery, New York, May 17, 2016
Editor Evan Moffitt in conversation with Carlos Motta
Reading Room, Frieze New York, May 9, 2016
Asking and Telling It: A Conversation between Carlos Motta and Juan Ledezma
Henrique Faria Fine Art, New York, March 9, 2016
La universidad desconocida (Symposium)
Museo Jumex, Mexico City, January 29-30, 2016
2015
Gender Talents (Artist Presentation)
Sofia Queer Forum, Red House Centre for Culture and Debate, Sofia, December 9, 2015
SOMA presents: The Archive (Panel with Jorge Méndez-Blake, Alaina Claire Feldman and Carla Herrera-Prats). Art Basel Crowdfunding Lab, Miami, December 3, 2015
Cidade queer (Panel with Maya Mikdashi and Ezsio Rosa)
Centro Cultural Sao Paulo, November 11, 2015
Sunny Bunny — Molodist Kiev International Film Festival (Member of the jury), October 24- November 1, 2015
Conflict #5 – ‘Do-Gooding’ and Criticality (Artist Presentation)
Art and Social Justice Working Group, Vera List Center for Art and Politics, The New School, New York September 24, 2015
MoMA R&D Salon: Fluid States of America (Panel with Paola Antonelli, Micha Cárdena, Thomas Lax, Latoya Peterson, Tricia Wang)
Museum of Modern Art, New York, September 16, 2015
Drawing in A Straight Line (Panel with Nayland Blake, Collier Shorr and Bob Nickas)
Artist Space, New York, July 16, 2015
Encuentro profesionales ArteBA (Co-organizer with Miguel López)
ArteBA, Buenos Aires, June 4-7, 2015
Gender Talents (Panel Organizer with Kate Bornstein, Johanna Burton, Tiger Devore, Tara Mateik and Tavia Nyong’o)
New Museum, New York, May 3, 2015
Carlos Motta (Artist Presentation)
Purchase College, State University of New York, April 15, 2015
Art, Social Change, and the Urban Sphere (Panelist with Johanna Fateman, Eva Franch i Gilabert and Dread Scott)
The City College of NY (CCNY), New York, March 26, 2015
Who remains? Subjectivity After Identity Politics part of the Visible/Invisible Symposium
(Panelist with Katherine Hubbard, Steffani Jemison and Luke Willis Thompson. Moderated by Johanna Burton)
New Museum, New York, March 7, 2015
Encuentros profesionales ARCO (Participant in both Miguel López’s and Manuel Segade’s Professional Encounters)
ARCO, Madrid, February 27-28, 2015
Carlos Motta (Artist Presentation)
Pratt University, New York, February 11, 2015
SITAC XII: Just Art(e) Justamente (Screening)
Patronato de arte contemporáneo, Mexico City, Jan. 22-24, 2015
The Empire of Love: Alternative Relationships and Other Possibilities (Symposium co-organizer with Mary Coble and Sara Jördeno. With Erika Alm and Ellie Nordfeldt, Katarina Bonnevier, Mathias Danbolt, Al Masson, and Transmilitanta Brigaden)
Valand Academy, Gothenburg, January 25, 2015
Queer/Art/Film: Carlos Motta presents TO DIE LIKE A MAN
IFC Center, January 12, 2015
2014
Carlos Motta: Nefandus Trilogy (Screening and artist presentation)
Jeu de Paume, Paris, October 14, 2014
Carlos Motta: Nefandus Trilogy (Screening and artist presentation)
School of the Art Institute of Chicago, October 4, 2014
Carlos Motta: Gender Talents (Artist Presentation)
98weeks —Beirut, Lebanon, July 14, 2014
Curatorial Intensive in Mexico City (Artist Presentation)
Independent Curators International —Museo Jumex, Mexico, July 3, 2014
El cuerpo producido (Panel with Carolina Escobar Sarti and Dorotea Gómez)
Centro Cultural de España —19 Bienal de Arte Paiz, Guatemala, Peru, June 7, 2014
Talentos de género: Disidencias sexo-genéricas y prácticas políticas desde REDMMUTRANS (Panel with Galilea Bracho (REDMMUTRANS), Jorge Chavarría (artist), Ricardo García (UNAIDS), Carlos Motta (artist), Lic. Trinidad (Presidential Commission Against the Discrimination and Racism Against Indigenous People), and Gabriela Tuch (Sexual Diversity Defender, Attorney General’s Office for Human Rights, Guatemala)
Centro Cultural de España — 19 Bienal de Arte Paiz, Guatemala, Peru, June 5, 2014
Genealogías del arte latinoamericano desde la sexualidad y el género (Panel with Miguel López y Fernanda Nogueira)
PARC-Perú Arte Contemporáneo, Lima, Peru, Abril 26, 2014
I see in the sea nothing except the sea. I don’t see a shore. I don’t see a dove. (Round table discussion with Adam Golfer, Ashley Hunt, Heather M. O’Brien and Samira Yamin)
The Camera Club of New York, April 19, 2014
The Queer Art of the Counter Archive (Panel moderator. With Harrison Apple, Andy Campbell, and Ryan Conrad)
Radical Archives Conference, A/P/A Institute & Cantor Film Center, NYU, April 12, 2014
The Oncoming Corner # 13: Carlos Motta (Screening and Discussion)
A project by Malin Arnell at her Brooklyn apartement, March 30, 2014
Visual Activism Symposium (Keynote Presentation)
SF MoMA and International Association for Visual Culture, San Francisco, March 14-16, 2014
El sexo (el arte) y la ciudad (Workshop)
Galeria Arte Actual, Quito, Ecuador, February 17-19, 2014
Los contextos queer en el arte (Panel with Eduardo Carrera, Eduardo Fajardo and León Sierra)
Cine Ocho y Medio, Quito, Ecuador, February 18, 2014
2013
Oiticica-subterrânea (Panel moderator. With Irene Small and Víctor Manuel Rodriguez)
PINTA FORUM, PINTA NY, November 15, 2013
ritual of queer rituals (Ritual co-organizer with AA Bronson. With Ron Athey, François Chaignaud, Ebe Oke, Elizabeth Povinelli and Linn Tonstad)
Witte de With, Rotterdam, November 2, 2013
The Practice of Reading Undocumented Histories (Artist Talk & Screening with Prof. Carmen Mörsch)
Kunsthof Zürich at Main Auditorium ZHdK, Zürich, October 31, 2013
Art Talk: AA Bronson and Carlos Motta
Hyperallergic, New York, August 21, 2013
Aesthetics of Engagement (Panel Discussion with Mariam Ghani, Murtaza Vali and Ann Mesner)
Pratt University, New York, May 9, 2013
El sexo (el arte) y la ciudad (Workshop and artist presentation)
Proyectos Ultravioleta, Guatemala City, July 31, 2013
Youth (Lecture and panel discussion with Naomi Hirabayashi, Barry McGee, Carlos Motta, and Ellin O’Leary and Dennis Schol)
IDEAS CITY Conference, New York, May 2, 2013
Carlos Motta (Artist Presentation)
Paul Branch Lecture Series, CalArts, Los Angeles, April 25, 2013
Godfull: Shape Shifting God as Queer (Symposium co-organizer with Jared Gilbert. With Lovett/Codagnone, Darnell L. Moore, Ernesto Pujol, Robert Sember, Samita Sinha and Linn Tonstad) The Institute for Art, Religion and Social Justice, Union Theological Seminary, New York, April 12, 2013
La forma de la libertad (Panel Discussion with Susana Vargas, Alonso Hernandez, Oscar Garcia and Xabier Lizarraga)
Sala de Arte Público Siqueiros, Mexico City, April 9, 2013
Gender Talents: A Special Address (Symposium co-organizer with Electra. With Xabier Arakistain, Esben Esther Pirelli Benestad, Giuseppe Campuzano, J. Jack Halberstam, Carlos Motta, Beatriz Preciado, Dean Spade, Terre Thaemlitz, Wu Tsang & Safra Project, Del LaGrace Volcano and Campbell X)
TATE Modern, London, February 2, 2013
2012
Conflict and the Rebel City (Panel Discussion with Miguel Amado, Chelsea Haines and Sreshta Rit Premnath)
Dorsky Gallery—Curatorial Projects, Long Island City, Queens, October 21, 2012
Carlos Motta, We Who Feel Differently (Lecture and Screening)
Utah Museum of Contemporary Art, Salt Lake City, October 11, 2012
Feeling Differently (Round Table with Sianne Ngai, Nomy Lamm & Raegan Truax)
Stanford University, October 10, 2012
Show and Tell: Carlos Motta in Conversation with Larry Rinder and Naland Blake (Talk)
Yerba Buena Center for the Arts, San Francisco, October 8, 2012
Absolute Democracy (Symposium co-organizer with Oliver Ressler)
Steirischer Herbst, Graz, Austria, September 26, 2012
Carlos Motta: Algunos apuntes sobre las políticas del afecto queer (Lecture and Screening)
Lugar a dudas, Cali, Colombia, August 9, 2012
Carlos Motta, We Who Feel Differently (Lecture and Screening)
Gallery 400, University of Illinois at Chicago, July 17, 2012
Digital Art & Democracy: People, Places, Participation (Symposium—Artist Presentation)
University of California, Santa Cruz, June 1, 2012
We Who Feel Differently: Thursday Night Events— (Organizer of public programs in the context of New Museum solo exhibition)
New Museum, New York, May 31 – September 6, 2012
We Who Feel Differently: A Symposium (Co-organizer with Raegan Truax)
New Museum, New York, May 4-5, 2012
Carlos Motta (Artist Presentation)
Lower Manhattan Cultural Council, April 17, 2012
Carlos Motta (Artist Presentation)
Amherst College, Amherst, Massachusetts, March 29, 2012
Carlos Motta (Artist Presentation)
Escuela de Artes Plásticas (EAP), San Juan, Puerto Rico, March 12, 2012
SITAC X: The Future: The Long Count Begins Again (Symposium)
Patronato de arte contemporáneo, Mexico City, Feb. 9, 10 and 11, 2012
2011
Writing as Practice: Peripheral Continuity (Symposium— Artist Presentation with Andrea Geyer)
International Center of Photography, New York, December 17, 2011
Theologies of Liberation (Artist Talk with Jared Gilbert)
Y Gallery, New York, December 15, 2011
The Walls That Divide Us (Artist Talk with Leor Grady)
Apexart, New York, December 8, 2011
The Future Lasts Forever (Book Presentation with Migue López and Lisa Rosendahl)
Gävle Konstcentrum, Sweden, November 19, 2011
Broken English (Panel Discussion with Julieta Aranda, Defne Ayas, Adam Kleinman and Naeem Mohaiemen)
Performa Hub, Performa 11, New York, November 13, 2011
A New Discovery: Queer Immigration in Perspective (Panel Discussion)
Museum of Art and Design, New York, October 15, 2011
Live Out Loud (Panel Discussion)
Pratt University, Brooklyn, October 11
The Gay Generation Gap (Panel Discussion)
Dixon Place, New York, October 2, 2011
We Who Feel Differently (Artist Presentation)
Pomona College Museum of Art, Clermont, CA, September 26, 2011
Diversidad Sexual, Activismo y Arte en Cali (Panel Discussion)
Espacio de Arte Contemporaneo, Museo La Tertulia, Cali, August 11, 2011
Artist Residencies and Conflict Areas (Symposium)
Goethe-Institut, New York, June 25, 2011
Aesthetic Justice (Artist Presentation with Niels Van Tomme)
Cabinet, New York, June 14, 2011
We Who Feel Differently (Panel Discussion)
Torpedo Books, Oslo, Norway, May 20, 2011
We Who Feel Differently (Panel Discussion)
Gallery USF, Bergen, Norway, May 19, 2011
Aesthetic Justice (Seminar)
Provisions Libraby and Lambent Foundation, New York, May 14, 2011
Queerocracy (Symposium)
The New School University, New York, April 17, 2011
Sexuality and the State in Latin America (Panel with Noelle Stout)
Columbia University, New York, April 13, 2011
2010
Carlos Motta (Artist Presentation)
National Museum of Contemporary Art, Athens, Nov. 4, 2010
Carlos Motta (Artist Presentation)
School of Visual Arts, New York, NY, Oct. 12, 2010
Carlos Motta (Artist Presentation)
Hunter College, New York, NY, Sept.29, 2010
La imagen emancipada (Panel Discussion)
ARTEBA’10, Buenos Aires, June 26, 2010
Ask Los Artistas (Panel Discussion)
VOLTA NY, New York, March 6, 2010
Carlos Motta (Artist Presentation)
University of California Santa Cruz (UCSC), Santa Cruz, CA, Feb.26, 2010
Geography of Trans-teritories (Panel Discussion)
San Francisco Art Institute (SFAI), San Francisco, CA, Feb.24, 2010
Carlos Motta (Artist in Residency & Artist Presentation)
Vermont College of Fine Arts, Montpelier, VT, January 29- Feb 7, 2010
2009
Carlos Motta (Artist Presentation)
Medienwerkstatt, Vienna, Austria, Nov. 30, 2009
Feedforward: The Angel of History (Symposium)
Laboral, Gijon, Spain, Oct. 23-24, 2009
Carlos Motta (Artist Presentation)
Stiftelsen 3,14, Bergen, Norway, Oct. 15, 2009
Carlos Motta (Artist Presentation)
California College of the Arts Curatorial Practice Program, San Francisco, Oct. 9, 2009
Carlos Motta (Artist Presentation)
SF Camerawork with Galeria La Raza, San Francisco, Oct. 8, 2009
¡Presente! Daniel Alarcón and Carlos Motta: Next-Generation Latin American Art and Literature (Panel Discussion)
Berkeley Art Museum, Berkeley, Oct. 10, 2009
Carlos Motta (Artist Presentation)
Galerija Miroslav Kraljevic, Zagreb, Croatia, Sept. 4, 2009
Carlos Motta (Artist Presentation)
Milton Avery School of the Arts at Bard College, New York, June 26, 2009
Atti Democratici (Panel Discussion)
Casa della Creativita, Florence, Italy, May 6, 2009
Symposium on Integration, April 4, 2009
Konsthall C in collaboration with Institute for Future Studies, Stockholm
The Good Life (Workshop)
El Parqueadero, Biblioteca Luis Angel Arango, Bogotá, March 14-15, 2009
Carlos Motta (Artist Presentation)
RISD Museum of Art, Providence, RI, February 18, 2009
2008
The Shape of Things to Come – Artists as Public Intellectuals (Panel Discussion)
Cisneros Fontanals Art Foundation, Miami, USA, December 4, 2008
What is Real? Photography and the Politics of Truth (Symposium)
International Center of Photography, Dec 12-13, 2008
Carlos Motta (Artist Presentation)
Philadelphia Academy of Fine Arts, Philadelphia, PA, November 13, 2008
Carlos Motta (Artist Presentation)
Parsons Fine Arts Lecture Series, New York, NY, October 15, 2008
Carlos Motta + Ann Farnsworth-Alvear (Artist Presentation)
ICA, Philadelphia, PA, February 27, 2008
2007
Vita Activa: Political Engagement through the Arts (Artist Presentation)
SODAart at Villa Arson, Nice, France, October 2007
On the edge of the abyss, one step forward! A conversation between Carlos Motta and Juan Pedro Fabra
wip:konsthall, Stockholm, Sweden, October 2007
Carlos Motta (Artist Presentation)
Konstfak, Stockholm, Sweden, October 2007
2006
Art/Net/Work (Artist Presentation, Panel Discussion)
New Media Department, Aarhus University, Aarhus, Denmark, October 2006
Town Meeting (Artist Presentation)
Andrew Kreps Gallery, New York, October 15, 2005
La Conceptualizacion de La Imagen (Teaching, One-Week Workshop)
El Centro de La Imagen, Mexico City, Mexico, August 2005
The Future of Photography (Panel Organizer and Moderator)
Parsons The New School of Design, part of SPE Conference 2004, New York
Legitimizing The Other: Art and National Identity in the Age of Globalization (Artist Presentation)
New York University, October 9, 2004, New York
Visiting Artist
School of Visual Arts, New York, April 2004
Establishing Shot (Panel Discussion)
Artists Space, March 2004, New York, USA
Carlos Motta (Artist Presentation)
SF Camerawork, May 2003, San Francisco, CA, USA
Slide Fest (Artist Presentation)
ICP Education Program, September 2002, New York , USA
Professional Affiliations
2019-Present
Associate Professor of Interdisciplinary Practice (with tenure), Fine Arts Department, Pratt Institute, New York
2019
Mentor, Textile Arts Center’s Artis in Residence (TAC AIR) Program, New York
2017-2005
Adjunct Faculty, MFA & BFA Photography and Fine Arts Departments, Parsons The New School of Design, New York
2016-2011
Adjunct Faculty, BFA Photography Department, The School of Visual Arts (SVA), New York
2016-2002
Adjunct Faculty, General Studies, International Center of Photography (ICP), New York
2014
Visiting Faculty, MFA, Pratt Institute School of Art and Design, New York
2014-2013 & 2020-2021
Mentor, Queer Art Mentorship Program, Queer Art, New York
2013
Visiting Faculty, MFA, Cooper Union School of Art, New York
2012-2010
Adjunct Faculty, Milton Avery School of the Arts at Bard College, Annandale-on-Hudson
2011-2009
Visiting Faculty, MFA, Vermont College of Fine Arts (VCFA), Montpelier
2011
Visiting Faculty, ICP-Bard MFA Program, International Center of Photography (ICP), New York
